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Brought to you by Penguin. This Penguin Classic is performed by Natalie Dormer, best known for her standout role as Queen Margaery in Game of Thrones, as well as her roles in The Hunger Games and Captain America: The First Avenger. A Room of One's Own, based on a lecture given at Girton College...

A Room of One's Own, among Virginia Woolf's best-known works, is an extended essay, based on two lectures that she delivered in October 1928 at Newnham College and Girton College, women's constituent colleges at the University of Cambridge. First published in September 1929 as a book, this seminal feminist text makes a case for a literal and figurative space for women writers within a literary tradition dominated by men.

Hi, I'm Keshav, and my life is screwed. I hate my job and my girlfriend left me. Ah, the beautiful Zara. Zara is from Kashmir. She is a Muslim. And did I tell you my family is a bit, well, traditional? Anyway, leave that. Zara and I broke up four years ago. She moved on. I didn't. I drank every night to forget her, I called, I messaged, and stalked her on social media. She just ignored me. However, that night, on the eve of her birthday, Zara messaged me. She called me over, like old times, to her hostel room 105.

In this rich new audio production, acclaimed British American actress Rebecca Hall brings one of E. M. Forster's most admired works to life in this classic tale of human struggle. A charming young Englishwoman, Lucy Honeychurch, is wooed by both free-spirited George Emerson and wealthy Cecil Vyse while vacationing in Italy. Though attracted to George, Lucy becomes engaged to Cecil despite twice turning down his proposals. On hearing of the news, George confesses his love, leaving Lucy torn between marrying the more socially acceptable Cecil or George, the man she knows would bring her true happiness. Should Lucy choose social acceptance or true love?

In A Room of One’s Own, Virginia Woolf’s classic six-part essay, the iconic Modernist writer takes on the misogyny of writing, publishing, and creativity in her time. Through the imagined sister of William Shakespeare, who in her argument possesses the same talent and intellect as the famous playwright, Woolf lays out the fundamental truth that one requires room to express creativity and time to explore and see it through. Genius unexpressed is genius nonetheless, and had Shakespeare’s sister the means to make her own art, she would have had the same lasting legacy as her brother.

A Room of One's Own, based on a lecture given at Girton College Cambridge, is one of the great feminist polemics. Woolf's blazing polemic on female creativity, the role of the writer, and the silent fate of Shakespeare's imaginary sister remains a powerful reminder of a woman's need for financial independence and intellectual freedom.

Based on two lectures Woolf delivered at the University of Cambridge, A Room of One’s Own compellingly argues for women’s intellectual freedom and the importance of financial independence. It is still considered one of the most powerful pieces of feminist writing to this day. Published in 1929, A Room of One’s Own asserts a simple message: in order for women to reach their full creative potential, they must have their own money and space with which to do it with.

People are drawn to, and influenced by, leaders who communicate authentically, connect with people, and have immediate impact. So how do you become one? How can you learn to “own the room?” This book will help you develop your leadership presence. The authors offer a simple and compelling framework as well as practices for developing your "signature voice." Wherever you sit in an organization, you can develop presence if you are able to do two things well: demonstrate your authentic value and distinction; and connect to others in a positive way.

A Room of One's Own is an extended essay, originally delivered in 1928 as two lectures at two of Cambridge University's women's colleges—Newnham College and Girton College. Through the use of several metaphors, lauded author Virginia Woolf explores the social injustices and structures that prevent women from engaging in free expression and contributing to literature.

A CLASSIC COMING-OF-AGE STORY WHICH HAS HELD GENERATIONS OF READERS SPELLBOUND Rusty, a sixteen-year-old Anglo-Indian boy, is orphaned, and has to live with his English guardian in the claustrophobic European part in Dehra Dun. Unhappy with the strict ways of his guardian, Rusty runs away from...

This charming, old-fashioned story of a girl growing up during the depression will convince you that anything is possible. Against a backdrop of authentic hardship and despair, 13-year-old Virginia Eade discovers the true source of happiness. A doctor's daughter, Virginia spends her days dreaming of romance with "the two Charlies" - Charles Lindburgh and Charlie Chaplin. Soon Virginia is forced to give up her room to less fortunate relatives, and failed banks, closed shops, and breadlines crop up in her insulated world.

This collection contains Virginia Woolf's two most important and impactful non-fiction essays: A Room of One's Own and Three Guineas which have inspired and enraptured readers for decades. Virginia Woolf (1882-1941) was an English novelist and essayist regarded as one of the foremost modernist literary figures of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a member of the famous Bloomsbury Group.

“A Room of One’s Own” is one of Virginia Woolf’s most influential works and a cornerstone of the feminist movement. In this brilliant essay, Woolf explores the limitations faced by women in the early 20th century, using captivating prose and the poetic style characteristic of a novelist. She compellingly argues that the lack of financial independence and a private space are key barriers preventing women from fully developing their literary talents

This feminist essay argues for both a literal and figural space for women writers within a literary tradition dominated by patriarchy. First published on 24 October 1929, the extended essay was based on a series of lectures delivered by Virginia Woolf at Cambridge University in October 1928. While it employs a fictional narrator and narrative to explore women both as writers of and characters in fiction, the manuscript for the delivery of the series of lectures, titled “Women and Fiction”, and hence the essay, are non-fiction. - Summary by Cori SamuelThis recording was originally published...

Baseado em palestras proferidas por Virginia Woolf nas faculdades de Newham e Girton em 1928, o ensaio Um teto todo seu é uma reflexão acerca das condições sociais da mulher e a sua influência na produção literária feminina. A escritora pontua em que medida a posição que a mulher ocupa na sociedade acarreta dificuldades para a expressão livre de seu pensamento, para que essa expressão seja transformada em uma escrita sem sujeição e, finalmente, para que essa escrita seja recebida com consideração, em vez da indiferença comumente reservada à escrita feminina na época.

Virginia Woolf nos revela en esta obra, básicamente, la evolución de su pensamiento feminista en relación con la literatura. El libro empieza planteándonos una pregunta: ¿Qué necesitan las mujeres para escribir buenas novelas? La respuesta la irá plasmando y argumentando a través de la exposición de situaciones diferentes, en ocasiones inventadas o supuestas, donde predominarán las mujeres. La conclusión final es que para que las mujeres escriban buenas novelas necesitan independencia económica y personal, es decir, una habitación propia.

Si bien el ensayo emplea un narrador ficticio y la prosa para explorar a mujeres (tanto escritoras como personajes de ficción), y el manuscrito preparado para las conferencias se tituló "Mujeres y Ficción", el ensayo está considerado no-ficción. Generalmente se clasifica como un texto feminista, y su argumento gira en torno a un espacio literal y ficticio para escritoras que se encuentran dentro de una tradición literaria dominada por hombres.

Med sine tanker om kvinnen som selvstendig individ med økonomisk og arbeidsmessig uavhengighet, fikk boken en banebrytende betydning for kvinnefrigjørelsen, og er fortsatt et sentralt verk i feminismen og den feministiske litteraturkritikken. Tankene hennes blir gjennom undersøkelser av natur og institusjoner, besøk og middager, lagt fram med humor, sinne, ironi og skarpsindighet, og den historiske gjennomgangen av kvinnelige forfattere blir blandet med fiktive forestillinger.

En 1928 a Virginia Woolf le propusieron dar una serie de charlas sobre el tema de la mujer y la novela. Lejos de cualquier dogmatismo o presunción, planteó la cuestión desde un punto de vista realista, valiente y muy particular. Una pregunta: ¿qué necesitan las mujeres para escribir buenas novelas? Una sola respuesta: independencia económica y personal, es decir, Una habitación propia.

The complete BBC Radio 4 legal drama, starring Claire Rushbrook and Clare Corbett. Behind Closed Doors is a courtroom drama with a difference - it centres around civil law, not criminal. In these nine plays, London barrister Rebecca Nyman takes on cases ranging from workplace harassment to the...