Showing results for "H Rider Haggard" in Literary Fiction

On board a ship bound for Natal, adventurer Allan Quatermain meets Sir Henry Curtis and Captain John Good. His new friends have set out to find Sir Henry's younger brother, who vanished while seeking King Solomon's legendary diamond mines in the African interior. By strange chance, Quatermain has a map to the mines, drawn in blood, and agrees to join the others on their perilous journey.

She and Allan is a novel by H. Rider Haggard, first published in 1921. It brought together his two most popular characters, Ayesha from She (to which it serves as a prequel), and Allan Quatermain from King Solomon's Mines. Its significance was recognized by its republication by the Newcastle Publishing Company as the sixth volume of the celebrated Newcastle Forgotten Fantasy Library series in September 1975.

When Allan Quatermain, an adventurer based in Durban, is approached by the devastated Sir Henry Curtis who is looking for his missing brother, Quatermain has no option but to help. Agreeing to lead a search expedition, Quatermain and his crew journey to the mythical King Solomon's Mines, home to hidden treasure according to legend, and the supposed location of Curtis's lost brother. Travelling through unknown terrain, Quatermain and his men navigate perilous climates, fearsome tribes, witch hunts, unexpected rebellions and more.

Follow the journey of Horace Holly and his ward, Leo Vincey, to a lost kingdom in the African interior. There they encounter a primitive race of natives and a mysterious white queen named Ayesha who reigns as the all-powerful "She", or "She-who-must-be-obeyed". In this work, Rider Haggard developed the conventions of the Lost World subgenre, which many later authors emulated.

Cleopatra lies asleep. Harmachis looks down at the most gorgeous woman he had ever seen. For a moment, Harmachis aches with grief because he has to kill a thing so lovely! This novel, first published in 1889, is an adventure story set in the Ptolemaic era of ancient Egypt. The Egyptian priesthood attempts to overthrow Queen Cleopatra in order to drive out the Romans and restore Egypt to a golden age.

Haggard wrote Allan Quatermain immediately after King Solomon's Mines. Quatermain is wearied with the traditional English lifestyle. He longs for the wilds of Africa. He convinces his friends Sir Henry Curtis and Captain John Good as well as the Zulu chief Umbopa to return to Africa in search of a fabled race of white people. Fierce Masai warriors, subterranean rivers, creatures from the deep, and a spectacular civil war are all in store for our seasoned adventurers. It's an adventure you won't want to miss!

On an ocean liner bound for Natal, adventurer Alan Quatermain is engaged as a guide. Supplied with arms, courage, and determination, he and his group set out through Africa's beautiful but often dangerous and inhospitable wilderness. Their trek culminates in the discovery of a lost sacred mine that could bring them all riches...or death!

This great African adventure novel is an enduring favorite among those who love excitement and romance. It is filled with qualities close to the human heart: the spirit of adventure and discovery, the desire for immortality, primal terror, and the search for the primitive. Few knew the Dark Continent as Haggard did; his experience of savage life and wild lands lends a visceral credibility that makes us believe the impossible.

Somewhere in Africa, a tiny, primitive tribe, the Amahaggers, live secretly amongst the debris of a lost Egyptian civilization, ruled by the beautiful semi-goddess Ayesha, or She-who-must-be-obeyed. Ludwig Horace Holly, a Cambridge academic, is reluctantly drawn into plans for a voyage in search of this legendary queen. With his adopted son, Leo, he sets out on a brave journey, following a trail of clues. Shipwrecked and captured by cannibals, their voyage soon turns into a nightmare.

El mismo autor era consciente de que una simple descripción de aventuras era emasiado fácil y por eso sus romanes tienen un fondo humano que hace de esas obras algo que nunca ha dejado de ser favoritas del público, en especial por la imaginación que despliegan.