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Greek tragedy was a dramatic form that flourished for less than a full century. And yet it remains vibrant, alive, and productive today. And the form's masterpieces help us-as perhaps they helped their original audiences-grasp a fuller sense of the terror and wonder of life. Professor Vandiver has designed these 24 rich and rewarding lectures to give you a full overview of Greek tragedy, both in its original setting and as a lasting contribution to the artistic exploration of the human condition.

One of the three great tragic playwrights of ancient Greece, Sophocles wrote over 120 plays during his 60-year career, though only seven survive today. The most famous of these are the Theban Plays, all three of which are included in this collection alongside adaptations of Electra and Philoctetes, brought to life by celebrated writers, poets, and playwrights.

This collection presents the works of the three fathers of ancient Greek tragedies: Aeschylus, Sophocles, and Euripides. The reader of this collection will be able to comprehend how the plots and conflicts populating classical tragedy developed. The principle theme of Aeschylus' tragedies is the idea of fate being omnipotent and the futility in struggling against it. The tragedies of Sophocles reflect the era of the Greeks' victorious war against the Persians, which opened up commercial prosperity through trade.

Blood, gore, thrills, chills, and romance abound in these plays by three of the great Greek authors. Included are "Medea" by Euripides; "Antigone" by Sophocles; and "Agamemnon" by Aeschylus.

Hear Thomas Merton’s spiritually edifying voice. Originally recorded in August of 1965 at the Abbey of Our Lady of Gethsemani, Greek Tragedy: Suffering Leads to Wisdom considers the parallels between ancient Greek models of suffering (with Sophocles’s play Antigone as an exponent) and Judeo-Christian ideas about suffering and the creation of meaning. This was among the last classes that Merton ever gave to the novice monks at Gethsemani.

A fascinating take on classical Greek stories: Discover six classic Greek myths in this exciting retelling that paints both famous and lesser known characters in a whole new light. Follow the likes of Odysseus, Lamia, Bellerophon, Icarus, Medusa, and Artemis as their fates are revealed through bloody trials, gut-wrenching betrayals, sinister motives, and broken hearts.

Here Durant tells the whole story of Greece from the days of Crete's vast Aegean empire to the final extirpation of the last remnants of Greek liberty, crushed under the heel of an implacably forward-marching Rome. The dry minutiae of battles and sieges, of tortuous statecraft of tyrant and king, get minor emphasis in what is preeminently a vivid recreation of Greek culture, brought to the listener through the medium of supple, vigorous prose.

Clearly, the Greeks are a source of much that we esteem in our own culture: democracy, philosophy, tragedy, epic and lyric poetry, history-writing, our aesthetic sensibilities, ideals of athletic competition, and more. But what is it about Hellenic culture that has made generations of influential scholars and writers view it as the essential starting point for understanding the art and reflection that define the West?

This course will examine the social, historical, and political context of ancient Greek drama and equip listeners with a set of critical analytical tools for developing their own appreciation of this vitally important genre. The course will focus on the four extant playwrights, Aeschylus, Sophocles, Euripides, and Aristophanes, and examine each of their plays closely.

Brought to you by Penguin. This Penguin Classic is performed by Nicholas Khan, best known for their role in Transformers. This definitive recording includes an introduction by Malcolm Heath, read by Roy McMillan. One of the most powerful, perceptive and influential works of criticism in Western...

This compassionate, personal, and illuminating work of nonfiction draws on the author's celebrated work as a director of socially conscious theater to connect listeners with the power of an ancient artistic tradition. For years Bryan Doerries has been producing ancient tragedies for current and returned servicemen and women, addicts, tornado and hurricane victims, and a wide range of other at-risk people in society.

In this, his first book, Nietzsche developed a way of thinking about the arts that unites the Greek gods Apollo and Dionysus as the central symbol of human existence. Although tragedy serves as the focus of this work, music, visual art, dance, and the other arts can also be viewed using Nietzsche's analysis and integration of the Apollonian and the Dionysian. The Birth of Tragedy stands alongside Aristotle's Poetics as an essential work for all who seek to understand poetry and its relationship to human life.

Inspired by the mythic house of Thebes, Sophocles’s defining Greek tragedies follow the fates that befall three doomed generations.

In The Oresteia, Aeschylus dramatizes the myth of the curse on the royal house of Argos. The action begins when King Agamemnon returns victorious from the Trojan War, only to be treacherously slain by his own wife. It ends with the trial of their son, Orestes, who slew his mother to avenge her treachery - a trial with the goddess Athena as judge, the god Apollo as defense attorney, and, as prosecutors, relentless avenging demons called The Furies.