Showing results for "English" in Canadian

Hoping to erase her unhappy old life, Hazel jumps in her beat-up old car and speeds away. When she pulls up to the Evening and Morning Star Trailer Park, where nothing turns into even more of nothing, she decides it just might be the new life she's looking for. At the center of this new life is King, a motorcycle-riding, hard-drinking, guitar-playing kind of guy. Hazel loves him to death. He spends his days fixing cars, while Hazel spends hers working at the town’s thrift shop. Evenings they spend with Spiney and Sissy, playing cards or drinking at Old Joe’s.

Tom and Charlie are living out what's left of their lives on their own terms in a remote forest, two pot growers their only connection to the outside world. But then two women arrive - a photographer on the trail of survivors of a decades-ago forest fire and an elderly escapee from a psychiatric institution - and everything changes. And the Birds Rained Down, the recipient of several prizes, is a haunting meditation on aging and self-determination.

Demonstrating once again why he is one of Canada's most loved jokesters, Black masterfully captures the laughter that often bursts out of the seams of everyday life. From an unexpected drag race to a Google search for a picture of the illusive "Arthur the Meek", you just never know when a regular day is going to turn into comedic genius. Black provides uproarious insight into uses a matador might have for a teacup, mango, or simply some paper towel....

While researching why Freud failed to win a Nobel Prize at the Nobel Archives in Sweden, a psychiatrist makes an unusual discovery. Among the piles of papers in the "Crackpot" file are letters addressed to the executor of Alfred Nobel's will, written by several notable Nobel laureates - including Rudyard Kipling and Marie Curie - each offering an explanation of why and how Stonehenge was constructed. Diligent research uncovers that Alfred Nobel added a secret codicil to his will, a prize for the Nobel laureate who solves the mystery of Stonehenge.

Long listed for the 2010 Scotiabank Giller Prize, Lemon is the story of a teenaged girl with the numbers against her: Three mothers, one deadbeat dad, one cancer-riddled protégé, two friends, one tree-hugging stepbrother, and a 60 percent average. The adults in her life are all mired in self-centeredness and the other kids are busy getting high, and she just can't be bothered to fit in.

Things aren't going Milo's way. His acting career is floundering, he got dumped, his miserable father vanished, and people keep moving into his house. He finally decides to take action - to help the only person he really likes, the autistic boy next door who's being bullied. But, well, that doesn't really go his way either.

These poems pause for the spectacle - cloning technologies, super-slo-mo photography, narcotic cab rides - to describe a system of tripwires, pitfalls, and decoys that the notion of daily viewership entails. These poems are paeans to our facility for duplicity and self-deception, in which the act of living is like a movie we're not in.

Need Machine clamors through the brain like an unruly marching band. Both caustic and thoughtful, these poems offer a topography of modern life writ large in twitchy, neon splendor, in a voice as sure as a surgeon and as trustworthy as a rumor. Honest, irreverent, and sharply indifferent, this audiobook will "hogtie you with awe."

Inspired largely by the poet's experiences as a young man working in the Saskatchewan oilfields, Mathew Henderson's The Lease explores masculinity and the roles morality, violence, and hard labor play in it. Equal parts character study, cultural documentary, and coming-of-age narrative, Henderson's poems make it clear that however we may try to stay apart from them, the stubborn and often unflattering realities of masculine culture persist, not just in isolated, dangerous environments like this, but in our very idea of what work is.

Following in the footsteps of such category killers as Milk and Honey and Whiskey Words & a Shovel I, Fariha Róisín's poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

The first set of an extraordinary collection of 10 sets of personal letters written by Lord Chesterfield to his illegitimate son, young Philip Stanhope, then living abroad with his tutor to further his education. His Lordship, later secretary of state, hoped that his son would follow in his footsetps and took endless pains to instruct him on the essential and finer beharioral traits of a the aristocracy, which might lead him to such dizzying heights.

Developed from Adam Sol’s popular blog, How a Poem Moves is a collection of 35 short essays that walks listeners through an array of contemporary poems. Sol is a dynamic teacher, and in these essays, he has captured the humor and engaging intelligence for which he is known in the classroom. With a breezy style, Sol delivers essays that are perfect for a quick listen or to be grouped together as a curriculum.

Second Space has descriptive copy which is not yet available from the Publisher...

Lucy Maud Montgomery (November 30, 1874 – April 24, 1942), published as L. M. Montgomery, was a Canadian author best known for a series of novels beginning in 1908 with Anne of Green Gables . The book was an immediate success. The title character, orphan Anne Shirley, made Montgomery famous in her lifetime and gave her an international following. The Revolt of Mary Isabel: "For a woman of forty, Mary Isabel, you have the least sense of any person I have ever known," said Louisa Irving. Louisa had said something similar in spirit to Mary Isabel almost every day of her life.

Bla_K is a collection of previously out-of-print essays and new works by one of Canada's most important writers and thinkers. Through an engagement with her earlier work, M. NourbeSe Philip comes to realize the existence of a repetition in the world: the return of something that, while still present, has become unembedded from the world, disappeared. Her imperative becomes to make us see what has gone unseen by writing memory upon the margin of history, in the shadow of empire and at the frontier of silence.

Indigenous communities have been organizing against violence since newcomers first arrived, but the cases of missing and murdered women have only recently garnered broad public attention. Violence Against Indigenous Women joins the conversation by analyzing the socially interventionist work of Indigenous women poets, playwrights, filmmakers, and fiction writers.

The Precipice is the sweeping story of Lucy Cameron, a young woman who seems destined to live and die in small-town Ontario. Into this place of monotony and petty incidents, of spiteful gossip and rigid moralism, appears Stephen Lassiter. Stephen is a Princeton-educated engineer from a wealthy New York family and Lucy's antithesis. Despite the chasm of their differences, they fall in love, marry, and begin life together in New York during the distressing years of the Second World War. It is a life that will nearly break Lucy in heart and spirit.

Making Believe responds to a remarkable flowering of art by Mennonites in Canada. After the publication of his first novel in 1962, Rudy Wiebe was the only identifiable Mennonite literary writer in the country. Beginning in the 1970s, the numbers grew rapidly and now include writers Patrick Friesen, Sandra Birdsell, Di Brandt, Sarah Klassen, Armin Wiebe, David Bergen, Miriam Toews, Carrie Snyder, Casey Plett, and many more.

Timothy Findley (1930-2002) was one of Canada’s foremost writers - an award-winning novelist, playwright and short-story writer who began his career as an actor in London, England. Findley was instrumental in the development of Canadian literature and publishing in the 1970s and '80s.

Autobiography as Indigenous Intellectual Tradition critiques ways of approaching Indigenous texts that are informed by the Western academic tradition and offers instead a new way of theorizing Indigenous literature based on the Indigenous practice of life writing.