Showing results for "Music" in Modern

In this poignant memoir, the internationally celebrated bandleader reflects on family, illness, grief, and a bygone era of glamour, contemplating not just his career but the history of midcentury music and nightlife—and the enormously important role that the bandstand played in his life. ...

In the 1930s, composers and musicians began to flee Hitler's Germany to make new lives across the globe. The process of exile was complex: although some of their works were celebrated, these composers had lost their familiar cultures and were forced to navigate xenophobia as well as entirely different creative terrain. Others, far less fortunate, were in a kind of internal exile-composing under a ruthless dictatorship or in concentration camps and ghettos.

A memoir of family, the Holocaust, trauma, and identity, in which Adam Frankel, a former Obama speechwriter, must come to terms with the legacy of his family’s painful past and discover who he is in the wake of a life-changing revelation about his own origins. “The Survivors is an...

Abridged for audio. Read by the author, Clive James. With fascinating essays on towering figures from Anna Akhmatova to Stefan Zweig, via Charles de Gaulle, Hitler, Thomas Mann and Wittgenstein, Cultural Amnesia is one of the crowning achievements in Clive James's illustrious career as a critic...

A groundbreaking book exploring the breadth of history of recorded music by and for the LGBT community and how those records influenced the evolution of the music we listen to today. From Sia to Elton John, from Billie Holiday to David Bowie, LGBT musicians have changed the course of modern music. But before their music - and the messages behind it - gained understanding and a place in the mainstream, how did the queer musicians of yesteryear fight to build foundations for those who would follow them?

A fascinating history that examines how real estate, gentrification, community and the highs and lows of New York City itself shaped the city’s music scenes from folk to house music. Take a walk through almost any neighborhood in Manhattan and you’ll likely pass some of the most significant...

When called up to fight in yet another World War, Drum Major Jackson promised his beloved wife, Mabel, that he would return to lead his band and play for her once more. In May 1940, he was captured at Dunkirk and interned in several German forced labour camps throughout Poland. Two years later, he was transferred to Auschwitz IV. When his captors appointed Jackson their ‘Kapellmeister’ (man in charge of music), he seized the opportunity to provide entertainment for his fellow prisoners at rehearsals and cover for escapees during concerts.

'A rich treasure-chest of a book' ANTHONY HOWARD, Sunday Telegraph 'A spectacular history of the sixties' NICK COHEN, Observer 'Sandbrook's book is a pleasure to read ... he is a master of the human touch' RICHARD DAVENPORT-HINES, TLS 'Rivetingly readable' GODFREY SMITH, Sunday Times From the...

This book offers a major reassessment of classical music in the 20th century. John Mauceri argues that the history of music during this span was shaped by three major wars of that century: World War I, World War II, and the Cold War.

The Victorians invented mass entertainment. As the 19th century's growing industrialized class acquired the funds and the free time to pursue leisure activities, their every whim was satisfied by entrepreneurs building new venues for popular amusement. Contrary to their reputation as dour, buttoned-up prudes, the Victorians reveled in these newly created "palaces of pleasure".

Arthur Briggs's life was Homeric in scope. Born on the the tiny island of Grenada, he set sail for Harlem during the Renaissance, then to Europe in the aftermath of World War I, where he was among the first pioneers to introduce jazz music to the world. During the legendary Jazz Age in Paris, Briggs's trumpet provided the soundtrack while Hemingway, Fitzgerald, and the rest of the Lost Generation got drunk. By the 1930s, Briggs was considered "the Louis Armstrong of Paris," and was the peer of the greatest names of his time, from Josephine Baker to Django Reinhardt.

With war clouds gathering and harassment increasing, the stars of Continental opera, many of whom are Jewish, face dark futures under the boot heel of the Nazis. What can two middle-aged British spinsters do about such matters? They can form a secret cabal right under Hitler’s nose and get to work saving lives. The sisters conspire to bring together worldwide opera aficionados and insiders in an international operation to rescue Jews in the opera from the horrific fate that everyone intuits is coming.

THE MAKING AND MEANING OF RADIOHEAD'S GROUNDBREAKING, CONTROVERSIAL, EPOCHDEFINING ALBUM, KID A. In 1999, as the end of an old century loomed, five musicians entered a recording studio in Paris without a deadline. Their band was widely recognized as the best and most forward-thinking in rock, a...

In October 1942, SS guards at the Sachsenhausen concentration camp violently disbanded a rehearsal of a secret Jewish choir led by conductor Rosebery d'Arguto. Many in the group did not live to see morning, and those who survived were deported to Auschwitz-Birkenau. Only one of its members survived the Holocaust. Yet their story survives, thanks to Aleksander Kulisiewicz. An amateur musician, he was not Jewish, but became friends with d'Arguto in Sachsenhausen. D'Arguto tasked him with a mission: to save the musical heritage of the victims of the Nazi camps.

It was a time when music fans copied and traded recordings without permission. An outraged music industry pushed Congress to pass anti-piracy legislation. Yes, that time is now; it was also the era of Napster in the 1990s, of cassette tapes in the 1970s, of reel-to-reel tapes in the 1950s, even the phonograph epoch of the 1930s. Piracy, it turns out, is as old as recorded music itself. In Democracy of Sound, Alex Sayf Cummings uncovers the little-known history of music piracy and its sweeping effects on the definition of copyright in the United States.

Based on the true story of her mother, Mona Golabek describes the inspirational story of Lisa Jura's escape from Nazi-controlled Austria to England on the famed Kindertransport. Jewish musical prodigy Lisa Jura has a wonderful life in Vienna. But when the Nazis start closing in on the city, life...

In the spring of 1933, more than 8,000 Jewish musicians, actors, and other artists were expelled from their positions with German orchestras, opera companies, and theater groups. Later that year, the Jüdische Kulturbund, or Jewish Culture Association, was created to allow Jewish artists to perform for Jewish audiences.