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Brought to you by Penguin. This Penguin Classic is performed by Rory Alexander. René Descartes was a central figure in the scientific revolution of the seventeenth century. In his Discourse on Method he outlined the contrast between mathematics and experimental sciences, and the extent to which...

Madness, sexuality, power, knowledge—are these facts of life or simply parts of speech? In a series of works of astonishing brilliance, historian Michel Foucault excavated the hidden assumptions that govern the way we live and the way we think. The Archaeology of Knowledge begins at the level of things aid and moves quickly to illuminate the connections between knowledge, language, and action in a style at once profound and personal. A summing up of Foucault's own methodological assumptions, this book is also a first step toward a genealogy of the way we live now.

By calling everything into doubt, Descartes laid the foundations of modern philosophy. With the celebrated words "I think therefore I am," his compelling argument swept aside ancient and medieval traditions. He deduced that human beings consist of minds and bodies; that these are totally distinct "substances"; that God exists and that He ensures we can trust the evidence of our senses.

Photography is a visual language. Just like this description is written in English. While visual language is developed through ages from prehistoric times, Photographic Visual is fairly new form of expression. The evolution of Photographic Language is a history of last two hundred years. Within this juvenile existence, photography came across many important turns in social and aesthetic acceptance and interpretation. The one and only goal of this podcast to create a discourse by understanding and analyzing the growth and evolution of photographic language in last two centuries.

Le "Discours de la méthode" est un texte composite, assez peu méthodique en vérité, qui touche à la morale, à la logique, aux sciences. La méthode proprement dite se résume en peu de règles : "ne recevoir jamais aucune chose pour vraie, que je ne la connusse évidemment être telle" ; "diviser chacune des difficultés que j'examinerais" ; "conduire par ordre mes pensées" et m'assurer, par des "dénombrements si entiers, et des revues si générales", de n'avoir rien omis dans ces "chaînes de raisons", sur le modèle des géomètres.