What if you could build one set — and use it for three different shows? Emmy Award-winning production designer Adam Rowe did exactly that. In this Best Of clip from The Tie In, Adam walks through the real-world case study behind "Good Glam Lock" — how a CBS medical drama set he designed in Toronto became a Netflix makeup headquarters, then a CBS law firm, traveled by semi-truck across the border, and now lives permanently at Paramount in Los Angeles.This isn't theory. It's a working blueprint for how the entertainment industry can reduce waste, cut costs, and build bigger, better-looking sets by reusing what already exists.
What you'll learn:
— Why designing for modularity from day one unlocks reuse down the line
— How the same set looked completely different across Good Sam, Glamorous, and Matlock
— Why audiences "forgive and forget" — and what that means for production design
— The RGB lighting trick that worked across all three shows
— How reuse let Matlock afford a set it never could have built from scratch
Perfect for production designers, art directors, set decorators, producers, UPMs, sustainability coordinators, and anyone responsible for art department budgets in film and TV.
Topics: sustainable production design, set reuse, circular economy film, art department sustainability, production efficiency, CBS network television, Netflix production, Matlock, Glamorous, Good Sam, Emmy Award production design, entertainment sustainability, green production, film set design, cost-effective production
🎙️ FEATURED GUEST:
Adam Rowe — Emmy Award-winning Production Designer & Art Director
Credits include: Matlock (CBS), Glamorous (Netflix), Good Sam (CBS), Mad Men, Parks and Recreation, Rent: Live (Fox)
Perfect for production designers, art directors, set decorators, scenic artists, producers, UPMs, sustainability coordinators, and anyone in the art department who wants to do more with less.
Topics Covered: set reuse, sustainable production design, circular economy film, art department sustainability, production efficiency, CBS television, Netflix production, Matlock, Glamorous, Good Sam, Emmy Award production design, entertainment sustainability, green production design, film set design, cost-effective production, scenery reuse
This is an abridged excerpt of a previosly recorded episode.
🔗 Listen/Watch to the full episode:
YouTube: https://youtu.be/73iYlRcEXZQ
Spotify: https://open.spotify.com/episode/7HLZ0BC9qc9PXSc7GGogZl?si=qHdf0d3CQRqh8Yqv9VbIpw
Apple: https://podcasts.apple.com/us/podcast/s2-e27-crafting-climate-action-with-production/id1753867919?i=1000715272047
Watch these videos for more inside details about the set reuse on these projects:
If You’re Not Re-Using It Your Losing It: https://youtu.be/EIZU2yX38_U
The Modern Medieval Catapult Master, Set Construction Coordinator Joe Madziak: https://youtu.be/E36ZaTVyDbI
🎙️ Connect with Adam:
📸 Instagram: https://www.instagram.com/rowdy.rowe/
💼 LinkedIn: https://www.linkedin.com/in/adam-rowe-703608264/
🎙️ Connect with your hosts:
Zena Harris on LinkedIn: linkedin.com/in/zenaharris
Mark Rabin on LinkedIn: linkedin.com/in/rabinmark
👉 SUBSCRIBE for more sustainability and clean energy content from inside the entertainment industry.
#ProductionDesign #SustainableEntertainment #SetDesign #GreenProduction #FilmProduction #TVProduction #ArtDepartment #SetReuse #CircularEconomy #SustainableFilm #CBS #Netflix #Matlock #Glamorous #GoodSam #MadMen #EmmyAward #TheTieIn #BestOf #EntertainmentSustainability #ProductionDesigner #ArtDirector #FilmSet #GreenFilmmaking #SustainableProduction #SetDecorator #FilmIndustry #TVIndustry #GreenSet #ProductionEfficiency #CircularDesign