Showing results for "Flatland" in Literature & Fiction

Brought to you by Penguin. A work that still poses provocative questions about perception and reality, Flatland is a brilliant parody of Victorian society where all existence is limited to length and breadth - its inhabitants unable even to imagine a third dimension. The amiable narrator, A...

Flatland is populated by Squares, Triangles, Circles, and Lines, all of which are strictly divided by class and gender. However, our narrator, A Square, living a practical life in this two-dimensional universe, dreams of other worlds. Perhaps A Sphere, a figure from a three-dimensional realm, can help drive home the point. But, as A Square soon discovers, educating Flatland about the shapes of things to come proves to be a dangerous infraction.

This masterpiece of science (and mathematical) fiction is a delightfully unique and highly entertaining satire that has charmed audiences for more than 100 years. The work of English clergyman, educator, and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square, a mathematician and resident of the two-dimensional Flatland, where women - thin, straight lines - are the lowliest of shapes, and where men may have any number of sides, depending on their social status.

In Flatland, originally published in 1884, a humble square describes his two-dimensional world to benefit the inhabitants of Spaceland, the three-dimensional realm he discovers when he is visited by a being from beyond his plane. With dry wit and wild imagination, author Edwin Abbott Abbott builds a meticulous fantasy world rooted in an astute apprehension of psychology, politics, and social structures, as well as basic geometry. The story of Flatland, at once ridiculous and profound, delivers an incisive satire of social discourse that remains remarkably relevant today.

Flatland, first published in 1884, is classic work of satire. The full title, Flatland: A Romance of Many Dimensions, reveals the story's most compelling characteristic, its discussion of multiple dimensions. It is this fascinating examination which has contributed to Flatland's enduring popularity.

Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster Edwin Abbott Abbott, first published in 1884 by Seeley & Co. of London. Written pseudonymously by "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions.

The story is about a two-dimensional world referred to as Flatland. All existence is limited to length and breadth in Flatland, its inhabitants unable even to imagine a third dimension. The amiable narrator, A Square, provides an overview of this fantastic world---its physics and metaphysics, its history, customs, and religious beliefs. But when a strange visitor mysteriously appears and transports the incredulous Flatlander to Spaceland, a land of three dimensions, his worldview is forever shattered.

Part geometry lesson, part social satire, this classic work of science fiction brilliantly succeeds in enlarging all readers' imaginations beyond the limits of our 'respective dimensional prejudices. In a world where class is determined by how many sides you possess, and women are straight lines, the prospects for enlightenment are boundless, and Abbott's hypotheses about a fourth and higher dimensions seem startlingly relevant today.

Enter the fascinating world of Flatland, a timeless classic that blends mathematics, philosophy, and societal commentary into an imaginative tale of dimensions. In this groundbreaking novella, Edwin A. Abbott introduces listeners to a two-dimensional universe inhabited by geometric shapes. Narrated by a humble square, the story explores life in a flat plane where hierarchy is determined by shape and angles, offering sharp insights into the rigid class systems of Abbott’s time—and our own.

Written by Edwin A. Abbott, under the pseudonym "a square", Flatland offers pointed observations on the social hierarchy of Victorian culture. However, the novella's more enduring contribution is its examination of dimensions. Noted science writer Isaac Asimov has described Flatland as "The best introduction one can find into the manner of perceiving dimensions. " As such, Flatland is very popular amongst mathematics, physics, and computer-science students.

Flatland, like our own world, is on the verge of the millenium. On the last day of the year 1999, a Square—hitherto undistinguished from the other shapes of his two-dimensional world—receives the Gospel of Three Dimensions, revealed to that world's flat inhabitants only once every a thousand...

With this satirical novella, English schoolmaster Edwin A. Abbott provides both a mathematical fantasy and pointed observations on the social hierarchy of Victorian culture. The narrator, “a Square,” resides in the fictional two-dimensional world of Flatland. When he is visited by a sphere, he is suddenly faced with proof of the existence of three dimensions and is forced to see the limitations of his world.

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Abbott used the fictional two-dimensional world of Flatland to offer pointed observations on the social hierarchy of Victorian culture. However, the novella's more enduring contribution is its examination of dimensions, for which the novella is still popular amongst mathematics, physics, and computer science students. Several films have been made from the story, including a feature film in 2007 called Flatland. Other efforts have been short or experimental films, including one narrated by Dudley Moore and a short film with Martin Sheen titled Flatland: The Movie.

Flatland: A Romance of Many Dimensions is a satirical novel by the English author Edwin Abbott Abbott, first published in 1884. The book used the fictional two-dimensional world of Flatland to comment on Victorian culture, but the novella's enduring contribution is its examination of dimensions.

With wry humor and penetrating satire, Flatland takes us on a mind-expanding journey into a different world to give us a new vision of our own. A. Square, the slightly befuddled narrator, is born into a place limited to two dimensions--irrevocably flat--and peopled by a hierarchy of geometrical forms. In a Gulliver-like tour of his bizarre homeland, A. Square spins a fascinating tale of domestic drama and political turmoil, from sex among consenting triangles to the intentional subjugation of Flatland's females. He tells of visits to Lineland, the world of one dimension, and Pointland, the ...

Flatland: A Romance of Many Dimensions is an 1884 science fiction novella by the English schoolmaster Edwin Abbott Abbott. As a satire, Flatland offered pointed observations on the social hierarchy of Victorian culture. However, the novella's more enduring contribution is its examination of dimensions; in a foreword to one of the many publications of the novella, noted science writer Isaac Asimov described Flatland as "The best introduction one can find into the manner of perceiving dimensions." As such, the novella is still popular amongst mathematics, physics and computer science ...

Flatland: A Romance of Many Dimensions by Edwin Abbott Abbott is a satirical novella that explores dimensions through the lens of a two-dimensional world. The story follows A. Square, a resident of Flatland, who discovers the existence of a third dimension when visited by a Sphere from Spaceland. As he struggles to comprehend higher dimensions, he faces resistance from his rigid, class-based society. Abbott cleverly critiques Victorian social hierarchy and limited perspectives while introducing readers to mathematical concepts of dimensions, making Flatland both a fascinating philosophical ...

Sigrid, dottoressa quarantenne, vive a Oslo con i figli e il secondo marito, insieme al quale ha abbandonato il paesino di campagna dove è cresciuta, lasciandosi alle spalle un carico di ricordi difficile da sostenere. La nuova serenità che ha conquistato è però solo apparente. Sigrid è infatti segretamente gelosa del rapporto che la figlia maggiore sta instaurando con il padre, il suo primo marito ricomparso da poco e forse mai dimenticato. E poi c’è la madre, Anne, ormai quasi settantenne, fiera e indipendente.

When Liv, Ellen and Håkon, along with their partners and children, arrive in Rome to celebrate their father’s 70th birthday, a quiet earthquake occurs: their parents have decided to divorce. Shocked and disbelieving, the siblings try to come to terms with their parents’ decision as it echoes through the homes they have built for themselves and forces them to reconstruct the shared narrative of their childhood and family history.