Showing results for "Living" in World Literature

DS Katie Maguire and her team are stretched to their limit. A gang of dognappers is terrorizing Cork. The city's drug trade is at an all-time high. Now a girl has gone missing – and all in the glare of the media spotlight. As Katie closes in on the truth, she realizes that the three cases might be connected. But with every second she spends investigating, the clock ticks on for the missing girl, trapped in a living death...

Informed by the death of a beloved brother, here are the stories of childhood, its thicket of sex and sorrow and joy, boys and girls growing into men and women, stories of a brother who in his dying could teach how to be most alive.

Fanny Price, in Mansfield Park, tells her persistent suitor that "we have all a better guide in ourselves . . . than any other person can be." Sometimes, however, we crave external guidance: and when this happens we could do worse than seek it in Jane Austen's own subtle novels. Written to coincide with Austen's 250th birthday, this approachable and intimate work shows why and how—for over half a century—Austen has inspired and challenged its author through different phases of her life.

Monica Felton's 1945 novel gives a lively account of the experiences of a group of men and women working in a munitions factory during the Second World War. Wide-ranging in the themes it touches on, including class, sexism, socialism, fear of communism, workers' rights, anti-Semitism and xenophobia, the audiobook gives a vivid portrayal of factory life and details the challenges, triumphs and tragedies of a diverse list of characters.

Ireland, 1011 AD. The mortal kingdoms rise up against High King Brian Boru as they seek to wrest his crown from him. Yet the real struggle is between the two magical races of Ireland, the Fomorians and the Descendants, eternal enemies who both now seek dominion over the mortal world. Gormflaith, queen of King Brian, remains unmasked as the powerful Fomorian she is. Gormflaith plans to establish control over Ireland and destroy the Descendants in one fell swoop... but she cannot do it alone.

The Living Infinite is based on the true story of the Spanish princess Eulalia, an outspoken firebrand at the Bourbon court during the troubled and decadent final years of her family's reign. After her cloistered childhood at the Spanish court, her youth spent in exile, and a loveless marriage, Eulalia gladly departs Europe for the New World. In the company of a small-town bookseller with a thirst for adventure, she travels by ship, first to a Cuba bubbling with revolutionary fervor then on to the 1893 Chicago World Fair.

In late summer 1947, 31-year-old Yitzhak Goldah, a camp survivor, arrives in Savannah to live with his only remaining relatives. They are Abe and Pearl Jesler, older, childless, and an integral part of the thriving Jewish community that has been in Georgia since the founding of the colony. There Yitzhak discovers a fractured world, where Reform and Conservative Jews live separate lives - distinctions, to him, that are meaningless given what he has been through. He further complicates things when, much to the Jeslers' dismay, he falls in love with Eva, a young widow.

At once a careful contemplation Proust's masterwork and an exploration of the rich sensory and impressionistic tapestry of a lived world, Living and Dying with Marcel Proust addresses such disparate Proustian obsessions as insomnia, food, digestion, color, addiction, memory, breath and breathing, breasts, snobbism, music, and humor.

Intimate and richly detailed, The Beauty of Living begins with E. E. Cummings's Cambridge upbringing and his relationship with his socially progressive but domestically domineering father. It follows Cummings through his undergraduate experience at Harvard, where he fell into a circle of aspiring writers including John Dos Passos, who became a lifelong friend. Steeped in classical paganism and literary Decadence, Cummings and his friends rode the explosion of Cubism, Futurism, Imagism, and other "modern" movements in the arts.

Rebellion has always been in the O'Reilly family's blood. So when faced with the tragic death of her brother during Northern Ireland's infamous Troubles, a teenage Nora joined the IRA to fight for her country's freedom. Now, more than a decade later, Nora is haunted by both her past and vivid dreams of a man she has never met. When she is given a relic belonging to Brigid of Kildare, patron saint of Ireland, the mystical artifact transports her back eighty years - to the height of Ireland's brutal civil war.

Irreverent, charming, and eminently quotable, this handbook - an eccentric etiquette guide for the human race - contains 69 aphorisms, anecdotes, whimsical suggestions, maxims, and cautionary tales from Mark Twain’s private and published writings. It dispenses advice and reflections on family life and public manners; opinions on topics such as dress, health, food, and childrearing and safety; and more specialized tips, such as those for dealing with annoying salesmen and burglars.

Three terminally stylish friends, who share rivalrous affections, attempt to uncoil their twisted love triangle in this sexy and scandalous gem. Written in 1932, the play was deemed extremely daring, and even by today's standards is considered controversial. In its frank and funny take on sex, love, and commitment, Design for Living proves to be one of Coward's greatest successes.

In Living in the Tall Grass: Poems of Reconciliation, Chief Stacey Laforme gives a history of his people through stories and poetry to allow us to see through the eyes of indigenous people. In it, he hits hard on matters of residential schools, the environment, suicide among indigenous youth, domestic abuse, and so on, but also writes poems of love and hope. Chief Laforme’s universal message is, “We should not have to change to fit into society, the world should adapt to embrace our uniqueness.”

In the second “battle” of Ayckbourn’s celebrated triology The Norman Conquests, we rejoin the family weekend, this time hearing the events in the living room, where Norman gets drunk on homemade dandelion wine – and all hell breaks loose. Norman unleashes his merry brand of manipulative charm on the hapless guests and even his most formidable opponents go down in defeat on the drawing room rug.

A collection of thrilling verse, including both new poems and beloved favorites, from the celebrated poet, modern cult icon, and author of Chelsea Girls. Eileen Myles’ work is known for its blend of reality and fiction, the sublime and the ephemeral. Her work opens readers to astonishing new considerations of familiar places, like the East Village in her iconic Chelsea Girls, and invites them into lush - and sometimes horrid - dream worlds, imbuing the landscapes of her writing with the vividness and energy of fantasy.

This book is about a Black man's experience of reading Mark Twain's classic Adventures of Huckleberry Finn for the first time while in graduate school. The story captures the author's emotional struggle with Twain's use of the racial epithet more than 200 times in the text. This is a courageous memoir that wrestles with the historic stain of racism and the ongoing impact of racist language in postmodern society. The book is about Harris' flashbacks, conversations, and dilemmas spawned by use of the epithet in a classroom setting where the author was the only Black person.

From more than ten thousand interviews, StoryCorps—the largest oral history project in the nation's history—presents a tapestry of American stories, told by the people who lived them to the people they love. StoryCorps began with the idea that everyone has an important story to tell. And...

Award-winning playwright, screenwriter and director Jane Anderson presents four one-act plays: A Seminar For Responsible Living; The Last Time I Saw Her; Earthquake Preparedness; Lynette Has PMS. With unforgettable characters and scathing humor, the stories explore the challenges of life in Los Angeles, from gun violence to earthquakes. These short pieces ask us to consider what we need to take with us into the next hundred years, and what is best left behind.