Showing results for "From" in French

"Les fleurs du mal", in english "The Flowers of Evil", is a volume of French poetry by Charles Baudelaire. The poems deal with themes relating to decadence and eroticism. The author and the publisher were prosecuted in France under the regime of the Second Empire as an "outrage aux bonnes mœurs" ("an insult to public decency"). Because of this prosecution, Baudelaire was fined 300 francs. Victor Hugo announced that Baudelaire had created "un nouveau frisson" (a new shudder, a new thrill) in literature.

Like many people the world over, Viv Groskop wishes she was a little more French. A writer, comedian, and journalist, Groskop studied the language obsessively starting at age eleven, and spent every vacation in France, desperate to escape her Englishness and to have some French chic rub off on her. In Au Revoir, Tristesse, Groskop mixes literary history and memoir to explore how the classics of French literature can infuse our lives with joie de vivre and teach us how to say goodbye to sadness.

Unable to find work in his field, Joseph Ponthus enlists with a temp agency and starts to pick up casual shifts in the fish processing plants and abattoirs of Brittany. Day after day he records with infinite precision the nature of work on the production line: the noise, the weariness, the dreams stolen by the repetitive nature of exhausting rituals and physical suffering. But he finds solace in a life previously lived. Shelling prawns, he dreams of Alexandre Dumas. Pushing cattle carcasses, he recalls Apollinaire.

The 12 Lays of Marie de France offer one of the most striking collections of short narrative poems of the 12th century - two centuries before Chaucer. Written in Anglo-French, they contain beguiling and entertaining stories of love and romance, of chivalry and adventure with sometimes even a magical twist. They are especially unique in early literature by being ascribed to a female poet, Marie de France: in the very first Lay - 'Guigemar' - is the introductory line: ‘Hear my Lords, what Marie says, who does not wish to be forgotten in her time.’