Showing results for "The Girls" in Literary Fiction

Winner of The South Bank Sky Arts Award for Literature Captured, abducted and married into Boko Haram, the narrator of this story witnesses and suffers the horrors of a community of men governed by a brutal code of violence. Barely more than a girl herself, she must soon learn how to survive as...

Isha is a girl who loves animals but struggles in the confines of school. When she is sent away to live with her grandparents on the Indian countryside, she discovers a sacred grove where a young Bengal tiger has taken refuge. Isha knows that the ever-shrinking forests of India mean there are few places left for a tiger to hide. When the local villagers also discover the tiger, Isha finds herself embroiled in a life-or-death cultural controversy.

Evie Boyd is desperate to be noticed. In the summer of 1969, empty days stretch out under the California sun. The smell of honeysuckle thickens the air, and the sidewalks radiate heat. Until she sees them. The snatch of cold laughter. Hair long and uncombed. Dirty dresses skimming the tops of thighs. Cheap rings like a second set of knuckles. The girls. And at the centre, Russell. Russell and the ranch, down a long dirt track and deep in the hills. Incense and clumsily strummed chords. Rumours of sex, frenzied gatherings, teen runaways.

Brought to you by Penguin. ***WINNER OF THE BOOKER PRIZE 2019*** RECIPIENT OF THE WOMEN’S PRIZE OUTSTANDING CONTRIBUTION AWARD THE SUNDAY TIMES BESTSELLER This is Britain as you've never read it. This is Britain as it has never been told. From Newcastle to Cornwall, from the birth of the...

From the Sunday Times and New York Times bestseller Olivie Blake, this is a powerful and darkly fun novel about ambition, lust and eating your fill – as wealthy moms and sorority girls practice a sinister new wellness trend. ‘Deliciously twisted and lipstick-stained, Girl Dinner serves up a...

'Paul Takes the Form of a Mortal Girl is quite simply one of the most exciting - and one of the most fun - novels of the decade.' Garth Greenwell It’s 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has...

A picaresque tale of how one person's actions can have far-reaching—even global—consequences, from the author of the bestselling novel The 100-Year-Old Man Who Climbed Out the Window and Disappeared In a tiny shack in the largest township in South Africa, Nombeko Mayeki is born. Poor and...

Brought to you by Penguin. The heartwarming Japanese bestseller for fans of Matt Haig, Fredrik Backman and THE CAT WHO SAVED BOOKS 'Library. What a nice-sounding word. So comforting. I feel like I'm a student again. Library ... Am I allowed to borrow books?' 'What are you looking for?' asks...

Bloomsbury presents Good Girl by Aria Aber, read by Mozhan Navabi. **Shortlisted for the Women's Prize for Fiction 2025** **A Time Book of the Year 2025** A portrait of the artist as a young woman in a Berlin that can’t escape its history: an electric debut novel about the daughter of Afghan...

'Ventures where only a novel can - inside the mind of a character. The novel is addictive.' - Manu Joseph 'A tingling meditation on impermanence - nourishment, need, aloneness, the heart's acoustic of spade moving soil, hitting stone.' - Sumana Roy A haunting quest for home... Pandita writes...

In their lovely old Cotswolds village, Janet and Susan are known to all the other villagers as “the girls”—a fixture. Partners in love and work, co-proprietors of a picturesque shop specializing in the work of local artisans and farmers, they lead an enviable, enviably settled life. So it’s no catastrophe when Sue, the younger of the two, feels the need to take a month to travel on her own, leaving Jan alone to run their stall at the Inland Waterways Rally Craft Fair.

I am Lex Gracie: but they call me Girl A. I grew up with my family on the moors. I escaped when I was 15 years old. Now something is pulling me back....

I have never looked into my sister's eyes. I have never bathed alone. I have never stood in the grass at night and raised my arms to a beguiling moon. I've never used an aeroplane bathroom. Or worn a hat. Or been kissed like that... So many things I've never done, but oh, how I've been loved...

SHORTLISTED FOR THE BOOKER PRIZE 2020 AND PUBLISHED IN THE UK AS BURNT SUGAR 'Utterly compelling, complex, unflinching realism - sometimes emotionally wrenching but also cathartic, written with poignancy and memorability.' - The Booker Prize Judges 2020 'Avni Doshi is a writer of surgical...

Set in 1950s New Orleans, Little Black Girl Lost is a powerful tale filled with sex, greed, and the explosive political and social climates of an America long gone. Fifteen-year-old beauty Johnnie Wise lives her life devoted to God. But her innocence is shattered when her mother, who has been a prostitute for years, sells Johnnie's body to lecherous insurance man Earl Shamus.

Kemi, a risk taker who's used to getting her way, and Tola, shy and obedient, couldn't be more different, but when boarding school brings the two together, they become inseparable. Their friendship and Tola's morals are put to the test when Kemi is involved in a serious and suspicious accident. Tola must make the difficult decision of telling the truth and obeying the grown-ups or protecting the secret of her newfound friend.

The only reason Ebo enlists to fight in Vietnam is because it means a free trip to O'ahu, where he can visit his younger sister, Momo. He hasn't seen Momo, who is disabled, since she became a ward of the state. During his last night before leaving for basic training, Ebo's mother lets him in on a secret, which forces him to question his future, the importance of family, and who he really is.

Random House presents the audiobook edition of My Year of Rest and Relaxation by Ottessa Moshfegh, read by Julia Whelan. SHORTLISTED FOR THE WELLCOME BOOK PRIZE 2019 FROM THE MAN BOOKER-SHORTLISTED AUTHOR OF EILEEN THE NEW YORK TIMES BESTSELLER 'Savage, funny, frequently on the verge of...

An excellent student from a poor, traditional family in Seoul, the narrator has absorbed the same message her whole life: Only a boy can provide the family with dignity and wealth. Not her. Not her three sisters. Receiving approval only for uncomplaining sacrifice, she has resolved to take on her family’s troubles. She is a good girl. And she knows what good girls must do.

Girl meets boy. It's a story as old as time. But what happens when an old story meets a brand new set of circumstances? Ali Smith's remix of Ovid's most joyful metamorphosis is a story about the kind of fluidity that can't be bottled and sold. It is about girls and boys, girls and girls, love...