Showing results by narrator "Paul Metcalfe" in All Categories

Imagine a breathing technique that can increase oxygen uptake and delivery to the cells, improve blood circulation, and unblock the nose. Perhaps it can help open the airways of the lungs, enhance blood flow and oxygen delivery to the brain, improve sleep, and bring calmness to the mind. It might even restore bodily functions disturbed by stress, build greater resilience, and help you to live longer. You might think this description sounds farfetched. But it isn’t.

In "The Prussian Officer", there is an anti-militarism theme, unpopular as the nation drew near to war, and an examination of latent homosexuality as the officer in the story struggles with his feelings for his orderly. The young soldier is driven beyond his breaking point, but finds a kind of redemption in his final return to natural surroundings and, symbolically, he finds equality in death with his tormentor as they are put side by side in the mortuary.

"The Thorn in the Flesh" was written by D.H. Lawrence in 1914. The story can be listened to in tandem with "The Prussian Officer", which was written in the same year and has a similar setting and theme. In this story, the young soldier fights against his own shortcomings as a soldier and as a man. He flees the scene of his crime into the arms of his lover, where he finds solace and comfort, but he cannot escape the inevitable military machine that Lawrence hated.

Goose Fair was written by D H Lawrence in 1910. Lawrence sets his story against the backdrop of the industrial troubles caused by the Franco-Prussian war of 1870. A young woman is torn between her need for a lover and her contempt for what she perceives to be his dishonesty in the burning down of a mill. Is all love a compromise between the ideal and the reality of life?

A Fragment of Stained Glass was written by D H Lawrence in 1911. Lawrence relates a story, supposedly from the Middle Ages, which tells of the possible triumph of love and the human spirit over the forces of religion, superstition, and social injustice.

"None of That" concerns itself with the nature of desire. The man in the story is no more than an animal with base instincts but is attractive to women. The woman looks for something deeper with imagination, but in the end is brought down by the more instinctive man. Lawrence again seems to be saying that a woman cannot exist beyond the control of a man, however crude, and can only bring unhappiness on herself if she tries to live on her own terms.

Lawrence uses the story of a storm and the deaths it causes to revive the feelings for (if not an actual belief in) the old gods, in this case Mercury whose shrine is ignored by the tourists but who takes his revenge.

Two Blue Birds tells the tale of the classic triangle of the man, the wife and the secretary, who struggle to work out what their relationships are with each other. Neither of the women seem to want the man sexually but the secretary offers devotion while the parasitic wife has more insight into the man and his work. All the relationships seem unhealthy, all three seem to want something different but are incapable of expressing what they desire.

"A Dream of Life" is unfinished, but there is enough extant to let us know where Lawrence was going in this story. He begins by looking back and bemoaning what has become of his generation, under the thumb of women and lacking the spark of his father's mining friends. Then, in a scene reminiscent of Pilgrim's Progress, he travels forward in time and sees his village in the distant future. The people are living in an idealized commune, but do they have the spark of life?

"Rawdon's Roof" is a slight comic piece, relying for its humor on the folly of a man throwing away his chance of happiness because of an unexplained and unlikely vow.

"The Blue Moccasins" has the charm of looking at some eternal human problems such as unequal marriage, the waning of sexual desire, and a woman who cannot give herself wholly to her husband in a thoroughly English and local setting: the stage of an amateur dramatic society where all the passions and delusions come to a head.

"Things" takes a cutting look at two "idealistic" young Americans who travel around Europe in an attempt to give their spoiled lives some meaning, and in the end settle for suburban America, surrounded by their possessions, their "things".

"Jimmy and the Desperate Woman" tells the improbable story of an intellectual editor persuading a working woman to live with him. We would say now "on the rebound" from a failed marriage, but Lawrence crosses the class divide and poses questions about what makes us attracted to other people. The intellectual twists and turns of the magazine editor contrast nicely with the stark honesty of the spurned miner husband.

"The Last Laugh" is another of Lawrence's supernatural stories, set in a dreamlike snowy London. The question left open is who the three people in the story saw on the snowy evening. Perhaps Pan, returned to destroy the Christian God, as the church is destroyed in the story, and to bring love to the frigid young woman in the form of a policeman who is prevented from leaving the house. But why the other quite harmless, and Platonic lover, had to die is a mystery. Perhaps because he had made love to a Jewess?

"Glad Ghosts" is another of Lawrence's supernatural stories, set in the archetypical country house. He doesn't attempt to explain the supernatural happenings which occur, but uses them to extol his own ideas of the power of the sex drive and the triumph of life over death.

"England, My England" is set in the years before the Great War of 1914, seen by some as an idyllic time of sunshine and peace before everything was shattered by the mechanized war. The family is placed in an idealized setting, deep in the English countryside, but there are snakes in this Garden of Eden. There is conflict between man and woman, brought to the fore by an accident to a child, and there is the seeming purposeless life led by the husband. The story ripples with the eugenic theories popular at the time, yet the conflicts are finally solved by the horror of the war.

"The Primrose Path" looks at what can be the ephemeral nature of man and woman, love, and the horror and certainty of death, which seems to hang over all the characters in this haunting short story.

"The Blind Man" is a delicate study of a loving relationship blighted by the man's blindness and disfigurement in the First World War. The arrival of an old friend of the woman brings into the open feelings and fears previously suppressed.

"The Horse Dealer's Daughter" is a story gripping in its content. It encompasses the terror of death and disgrace, which is redeemed by passion and sexuality. The question Lawrence leaves open is whether the doctor's avowal of love is genuine or driven by the awakening of his own sexuality and pity for the woman.

"Samson and Delilah" is set against a Cornish backdrop. Lawrence and his wife tried to settle in Cornwall during the First World War, but were hounded by the authorities and forced to leave. Lawrence pointedly describes the local people as "mindless" in this story. It is almost a Homeric story of a husband returning home after a long absence, having to fight to regain his wife. But in this story, it is the wife who is the obstacle. But she succumbs to the man's physical presence, as Lawrence demanded all women should if they were to attain happiness.