Showing results for "Kabir" in World Literature

The poet Kabir, a selection from whose songs is here for the first time offered to English audiences, is one of the most interesting personalities in the history of Indian mysticism.

Kabir, meaning "Great" and one of the 99 names of God in Arabic, was a mystic and poet, born around 1440 in Varanasi to poor Muslim parents. Another account claims he was the child of a Brahmin widow. He himself said he was "at once the child of Allah and Ram". Kabir grew up learning his father’s craft of weaving and overcame many obstacles to become a disciple of Saint, or Swami, Ramananda, the leading pioneer of the Bhakti movement, which promoted salvation for all.

This Hindi play by Mohan Rakesh debuted in 1958 and is considered the first modern Hindi play. The play received a Sangeet Natak Akademi Award for best play in 1959. Before this play was written, Hindi plays were either idealistic or didactic, devoid of any connection with contemporary reality; above all their language remained the language of literature, which wasn't suitable for the stage. This play changed it all. Mohan Rakesh went on to write two more plays and left one unfinished at the time of his death in 1972.

The Rumi Collection presents an essential anthology of the works of the thirteenth-century Sufi poet and philosopher Jalâluddin Rumi. Known for his deeply mystical and spiritual writings, Rumi’s words have been carefully selected and arranged by acclaimed Sufi teacher Kabir Helminski to offer a comprehensive introduction to the poet’s life and thought. With contributions from numerous leading translators—The Rumi Collection provides an indispensable resource for all to explore the richness of Islamic mysticism and Rumi’s monumental contribution to the language of spirituality.

Whilst Europe endured the Dark Ages in the 6th & 7th Centuries, devotees of Shiva and Vishnu in Southern India were creating the Bhakti Movement. Some of these exponents, as in our volume, were bestowed with the title of saint but some had the additional title of sant, swami or goswami. Broadly speaking, Bhakti poetry, as in Hinduism itself, is divided into ‘Nirguna’, the idea that the divine is formless as exampled by Kabir and ‘Saguna’, which interprets the divine as having physical form as captured by Mirabai.

As Islam moved from its Arabian heartland to a wider geographic area, its core message remained albeit adapted to different lands, to different ears. Poets were ever eager to provide an alternate way of delivering the ‘message’ in beautiful verse. Their simplicity was embracing, their ornateness a humble offering to greater forces. The poems here are both profound and wide-ranging.