Showing results for "Science" in History & Criticism

First published in 1973, this is a study of the force of photographic images, which are continually inserted between experience and reality. When anything can be photographed, and photography has destroyed the boundaries and definitions of art, a viewer can approach a photograph freely, with no expectations of discovering what it means. This collection of six lucid and invigorating essays, with the most famous being "In Plato's Cave", make up a deep exploration of how the image has affected society.

Today's computers are composing music that sounds "more Bach than Bach", turning photographs into paintings in the style of Van Gogh's Starry Night, and even writing screenplays. But are computers truly creative - or are they merely tools to be used by musicians, artists, and writers? Miller, an authority on creativity, identifies the key factors essential to the creative process, from "the need for introspection" to "the ability to discover the key problem." He talks to people on the cutting edge of artificial intelligence and explores the riches of computer-created art.

In Strange Tools: Art and Human Nature, philosopher and cognitive scientist Alva Noë raises a number of profound questions: What is art? Why do we value art as we do? What does art reveal about our nature? Drawing on philosophy, art history, and cognitive science, and making provocative use of examples from all three of these fields, Noë offers new answers to such questions. He also shows why recent efforts to frame questions about art in terms of neuroscience and evolutionary biology alone have been and will continue to be unsuccessful.

Are art and science separated by an unbridgeable divide? Can they find common ground? In this book, neuroscientist Eric R. Kandel, whose remarkable scientific career and deep interest in art give him a unique perspective, demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel illustrates how reductionism - the distillation of larger scientific or aesthetic concepts into smaller, more tractable components - has been used by scientists and artists alike to pursue their respective truths.

Today both reality and entertainment crowd our fields of vision with brutal imagery. The pervasiveness of images of torture, horror, and war has all but demolished the 20th-century hope that such imagery might shock us into a less alienated state, or aid in the creation of a just social order. What to do now? When to look, when to turn away? Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel.

In this influential sequence of linked interviews, Ranciere explores the interplay of art and politics. The Politics of Aesthetics rethinks the relationship between art and politics, reclaiming "aesthetics" from the narrow confines it is often reduced to. Jacques Rancière reveals its intrinsic link to politics by analysing what they both have in common: the delimitation of the visible and the invisible, the audible and the inaudible, the thinkable and the unthinkable, the possible and the impossible.

In this companion volume to The Discoverers, Pulitzer Prize-winning historian Daniel J. Boorstin brings to life more than three thousand years of human artistic achievement, examining painting, sculpture, architecture, theology, philosophy, history, poetry, drama, literature, dance, music, and film.

What if the British Museum isn't a house of learning, but a vast sinkhole of still-bubbling historic injustice? What if it presents us not with a carefully ordered cross section of history but is instead a palatial trophy cabinet of colonial loot swarming with volatile and errant spirits? When artist and writer Noah Angell first heard murmurs of ghostly sightings at the British Museum he had to find out more. What started as a trickle soon became a landslide as staff old and new brought forth testimonies of their inexplicable supernatural encounters.

This is a historical journey like no other - unlike every other book on the subject, Goddess with a Thousand Faces transcends geographical boundaries and breaks down cultural barriers. From Rangda in Bali, to Freyja in Iceland and more recognisable faces such as the Greek goddess Artemis, it is a work of true inclusion - listeners are invited to consider these dazzling goddesses as part of a cultural cannon of human femininity; regardless of race, sex, or gender. Goddess with a Thousand Faces asks us to interrogate our past through a fresh new lens.

Today it's routine to take photos from an airplane window, use a camera underwater, watch a movie, or view an X-ray. But the photographic innovations more than a century ago that made such things possible were experimental, revelatory, and sometimes dangerous—and many of the innovators, entrepreneurs, and inventors behind them were memorable eccentrics. In Flashes of Brilliance, writer and photo editor Anika Burgess engagingly blends art, science, and social history to reveal the most dramatic developments in photography from its birth in the 1830s to the early twentieth century.

Today it is widely recognized that gay men played a prominent role in defining the culture of mid-20th-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly "American" on the stage and screen. Even though few gay artists were "out," their sexuality caused significant anxiety during a time of rampant anti-homosexual attitudes.

How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States, and the artist who really invented the "readymade." Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s.

Serving as a supplement to the existing scholarship on AIDS activism of the 1980s and 1990s, Viral Cultures is the first book to critically examine the archives that have helped preserve and create the legacy of those radical activities. Marika Cifor charts the efforts activists, archivists, and curators have made to document the work of AIDS activism in the United States and the infrastructure developed to maintain it, safeguarding the material for future generations to remember these social movements and to revitalize the epidemic's past in order to remake the present and future of AIDS.

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.

In The Language of Things, Deyan Sudjic, director of the Design Museum, decodes the things around us: their hidden meanings, our relationships with them, how they shape our lives and why we desire them. Design is everywhere. It seduces, pleases and inspires us. It makes us part with our money. It defines who we think we are. An iPhone, an anglepoise lamp, a Picasso, a banknote, an Armani suit, a William Morris textile, a Lucky Strike packet, a spacecraft - every object tells a story.

Edmund White is one of our most celebrated novelists. He is also a brilliant journalist and cultural commentator on the arts, contributing to publications as varied The New Yorker, Vanity Fair, The New York Times, The Washington Post, House and Garden, and The New York Review of Books. In Sacred Monsters, White collects more than 20 of his most recent writings on artists and authors, including John Cheever, Patti Smith, Henry James, Mary Cassatt, and many others.

Since the publication of her prize-winning memoir, Craft for a Dry Lake, writer and artist Kim Mahood has been returning to the Tanami desert country in far north-western Australia where, as a child, she lived with her family on a remote cattle station. The land is timeless, but much has changed: the station has been handed back to its traditional owners, the mining companies have arrived and Aboriginal art has flourished.

>Luminous and revealing, a daughter's memoir of the art world and a larger-than-life father. Gabrielle Selz grew up in a home full of the most celebrated artists of the 1960s and 1970s: Rothko, de Kooning, Tinguely, Giacometti, and Christo. Her father, Peter Selz, was the chief curator of painting and sculpture at the Museum of Modern Art in the heyday of Abstract Expressionism. Selz's father was vibrant and freewheeling, but his enthusiasm for both women and art took its toll on their family life.

The fascinating and little-known story of the Louvre, from its inception as a humble fortress to its transformation into the palatial residence of the kings of France and then into the world's greatest art museum.

Qu'est-ce que l'art ? Comment s'est-il constitué et défini à travers l'histoire ? Quels rapports entretient-il avec la philosophie ?