Showing results for "H" in Psychological

Sons and Lovers, Lawrence's third published novel, was written by the author at the height of his literary powers. The story of class differences (the relationship between a middle-class woman and a miner) in the tough world of coal mining brought a refreshing realism to literature. It remains a challenging text and is studied widely. It is particularly effective on audiobook in the hands of Nottinghamshire reader Paul Slack.

Sons and Lovers, D. H. Lawrence's first major novel, was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly knit mining community and by a family where feelings are never hidden for long. When the marriage between Walter Morel and his sensitive, high-minded wife begins to break down, the bitterness of their frustration seeps into their children's lives.

Oh, Money! Money! is a heartfelt and insightful tale about the challenges and transformations that wealth brings into ordinary lives. When unexpected fortune falls into the hands of people unprepared for its power, it tests their values, relationships, and sense of purpose. With humor, warmth, and sharp observations, the story explores how money can both unite and divide, offering lessons on integrity, generosity, and the true meaning of happiness.

Three Lives was written in 1905/06 and published in 1909 at the author’s expense. The work consists of three independent novellas: The Good Anna, Melanctha, and The Gentle Lena. Each of the titular characters lives in Bridgepoint, a fictional town based on Baltimore.

From an audacious new talent, The Story of H describes a searing quest by a Japanese woman and an American soldier to find a girl who goes missing in the aftermath of Hiroshima, a journey that spans the globe and travels to the darkest corners of the human mind and memory August 6, 1945: the day...

Sons and Lovers was the first of Lawrence's major works, and is still considered to be one of his best. The 1913 novel, partly autobiographical and set in the coalmining village of Bestwood, is notable for being the first English novel to be genuinely working-class in origin and focus.

“A story of money, family, who you can trust, and the extremes to which one will go for blood. I couldn’t put it down.” —Lisa Ling, host of CNN’s This Is Life Keep your family close and your enemies closer. Beth is the darling of God Halsa, a pharmaceutical giant, and she’s got the...

Alles an ihm sollte eine Warnung für mich sein. Sein Name. El asesino. Sein Job. Auftragskiller. Seine Augen. Moosgrün, kalt und berechnend. Mein schweigsamer Retter führt ein Leben im Dienst des Todes. Durch seine Blicke wird mir gleichzeitig heiß und kalt, und seine Worte reißen mein Inneres entzwei. Hoffnung und Misstrauen sind meine ständigen Begleiter, seit ich mein Schicksal in seine Hände gelegt habe, an denen das Blut unzähliger Menschen klebt. Er ist genauso skrupellos und kaltblütig wie der Mann, vor dem ich mit seiner Hilfe geflohen bin.

Written in 1913, D H Lawrence's first major novel, Sons and Lovers, was the one of the earliest in the English language to explore a close-knit mining community from the inside. Lawrence's semi-autobiographical novel, set in the Nottinghamshire coal fields, is renowned for its accurate portrayal of working-class life and for its use of local dialect. It traces emotional conflicts through the protagonist, Paul Morel, and his suffocating relationships with his over possessive mother, and the women he falls in love with.

Two women meet on a train. Each is running from a deadly secret. When one disappears, the other decides to take her place—for better, or for worse. A CRIMEREADS BEST BOOK OF THE YEAR Jae-Young has just left everything she’s ever known, not that it was much: her thankless job, her infested...

Sisters Molly and Beth Winters thought the remote clifftop house would be the perfect place to hide away after their mother’s brutal murder. They were wrong. Because someone from the girls’ past has already found their safe house and he is watching and waiting in the shadows ready to make them pay. Their new home should have been the place the sisters were safe. But no place is safe forever.

After thirteen months at war, Vittorio Gandy is haunted by memories. Once a gifted painter, now he can’t bear the vivid, bleeding colors on a canvas. His young son doesn’t remember him, and his wife, Valerie, is scared of him. But the most disconcerting change is in Vitto’s father, Robert Gandy, who has fallen from being a larger-than-life sculptor to a man whose heart has been broken by the death of his muse—Vitto’s mother. When Robert steals away in the night, Valerie, Vitto, and his new acquaintance and fellow veteran John go to the only place Robert might remember.

Hypnos is a first-person narrative, written from the perspective of an unnamed character living in Kent and later London, England. The narrator writes that he fears sleep, and is resolved to write his story down lest it drive him further mad, regardless of what people think after reading it. The narrator, a sculptor, recounts meeting a mysterious man in a railway station. The moment the man opened his "immense, sunken, and widely luminous eyes", the narrator knew that the stranger would become his friend-–"the only friend of one who had never possessed a friend before.

With the onset of Prohibition, the Sheehan Billiard Room in Chicago became a sordid haunt for hard drinkers. A certain Old Bugs, a mature man corroded by vices but capable of showing, at long intervals, the typical sensitivity of educated people works as a kitchen cleaner. When the young Alfred Trever, initiated by his friend Pete Schultz on the way of drinking, arrives at the Sheehan's tavern, Old Bugs will try to convince him not to make the same mistake as he did.

A brooding, suspenseful novel of sensuality and vengeance, set amid the fields and villages of 19th century England. Bella Ford, jilted by her unscrupulous lover, plans revenge that ends in a catastrophic act of violence.

Lawrence’s style is bold, intimate and inventive and he always has the capacity to shock. His great strength comes from the realism of the characters he portrays and the play on tension – first seen in the exchanges between Gertrude and Morel and continuing with Paul, his Mother and his two women – which never lets up. Then marvel at the depth and quality of the writing as the story moves relentlessly towards its conclusion.

Rising rock star Violet is kidnapped from her Los Angeles home in a near-future dystopia. She wakes up locked in a cabin in the middle of nowhere with a mysterious note, and a burner phone that only dials one unfamiliar number. Construction worker Bud answers a call from his Bay Area apartment, and a stranger’s on the line claiming to have been kidnapped and locked in a cabin.

Claire Pedersen and her husband are relocating from NYC to the Catskills—they have found a terrific deal on a property in foreclosure. The house has been in April Ives’s family for three generations, but the single mother of three children from two different fathers needs the money. Claire and April are instantly antagonistic, but the sale proceeds, and renovations begin. Soon after, Claire’s husband develops an erotic fascination with Anna, a young member of a nearby religious community called The Eternals. Two marriages—and one pregnancy—swiftly and dramatically end.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.

Este relato comienza con un psiquiatra. Este siempre ha estado interesado en los sueños y en lo que en realidad significan incluso está convencido de que los sueños son un tipo de realidad única, por lo cual la vida solo es una vida falsa o secundaria.