Showing results for "D-H" in Historical

Sons and Lovers, Lawrence's third published novel, was written by the author at the height of his literary powers. The story of class differences (the relationship between a middle-class woman and a miner) in the tough world of coal mining brought a refreshing realism to literature. It remains a challenging text and is studied widely. It is particularly effective on audiobook in the hands of Nottinghamshire reader Paul Slack.

Sons and Lovers, D. H. Lawrence's first major novel, was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly knit mining community and by a family where feelings are never hidden for long. When the marriage between Walter Morel and his sensitive, high-minded wife begins to break down, the bitterness of their frustration seeps into their children's lives.

In The Rainbow, D. H. Lawrence challenged the customary limitations of language and convention to carry into the structures of his prose the fascination with boundaries and space that characterize the entire novel. A visionary novel, considered to be one of Lawrence's finest, it explores the complex sexual and psychological relationships between men and women in an increasingly industrialized world.

Sons and Lovers was the first of Lawrence's major works, and is still considered to be one of his best. The 1913 novel, partly autobiographical and set in the coalmining village of Bestwood, is notable for being the first English novel to be genuinely working-class in origin and focus.

In post-war East Midlands, in a home dominated by their difficult grandmother and aunt, Yvette and Lucille are two sisters struggling to bring joy into their lives. Their mother, having run off in a scandal, leaves the two to suffer a dysfunctional family life and oppressive domesticity. But one day, Yvette meets a free-spirited gypsy and his family, awakening her sexual desires and compounding her disenchantment.

Arthur Leary thought that his part in the Revolution ended when his generals surrendered their army to the Americans after the Battle of Saratoga. Little did he know that political maneuvering at the highest levels of British and American government would leave him and his fellow soldiers marching across the landscape for years to come...unless he could find a way out. The rocky soil of a New England farm owned by fierce patriots to the American cause offered him hard labor and harder choices - choices that would shape his future and that of his country.

As the British close in on Philadelphia, trouble at home and a fight with Congress culminate in the worst night of Isaac Melcher’s life. Can he recover his honor and his marriage before both are lost forever—and help prevent the Revolution from being crushed by the Crown?

David Herbert Lawrence was born on the 11th September 1885 in Eastwood, Nottinghamshire, a coal mining town where the reality of a harsh life was only useful as experiences for future literary works. Lawrence’s first efforts were poems, short stories and a draft of ‘The White Peacock’. Moving to London and a teaching position in Croydon his writing attracted the attention of Ford Madox Ford, editor of The English Review, and he commissioned him to write ‘Odour of Chrysanthemums’. Wanting to write full-time he now began work on what would become ‘Sons and Lovers'.

Questo romanzo scritto nel 1917, narra della crisi spirituale di un vescovo anglicano, proprio durante la guerra, in cui visioni soprannaturali, indotte casualmente da una droga somministratagli inconsapevolmente, lo portano a superare i particolarismi delle varie confessioni per arrivare ad una fede più pura. "E' più facile che un vescovo smetta di credere in Dio che smetta di credere alla Chiesa", dice l'autore.

"A Sick Collier". Lawrence returns in this story to the scenes of his childhood and the colliers he was brought up with. The wife in the story is probably based on his mother, although the husband is unlike the drinking, brutal father portrayed in Sons and Lovers, Lawrence's autobiographical novel. The story is a vivid portrayal of the life of a young couple when an accident strikes the husband down, but does not succeed as a short story, lacking any clear focus or message.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.

In this series we explore the many facets of love through literary talents that span both time and country. By a choice of vows each undertakes to stay with the other through the good times and the bad. And most probably there will be plenty of both and much in between. But the union of marriage comes in many shades and hues, some balanced, some destined to last a lifetime and others set to fizzle out or stumble to an ill-mannered conclusion in separation or divorce and, of course, death.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.