Showing results for "The Normans" in Authors

There was entertainment at the Republican Gala on Sunday night. The climax was a full marching band of bagpipers. They must have been hired for the week since one kept hearing them on the following days, and at all odd times, heard them even in my hotel room at four am for a few were marching in the streets of San Francisco, sounding through the night, giving off the barbaric evocation of the Scots, all valor, wrath, firmitude, and treachery - the wild complete treachery of the Scots finding its way into the sound of the pipes.

He prepared therefore for the meditative journey that proves most excruciating in Limbo, a rounding through the past, a trip back! It is a venture full of perils. To meditate on TV might prove equal to writing a recollection of an enemy one has never met and cannot quite believe in. Indeed, how to conceive of an enemy who is without personal animosity? It was like writing a memoir of an oxymoron. Limbo set its tasks.

Paret lay on the ground, quivering gently, a small froth on his mouth. The house doctor jumped into the ring. He knelt. He pried Paret's eyelid open. He looked at the eyeball staring out. He let the lid snap shut. He reached into his satchel, took out a needle, jabbed Paret with a stimulant. Paret's back rose in a high arch. He writhed in real agony. They were calling him back from death. One wanted to cry out, "Leave the man alone. Let him die."

The Armies of the Night chronicles the famed October 1967 March on the Pentagon, in which all of the old and new Left - hippies, yuppies, Weathermen, Quakers, Christians, feminists, and intellectuals - came together to protest the Vietnam War. Alongside his contemporaries, Mailer went, witnessed, participated, suffered, and then wrote one of the most stark and intelligent appraisals of the 1960s.

Over the course of a nearly sixty-year career, Norman Mailer wrote more than 30 novels, essay collections, and nonfiction books. Yet nowhere was he more prolific - or more exposed - than in his letters. All told, Mailer crafted more than 45,000 pieces of correspondence (approximately 20 million words), many of them deeply personal, keeping a copy of almost every one. Now the best of these are published - most for the first time - in one remarkable volume that spans seven decades and several lifetimes.

As America's foremost public intellectual, Norman Mailer was a ubiquitous presence in our national life - on the airwaves and in print - for more than sixty years. With his supple mind and pugnacious persona, he engaged society more than any other writer of his generation. The trademark Mailer swagger is much in evidence in these pages as he holds forth on culture, ideology, politics, sex, gender, and celebrity, among other topics.

Originally published in 1959, Advertisements for Myself is an inventive collection of stories, essays, polemic, meditations, and interviews. It is Mailer at his brilliant, provocative, outrageous best. Emerging at the height of "hip", Advertisements is at once a chronicle of a crucial era in the formation of modern American culture and an important contribution to the great autobiographical tradition in American letters.

A River Runs Through It and Other Stories turned Norman Maclean into a late-in-life literary phenomenon and then a household name after the success of the Hollywood film based on the title story. Yet fewer know of Maclean's lifelong struggles to reconcile very different parts of himself: the revered teacher and writer in the intellectual hub of Chicago and the Montana man compelled by the wildness and traumas of his home state and family, including the tragic Mann Gulch fire and the murder of his brother.

On August 5, 1949, a crew of 15 of the United States Forest Service's elite airborne firefighters, the Smokejumpers, stepped into the sky above a remote forest fire in the Montana wilderness. Two hours after their jump, all but three of these men were dead or mortally burned. Haunted by these deaths for 40 years, Norman Maclean puts back together the scattered pieces of the Mann Gulch tragedy.

A memoir of the haunting and redemptive events of the acclaimed writer's life - the betrayal of a con-man father; a murder-suicide in his family's house; the presence of an oyster catcher - each one, as the saying goes, stranger than fiction. In the hands of Howard Norman, author of The Bird Artist and What Is Left the Daughter, life's arresting strangenessis made into a profound, creative, and redemptive memoir.

At the center of The Hooligan's Return is the author himself, always an outcast, on a bleak lifelong journey through Nazism and communism to exile in America. But while Norman Manea's book is in many ways a memoir, it is also a deeply imaginative work, traversing time and place, life and literature, dream and reality, past and present. Autobiographical events merge with historic elements, always connecting the individual with the collective destiny.

The first biography to examine Mailer's life as a twisted lens, offering a unique insight into the history of America from the end of World War II to the election of Barack Obama. Twice winner of the Pulitzer Prize, firstly in 1969 for The Armies of the Night and again in 1980 for The Executioner's Song, Norman Mailer’s life comes as close as is possible to being the Great American Novel: beyond reason, inexplicable, wonderfully grotesque and addictive.

"If there is any life that is happier than the life we led on our timber ranch, it must be the sort of life which I have not read of in books or experienced in person," wrote Mark Twain, and now you can share in that experience. The beloved American humorist spent seven years on a "pleasure trip" through the untamed wilderness of Nevada. Twain intended to spend three months touring silver mines, but the lure of rough terrain and comfortable clothes proved irresistible - as will this vibrant travelogue.

When Mark Twain was growing up, all he wanted to be was a steamboat man. And so Twain ran away in pursuit of his dream. Life on the mighty river for Twain consisted of paddleboats and history, poker games and gamblers, larger-than-life characters and outlandish festivals like Mardi Gras. Twain recorded it all with his keen eye for detail and biting wit.

At nearly 95, Studs Terkel has written about everyone's life, it seems, but his own. In Touch and Go, he offers a memoir that, embodying the spirit of the man himself, is youthful, vivacious, and enormous fun.