Showing results for "Thomas" in Short Stories

In this followup to his hugely popular Midnight Storm Moonless Sky: Indigenous Horror Stories, Blackfoot storyteller Alex Soop plunges us again into enthralling tales that mix reality with dark terror. Within its stories, Whisper at Night and They Will Come reveals ancient theories of the paranormal, post apocalyptic scenarios, impossible wells of grief, and monstrous phobias. Soop scares the wits out of listeners, all the while uncovering overlooked social anxieties and racism affecting Indigenous Peoples across North America.

Two terrifying classics by “the best kept secret in contemporary horror fiction” (The Washington Post) Thomas Ligotti’s debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange...

Die Texte kreisen um Wendepunkte im Leben – um plötzliche Einsichten, leise Entscheidungen, Verlust und Neubeginn, Trost, Hoffnung und Dankbarkeit. Als Lesehilfen für den Alltag laden sie dazu ein, das eigene Leben aufmerksam zu betrachten, emotionale Intelligenz zu schulen und einen Sichtweisenwechsel zu wagen.

In der Stilistik Thomas Manns liegt dieses markant-prägnant-charmante Element, das einen sofort in seinen Bann zieht. „Wie Jappe und Do Escobar sich prügelten" erzählt von ein paar Jugendlichen, bei denen zwei aufgrund einer Lappalie aneinander geraten und beschließen, die Sache in einem fairen Kampf zu regeln. „Das Eisenbahnunglück" ist die Geschichte eines Mannes, der ein eben solches heil überstanden hat.

In der Stilistik Thomas Manns liegt dieses markant-prägnant-charmante Element, das einen sofort in seinen Bann zieht. Man sieht dadurch jede beschriebene Szene sofort bildlich vor dem geistigen Auge Gestalt annehmen und kann die Gefühle und Stimmungen der einzelnen Charaktere sehr gut nachempfinden. Die prosaischen Gemälde, die sich dabei offenbaren, präsentieren sich innerhalb ihrer literarischen Ästhetik mit Herz und Geist und entfalten dabei ihre ganz eigene Stimmung. Von daher ist genüsslicher Hörspaß garantiert, hier bei dem vierten Teil von Thomas Manns Erzählungen.

From the award-winning “master of the short story” (The New York Times Book Review)—nine shattering, hilarious tales of men on the outskirts of America, habituating the motels, hot dog stands, and dive bars time forgot, grappling with a world that is swiftly changing, and dreaming of a return to the wooded shores of their youth

A towering figure in the pantheon of twentieth-century literature, Thomas Mann has often been perceived as a dry and forbidding writer—"the starched collar," as Bertolt Brecht once called him. But in fact, his fiction is lively, humane, sometimes hilarious. In these fresh renderings of his best short work, award-winning translator Damion Searls casts new light on this underappreciated aspect of Mann's genius.

Thomas Hardy was born in 1840 near Dorchester in that part of England he called Wessex. With stories sometimes from his own imagination and sometimes from local tradition, Hardy's work, like Dickens and Trollope, creates a strong sense of mood and location. Hardy hoped to be remembered for his poetry, but ours is not a poetic age. Thus his claim to a new generation of readers rests on his prose. There are great similarities between his era, a time of challenge, and our own.

In der Stilistik Thomas Manns liegt dieses markant-prägnant-charmante Element, das einen sofort in seinen Bann zieht. Man sieht dadurch jede beschriebene Szene sofort bildlich vor dem geistigen Auge Gestalt annehmen und kann die Gefühle und Stimmungen der einzelnen Charaktere sehr gut nachempfinden. Die prosaischen Gemälde, die sich dabei offenbaren, präsentieren sich innerhalb ihrer literarischen Ästhetik mit Herz und Geist und entfalten dabei ihre ganz eigene Stimmung.

In der Stilistik Thomas Manns liegt dieses markant-prägnant-charmante Element, das einen sofort in seinen Bann zieht. „Gefallen" erzählt die Geschichte eines jungen Mannes, der in starke Verwunderung und Verwirrung darüber gerät, dass eine Schauspielerin, für die er schwärmt, sich nicht abgeneigt zeigt mit einem langweiligen Biedermann wie ihm Zeit zu verbringen und sogar fast eine Art liebevolle Beziehung zu führen, aber alles übermäßig Schöne muss auch mal ein Ende haben.

In der Stilistik Thomas Manns liegt dieses markant-prägnant-charmante Element, das einen sofort in seinen Bann zieht. Man sieht dadurch jede beschriebene Szene sofort bildlich vor dem geistigen Auge Gestalt annehmen und kann die Gefühle und Stimmungen der einzelnen Charaktere sehr gut nachempfinden. Die prosaischen Gemälde, die sich dabei offenbaren, präsentieren sich innerhalb ihrer literarischen Ästhetik mit Herz und Geist und entfalten dabei ihre ganz eigene Stimmung.

Charlie Caine has been to too many Hollywood funerals. The studio system is long gone, and its stars - some forgotten, some preserved for display on a late-night show - are beginning to pass on, as well. Only a few turn out for the final performance of Babe Austrian, a peroxide-blond beauty whose red hot talkies changed the way America thought about sex. As he gazes into her coffin, Caine remembers Babe as she was: a dynamite beauty with secrets that could have burned Hollywood to the ground.

Fedora is dead, and movies will never be the same. A star since the early days of Hollywood, she survived the business for an unprecedented four decades before retiring to Crete. As the years wore on and her costars turned wrinkled and worn, Fedora's perfect features never faded. Now that she has finally passed, the secret to her longevity will be told - a shocking revelation that will raise her to the level of myth.

For more than four decades, Thomas McGuane has been heralded as an unrivaled master of the short story. Now the arc of that achievement appears in one definitive volume. Set in the seedy corners of Key West, the remote shore towns of the Bahamas, and McGuane's hallmark Big Sky country, with its vast and unforgiving landscape, these are stories of people on the fringes of society, whose twisted pasts meddle with their chances for companionship.

Listen to the conversation as you sit in the corner of the snug in Mulligan's pub. The Teacher, The Sergeant, and the Parish Priest, aided by the Barman, are in session, and little of what happens in this Dublin inner city parish will escape their attention.

You are in the capital city of Ireland. Like any city, there are problems. Your job is to find Irish solutions to Irish problems. Your team includes your beautiful Russian assistant Alice and the dangerous ex-army ranger, called the PMC, who has a slightly scrambled brain. Your customers include gangsters, police, business men, politicians, and tailors each with a unique problem.

L'autore di "Angelo guarda il passato", che è stato indicato dalla critica in modo contraddittorio a volte come genio ("Genius" fra l'altro è il titolo dell'ultimo film che descrive la sua vita) e a volte come scrittore fallito, specie se paragonato al suo contemporaneo Faulkner, scrive questi racconti in modo lirico, sregolato, come se fosse la scrittura a travolgere lui stesso e non lui a padroneggiarla col mestiere del letterato.

Sammelband mit 4 Mystery-Erzählungen, bestehend aus "Der Weichensteller", "Das Testament", "Der Nobelpreis" und "Der Matrjoschka Code".

Step in for a pint and a chat. You'll meet Tracy, the Australian actress, the Tramp, and both Bruisers, senior and junior, together with Dwyer the bookie, the red Kelly, Rockette, the new recruit to the police force, the CIA agent called the Seeker, and many more....

Thomas Burke was born Sydney Thomas Burke on November 29th, 1886 in Eltham, London (at the time it was part of Kent). An author in the early years of the century who brought his skills of pen and eye to parts of London, specifically the Limehouse district of the East End, and wrote with drive and vigour about the characters he met and the places that he knew.