Showing results for "The Social Fact" in Coming of Age

It's 1950 and Mickey Tussler - the now-famous pitching prodigy with autism and a golden arm - is back for another baseball season in this third installment of Frank Nappi's critically acclaimed Legend of Mickey Tussler series. Talk of Mickey's legendary exploits on the field has grown since his improbable debut two years prior, as have the fortunes of Murph and the rest of the lovable ragtag Brew Crew. Now Mickey, Murph, and Lester find themselves heading to Bean Town to play for the Boston Braves.

It’s 1949 and 18-year-old pitching phenom Mickey Tussler is back with the rejuvenated minor league Brewers in the sequel to The Legend of Mickey Tussler (the basis for the television movie A Mile in His Shoes). Despite Mickey’s proclamation that he will never play baseball again after last season’s violent conclusion, his manager - and now surrogate father - Arthur Murphy cajoles the emotionally fragile, socially awkward boy with autism into giving it another shot.

Seventeen-year-old Bianca Piper is cynical and loyal, and she doesn’t think she’s the prettiest of her friends by a long shot. She’s also way too smart to fall for the charms of man-slut and slimy school hottie Wesley Rush. In fact, Bianca hates him. And when he nicknames her “the Duff,” she throws her Coke in his face. But things aren’t so great at home right now, and Bianca is desperate for a distraction. She ends up kissing Wesley. Worse, she likes it.

Ballads are the kinds of songs that Kara McNaughton likes best. Not the cliche ones where a diva hits her dramatic high note or a rock band tones it down a couple of notches for the ladies, but the true ballads: the punk rocker or the country crooner reminding their listeners of the numerous ways to screw things up.

Kids have been picking on 14-year-old Harold ever since he can remember. They stare at him and call him "maggot" or "ghost boy" because he's an albino. Even his mother seems angry and withdrawn when he's around.One day the circus comes to town, and Harold runs away to join it. When Fossil Man and Princess Minikin accept him into their family, he feels that he has at long last come home.

Carson Mastick is entering his senior year of high school and desperate to make his mark, on the reservation and off. A rock band - and winning the local Battle of the Bands, with its first prize of a trip to New York City - is his best shot. But things keep getting in the way. Small matters like the lack of an actual band, or the fact that his brother just got shot confronting the racist owner of a local restaurant.

In this absorbing new novel, Summer makes a choice that changes the whole course of the season ahead of her. When her story divides, Summer finds herself alternately face-to-face with a longtime crush and worlds away. She is both living amid secrets and kept from them. But what matters more - the choices she makes or the experiences that shape her?

For eight years, Loa Sollilja's world ran like one of those mechanical models of the solar system, with her baby sister, Asta, as the sun. Asta suffered from a genetic disorder that left her a permanent infant, and caring for her was Loa's life. Everything spun neatly and regularly as the whole family orbited around Asta. But now Asta's dead, and 16-year-old Loa's clockwork galaxy has collapsed.

Marley doesn't just want to be labeled The Gay Kid, but he doesn't have much else going on. He doesn't have any hobbies. Or interests. He's the only kid he knows without a passion...until Christopher comes to town. He's smart, cute, gay, and...the son of the country's most famous, most bigoted television evangelist. Marley and Christopher immediately spark - and become inseparable. For a month, it's heaven. Then Christopher's parents send him to a Pray Away the Gay program, which leads to even worse things.

Beautifully and authentically rendered by actor and playwright Adrian Vargas, these twelve stories tell of the almost unendurable journey most migrant campesinos undertake to find the "American Dream."