Showing results for "Margaret" in European

Lewis Dodd, a young, troubled composer, arrives at “Sanger’s Circus”, a wild gathering consisting of precocious children, a slovenly mistress, and an assortment of hangers-on in the Austrian Alps overseen by the eccentric Albert Sanger, a composer himself. Tessa, Sanger’s lively 14-year-old daughter, falls in love with their handsome visitor. After Albert’s death leaves Tessa and her siblings penniless, they must implore extended family members for assistance. Florence, Tessa’s 28-year-old cousin, graciously steps in to help and she falls in love with Lewis.

 Every young lady dreams of a life spent exchanging witty asides with a dashing Mr. Darcy, but how should you let him know your intentions? Seek counsel from this charming guide to Jane Austen's world. Its step-by-step instructions reveal the practicalities of life in Regency England. The Jane Austen Handbook is the perfect companion for fans of her novels and their film adaptations, complete with detailed information on love among the social classes, currency, dress, and nuances of graceful living.

John Keats, the last of the Romantic School, was born in 1795 and died at age 25 in 1821. He was a "Poet's Poet", developing his themes from a high artistic faith, and his aesthetic philosophy from his love of beauty.

The Eve of St. Agnes was first published in 1820 in a collection containing many of Keat's best-known poems. Several of these were retellings of stories that were popular in the Middle Ages and earlier times.

Not all the young poets whose lives were cut short during the First World War were actual casualties of the conflict. James Elroy Flecker and Rupert Brooke both died in 1915, each leaving a body of finished work which places him in the ranks of the major poets of the 20th century. Brooke seems to have had a premonition of his untimely demise for a considerable period. The subject of death is very prominent in his verse, which, even in its most playful moments, is characterized by a profoundly elegaic quality.

Brilliantly manipulative and entirely amoral, the hero-villain Richard is one of Shakespeare's greatest roles. The Yorkists have emerged victorious from the civil wars and Edward IV wears the English crown. But Edward's misshapen brother Richard harbors kingly ambitions and will stop at nothing to achieve the throne. In a fatal battle on Bosworth Field, Richard meets the ghosts of all whom he has murdered and the Earl of Richmond, the future King Henry VII.

Lamia is a narrative poem that reflects Keat's intensive exploration of Greek mythology. It first appeared in 1820 in a collection entitled Lamia, Isabella, the Eve of St Agnes and Other Poems. The poem describes the search of the god Hermes for a beautiful nymph, during which he encounters Lamia, who is trapped in the form of a serpent. At her fervent request, Hermes transforms Lamia into a human form and she departs to pursue a liaison with her lover, the glamorous Corinthian youth, Lycias.

Isabella, or the Pot of Basil (1818) is a poetic retelling of a story from The Decameron by Giovanni Boccaccio. The poem relates the sad fate of two victims of youthful love. The aristocratic and nubile Isabella is intended for marriage to an eligible suitor but falls in love with the plebeian Lorenzo. Isabella's brothers murder Lorenzo and bury his body, the location of which is revealed to Isabella by a ghost. She exhumes the body and re-inters the head in a pot of basil.

A BBC Radio 4 full-cast production of one of the earliest plays by Alan Bennett. The 1970s are a time of change, but Labour MP George Oliver feels stuck in one place: distrusting the ‘mawkish mentality’ of the young and fearing the encroaching life of the middle-aged, with little to look forward to but the imminent end of a not-very-interesting road.