Showing results for "Arthur Schopenhauer" in Politics & Social Sciences

Schopenhauer was just 30 when his magnum opus, Die Welt als Wille und Vorstellung, a work of considerable learning and innovation of thought, first appeared in 1818.

Much to his chagrin and puzzlement (so convinced was he of its merits), it didn't have an immediate effect on European philosophy, views and culture. It was only decades later that it was recognised as one of the major intellectual landmarks of the 19th century.

Counsels and Maxims is a classic work by noted German philosopher Arthur Schopenhauer. His work has influenced some of the modern world's greatest thinkers, including Carl Jung, Sigmund Freud, and Erwin Schrödinger. This piece was originally translated by Thomas Bailey Saunders.

'The two foes of human happiness are pain and boredom.' Arthur Schopenhauer (1788-1860) was one of the most influential philosophers of the 19th century because his humanistic, atheistic, if pessimistic views chimed with a new secularism that was emerging from a Western society dominated by religion. Despite his rather forbidding image (and a few outdated views), he is one of the most approachable German philosophers, and this is certainly evident in these two key works, The Wisdom of Life and Counsels and Maxims.

The World as Will and Idea by Arthur Schopenhauer presents his philosophy that reality is driven by a metaphysical will, influencing all aspects of life and existence. Schopenhauer, a German philosopher, is known for his pessimistic philosophy, emphasizing that desire causes suffering. This work has profoundly influenced both philosophical thought and literature.

The original edition of The World as Will and Idea appeared in 1818, but in 1844 Schopenhauer published an expanded version. It contained the 'Criticism of the Kantian Philosophy', a lengthy document; and Supplements to the First Book ( The Doctrine of the Idea of Perception) and the Second Book ( The Doctrine of Perception or Knowledge of the Understanding).

The essays in The Two Fundamental Problems of Ethics have a rather special place in Schopenhauer’s work, both being written as entries to Scandinavian philosophy competitions, one in Norway and one in Sweden.

Schopenhauer: here's when great philosophy can be somber, pessimistic, even brutal, and still resonate with a sarcastic laugh. He was among the first to contend that the universe is essentially not a rational place; in his most famous work, "The World as Will and Representation", he argues that the individuals of a species do not have as much free will as is ordinarily thought, as the only will that matters is that of the species, which is to reproduce and carry on. Schopenhauer is very well-known for his radical stance on women, aesthetics, and rhetoric.

Comment expliquer le succès tardif mais réel, le retentissement subit de la philosophie de Schopenhauer ? C'est qu'il est possédé de la folie de son temps, cette folie que l'on a si justement appelée la maladie du pessimisme, ou encore la maladie du siècle, der Weltschmerz, la douleur du monde, cette folie qui compte tant de victimes, de Werther à René, de Childe-Harold à Rolla, et d'illustres malades : Byron, Musset, Henri Heine, rieurs attristés, viveurs blasés, sceptiques nuageux, révoltés lyriques qui adorent la vie et la maudissent. Schopenhauer est le théoricien de cette école de poètes.

"The Art of Controversy or The Art of Being Right" is an acidulous, sarcastic treatise written by the German philosopher Arthur Schopenhauer. In it, Schopenhauer examines a total of thirty-eight methods of showing up one's opponent in a debate. He introduces his essay with the idea that philosophers have concentrated in ample measure on the rules of logic, but have not engaged with the darker art of the dialectic, of controversy.

In this profound exploration, Schopenhauer delves into his central thesis that beneath the reality we perceive lies an insatiable Will, eternally striving for satisfaction. Each human observer interacts with the world through this intrinsic Will, often blinded by the distractions of life and the superficial differences that obscure its essence. To truly grasp the underlying reality—the Thing-In-Itself—one must look beyond the principium individuationis, which is caught in the relentless cycle of cause and effect defined by the Principle of Sufficient Reason. Art serves as a powerful medium...

Arthur Schopenhauer's "The Wisdom of Life" is a compelling exploration into the nature of happiness and fulfillment. Written by a renowned 19th-century philosopher, this work delves into human desires and motivations, offering a unique perspective on finding meaning in life.

You've been here before. You make a solid point, logically sound, only to watch the conversation get hijacked. Suddenly, you're defending against a ridiculous exaggeration, a personal jab, or clever-sounding nonsense that has nothing to do with what you said. You get frustrated, derailed, and defeated—even though you know you're correct. You know you're right—so why do you keep losing the argument?

Schopenhauer: hier is wanneer grote filosofie somber kan zijn, pessimistisch, zelfs brutaal, en nog steeds resoneren met een sarcastische lach. Hij was een van de eersten om te beweren dat het universum is in wezen niet een rationele plek; in zijn beroemdste werk, "De wereld als wil en voorstelling", beweert hij dat de individuen van een soort niet zo veel vrije wil hebben zoals gewoonlijk gedacht, als de enige Will dat telt, is dat van de soort, die te reproduceren en Ga verder.

In this final part to Schopenhauer's momentous and hugely influential work, his original and wide-ranging observations are as lively as ever. Though cast as a 'pessimist' by history, he is anything but that to read - and listen to. Here are the last supplementary comments his original work (published 1818), the fruit of decades of further reflection.

Мир как воля и представление—центральная работа немецкого философа Артура Шопенгауэра. Шопенгауэр утверждал, что назначение этой работы во всестороннем рассмотрении «единственной идеи». Он разработал свою философскую систему, состоящую из четырёх разделов: эпистемология, онтология, эстетика и этика.

Premier grand philosophe contemporain, Schopenhauer ouvre l'ère du soupçon, l'ère de l'inconscient de Marx, de Freud et de Nietzsche. Bien que sa déconstruction des idées traditionnelles le conduise au constat de l'absurdité de la vie, son pessimisme n'est que provisoire. Par l'art, la morale, la sagesse, Schopenhauer nous arrache à nos peurs et entame la construction d'une doctrine du salut.

First proposed more than 200 years ago, Schopenhauer's extraordinarily prescient metaphysics - if understood along the lines thoroughly elucidated and substantiated in this volume - offer powerful answers not only to the paradoxes of quantum mechanics, but also to modern philosophical dilemmas such as the hard problem of consciousness - which plagues mainstream physicalism - and the subject combination problem - which plagues constitutive panpsychism 

Parerga means 'supplementary to a main work', and Paralipomena suggests a further supplement, but these two books were anything but a casual addition to his major opus, The World as Will and Idea. For a start, it was the publication of Parerga and Paralipomena in 1851 which brought Schopenhauer to the attention of the general public, decades after The World as Will and Idea first appeared.  

In this illuminating work, Schopenhauer reveals his core thesis at the heart of our reality lies an insatiable Will perpetually seeking fulfillment. Each individual perceives the world through the prism of this fundamental Will within. However, the distractions of daily life and our unique identities often obscure this deeper truth. To truly understand existence, one must navigate beyond the principium individuationis, trapped by the cause-and-effect constraints of the Principle of Sufficient Reason. Schopenhauer posits that Art uniquely unveils the Thing-In-Itself—an ideal unbound by ...

In this profound work, Schopenhauer explores the core notion that beneath our perceived reality lies an insatiable Will, eternally striving for satisfaction. Each human Subject interprets the Objects around them through the lens of this driving force, yet the complexities of life and individual differences often obscure our understanding of it. To truly grasp the essence of the Thing-In-Itself, we must look beyond the ‘principium individuationis’—a concept trapped within the cause-and-effect constraints of the Principle of Sufficient Reason. Art serves as a transformative medium, ...