Showing results for "The Folks" in European

When Jacob and Wilhelm Grimm published their Children's and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as "Rapunzel", "Hansel and Gretel", and "Cinderella" would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style.

Magic and myth inhabit these chapters in figures both familiar and strange. Giant trolls and talking animals are everywhere. The winds take human form. A one-eyed old woman might seem reminiscent of the Norse god Odin. We meet sly aunts, resourceful princesses, and devious robbers. These stories, set in Norway's majestic landscape of towering mountains and dense forests, are filled with humor, mischief, and sometimes surprisingly cruel twists of fate. All are rendered in the deceptively simple narrative style perfected by Asbjørnsen and Moe.

This enchanting collection of stories gathers together legends from across Scotland in one special volume. Drawn from The History Press' popular Folk Tales series, herein lies a treasure trove of tales from a wealth of talented storytellers. From the Spaeman's peculiar advice and a laird who is transformed into a frog, to a fugitive hiding in a dark cave and the stoor worm battling with Assipattle, this book celebrates the distinct character of Scotland's different customs, beliefs, and dialects, and is a treat for all who enjoy a well-told story.

More than forty million Americans claim Irish ancestry. This lively illustrated book, divided into parts exploring myths, legends, and folktales, explains for the U.S. audience the importance of storytelling in Irish culture in particular. In ancient Ireland, a good storyteller was so valued that he would be a member of the aos dána, the bards, and would be welcomed into every village because he came bearing tales.

Ben Whishaw and Philip Glenister star in these six plays telling the story of the fabled 5th Century king. Britain, 493 AD. When 17-year-old stable boy Arran is visited by Merlin, he is forced to confront his true origins and seize his destiny. Pulling the sword from the stone, he is proclaimed...

A Word Is Not A Sparrow is a diverse anthology of stories set amid Russian repression through the centuries; personal narrator testimony about the impact in America of immigrant grandparents from Ukraine and elsewhere; powerful fables and allegories that deliver universal messages about displacement, migration, and human connection; and classic Cossack folk tales that are a touchstone of Ukrainian culture. Listen as we let these words fly out around the world.

‘I salute him with the most heartfelt respect and admiration’ PHILIP PULLMAN ‘Entrancing … a creative manifesto’ TELEGRAPH ‘Mesmerising … vibrating with life and curiosity’ OBSERVER In this lyrical and revelatory memoir, Alan Garner, Booker shortlisted author of Treacle Walker...

Josefina es una cantante que chilla más que canta. Sin embargo, ejerce un gran poder de convocatoria. Su pueblo, el de los ratones, no entiende de música ni de arte, pero la escucha atentamente porque es un momento en el que puede reposar de su incesante actividad. Josefina, a pesar de unir y de atraer a los ratones a su alrededor, se siente incomprendida.

The Canterbury Tales, written near the end of Chaucer's life and hence towards the close of the 14th century, is perhaps the greatest English literary work of the Middle Ages: yet it speaks to us today with almost undimmed clarity and relevance.

BBC Radio dramatisations and readings of Browning’s most famous poems, performed by stars including Anton Lesser, Roger Allam and David Tennant, plus two bonus plays Victorian poet Robert Browning was renowned for his evocative dramatic monologues peopled with vivid, morally ambiguous...