Showing results for "Us" in Popular Culture

About 15 percent of all Americans are estimated to be Marijuana smokers, and 56 million have tried it at least once. These figures have been published so often that it's easy to get the impression that marijuana smoking is one of the more secure 60s legacies. The trouble is that the statistics one always hears about relate to those who try or use marijuana. And the fact that those figures are staggering only makes it seem all the more surprising that a dramatic number of people have stopped using the drug.

Let's zoom in to the Internet, that magnificent new world for latter-day explorers, so much more vast than any realm discovered by Columbus or Magellan. Zealous enthusiasts point to how much more knowledge the average person can access, predicting better students, better workers, better minds and citizenship. Pessimists perceive a dumbing down that spread users too thin, resulting in shallowness that could be lethal to politics, to clear thinking. Is Google making us stupid? Let's weigh the evidence.

A practical and irreverent guide to Burning Man, its philosophy, why people do this to themselves, and how it matters to the world Over 30 years Burning Man has gone from two families on a San Francisco beach to a global movement in which hundreds of thousands of people around the world create...

Cancel culture addresses real harm...and sometimes causes more. It’s time to think this through. In We Will Not Cancel Us, movement mediator adrienne maree brown reframes the discussion for us, in a way that points to possible paths beyond this impasse. Most critiques of cancel culture come from outside the milieus that produce it, sometimes even from from its targets. However, brown explores the question from a Black, queer, and feminist viewpoint that gently asks, how well does this practice serve us?

All three series of the BBC Radio 4 comedy about love, marriage and despair, initially broadcast on BBC Radio 4 as 'Start/Stop'. Barney and Cathy. Evan and Fiona. David and Alice. Three couples who have beaten the odds and stayed married – but is that simply because they haven’t got around...

Foreword by Steven Pinker Blending the informed analysis of The Signal and the Noise with the instructive iconoclasm of Think Like a Freak, a fascinating, illuminating, and witty look at what the vast amounts of information now instantly available to us reveals about ourselves and our...

This new edition of What Makes Us Tick takes us beneath the often overwhelming surface noise of politics, economics, new technology and social change to explore something that hasn't changed: the 10 desires that drive us all and, now in a new prologue, the seven characteristics that define us as a species. From our desire to be taken seriously, to be useful and to be loved, to the desire for more, the desire for control and the desire for something to believe in, these universal human motivations powerfully influence our behaviour towards each other.

Superheroes, Movies, and the State sets a new standard for exploring the government-Hollywood relationship as it persuasively documents the critical role different government agencies have played in shaping characters, stories, and even the ideas behind the hottest entertainment products.

What do we see when we watch reality television? Sociologist and TV lover Danielle J. Lindemann takes a long, hard look in the “funhouse mirror” of this genre, from countless rose ceremonies on The Bachelor to the White House and more (so much more!). Beginning with the first episodes of The Real World, reality TV has not only remade our entertainment and cultural landscape—it also uniquely refracts our everyday experiences and social topography.

Is the face of American baseball throughout the world that of goodwill ambassador or ugly American? Has baseball crafted its own image or instead been at the mercy of broader forces shaping our society and the globe? The Empire Strikes Out gives us the sweeping story of how baseball and America are intertwined in the export of “the American way."

Whether through a movie, television show, novel, or even myth, horror as a genre has always spoken to our deepest human fears and anxieties: fear of death, of the unknown, of knowing too much. Whether you're looking at classic narratives like Frankenstein, or contemporary films like Get Out, which explores racism and white guilt, horror provides a window into our culture and what makes us human. The same can be said of religion.

When does a scientific discovery become accepted fact? Why have scientific facts become easy to deny? And what can we do about it? In The Workshop and the World, philosopher and science historian Robert P. Crease answers these questions by describing the origins of our scientific infrastructure - the “workshop” - and the role of 10 of the world’s greatest thinkers in shaping it. As today’s politicians and government officials increasingly accuse scientists of dishonesty, conspiracy, and even hoaxes, engaged citizens wonder how we got to this level of distrust....

Why are so many of the superhero myths tied up with loss, often violent, of parents or parental figures? What is the significance of the dual identity? What makes some superhuman figures “good” and others “evil”? Why are so many of the prime superheroes white and male? How has the superhero evolved over the course of the twentieth and early twenty-first centuries? All these topics, and more, are covered in this lively and original exploration of the reasons why the superhero—in comic books, films, and TV—is such a potent myth for our times and culture.

Something has gone wrong. We're living in an age of celebratory racism, extreme inequality, uncertainty and fear. We're governed by people who claim to be populist but who seem to hate everyone. There are idiots at the wheel and we're heading for a cliff in a big red bus and no one knows how to...

Today, orphanages are common in many parts of the world. But a look at young people who spent their childhoods in institutions in Romania reveals just how developmentally damaging such places can be.