Showing results for "The Publisher" in History & Criticism

„Pamiętnik orchidei. Pożegnania” to książka niezwykła w dorobku Zygmunta Kałużyńskiego. Ten bezkompromisowy krytyk filmowy i kontrowersyjny publicysta, nazywający sam siebie „ocalonym z wieku XX”, zdecydował się na podsumowanie własnego życia i zarazem całego stulecia, na które ono w większości przypadło.

One of the most sought-after celebrity titles of recent years, Des Lynam’s autobiography gives a frank and opinionated insight into the man behind the myth. Famously guarded about his private life, Des sets the record straight on all the stories that have been written about him, giving a...

Alan Whicker is quite simply a legend. A visionary and master of his craft, his television shows from the fifties to the nineties almost single handed invented the language of travel television and earned him the status of one of the most foremost of British media icons. Yet throughout his forty...

Roger Mudd joined CBS in 1961 and rose to fame as the congressional correspondent, covering the historic Senate filibuster debate over the 1964 Civil Rights Act. Mudd was there to see Dan Rather going toe-to-toe with the Nixon White House, Marvin Kalb deciphering the State Department, Daniel Schorr bird-dogging Watergate, Lesley Stahl and Connie Chung staking out all the president's men, George Herman presiding over Face the Nation, Bob Schieffer covering the Pentagon like a police reporter.

On the Frontlines of the Television War is the story of Yasutsune "Tony" Hirashiki's 10 years in Vietnam - beginning when he arrived in 1966 as a young freelancer with a 16mm camera but without a job or the slightest grasp of English and ending in the hectic fall of Saigon in 1975 when he was literally thrown on one of the last flights out. His memoir has all the exciting tales of peril, hardship, and close calls as the best of battle memoirs but it is primarily a story of very real and yet remarkable people: the soldiers, the reporters, and the photographers.

Here are the very personal diaries of Richard E. Grant's debut behind the camera, as writer and director of his autobiographical movie of the same name.

It is both a fascinating insight into the intrigues and agonies he encounters along the way, and also a deeply moving portrait of his childhood and his love affair with Swaziland, where he was born and brought up during the last throes of the British Empire.