Showing results for "Everything Changes Everything" in Literature & Fiction

In the first novel in Christy Carlyle’s sizzling Duke’s Den series, three men, intent on making a fortune, discover irresistible opportunities . . . Nicholas Lyon gambled his way into a fortune and ownership of the most opulent, notorious gentlemen’s club in England. But when Nick’s...

It’s the summer of 1907, and the sun is scorching down on Mary Pearl in the Arizona Territory. Mary Pearl and her sister Esther take their minds off the heat by sneaking banned Jane Austen novels from Aunt Sarah Elliot’s lively bookshelf. Whispered read-alouds preoccupy their nights, and reveries of getting hitched to their own Mr. Darcy à la Pride and Prejudice swirl through their daydreams. In walks old-fashioned old-money suitor Aubrey Hanna, here to whisk 17-year-old Mary Pearl off her feet with a forbidden kiss and hasty engagement.

Sisters Annie and Jess are used to their mother, Julia, being spontaneous. But when Julia announces she’s flying off to Rome to meet her first love, Patrick, whom she hasn’t seen for 50 years, it's an adventure too far. So, her daughters decide the only way to keep Julia safe is to go too - without actually telling their mother she has chaperones!

Década de 1950. Con el fallecimiento de la Duquesita, matriarca indiscutible del clan de los Cazalet, desaparecen también para siempre los últimos vestigios del mundo de ayer, ese entorno privilegiado en el que prosperó la familia, un universo de grandes mansiones y leales sirvientes, un perfecto equilibrio entre clase, ocio y tradición.

'An assured and clever debut' Kate Kemp, author of The Grapevine 'Warm, witty and deeply romantic' Lauren Bravo, author of Probably Nothing ‘Heart-warming, funny and so relatable’ Laura Dockrill, author of I Love You, I Love You, I Love You *** Sam and Daisy have been best friends since...

La pièce Les belles-sœurs de Michel Tremblay est née le 4 mars 1968 lors d'une lecture publique dans un minuscule théâtre de la métropole. Cinquante ans après sa création, le journaliste Mario Girard raconte l'histoire qui a entouré la naissance de cette oeuvre majeure de la dramaturgie québécoise. À partir de témoignages, de documents d'archives et de photographies, on découvre comment, un jour de 1965, l'idée est venue au jeune Tremblay d'écrire une pièce en joual rassemblant 15 femmes dans une cuisine autour d'un million de timbres-primes Gold Star.