Showing results by publisher "Faber & Faber" in Genre Fiction

Big Swiss. That's Greta's nickname for her - she is tall, and she is from Switzerland. Greta can see her now: dressed top to toe in white, that adorable gap between her two front teeth, her penetrating blue eyes. She's a head-turner: including the heads of infants and dogs. Well that's how Greta imagines seeing her; they haven't actually ever met in person. Nor has Greta actually ever been to Switzerland. Greta and Big Swiss are not in the same room, or even the same building.

The year is 1992. Ka, a poet and political exile, returns to Turkey as a journalist, assigned to investigate troubling reports of suicide in the small and mysterious city of Kars on the Turkish border. The snow is falling fast as he arrives, and soon all roads are closed. There's a 'suicide epidemic' amongst young religious women forbidden to wear their headscarves.

Read by the critically acclaimed actress Maggie Gyllenhaal. When Esther Greenwood wins an internship at a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.

It is a perfect spring day in Istanbul. Kemal, a wealthy heir, is about to become engaged to the aristocratic Sibel when he encounters Füsun, a beautiful shop girl. He falls in love and finds his established world of Westernized families, opulent parties, society gossip and dining room rituals is shattered.

This is the tale of Demon Copperhead: our hero. A boy with no assets beyond his dead father's good looks and copper-coloured hair, bucket-loads of charm and a talent or two the world is yet to discover. Born to a teenaged single mother in a single wide trailer, life is not set fair for Demon as he escorts us on this, his journey through the modern perils of foster care, athletic success and addiction, the dizzying highs of true love, and the crushing losses that can accompany it.

With his flight delayed, Ted Severson meets Lily Kintner, a magnetic stranger, in an airport bar. In the netherworld of international travel and too many martinis, he confesses his darkest secrets, about his wife's infidelity and how he wishes her dead. Without missing a beat Lily offers to help him carry out the task.

A young woman is in love with a successful surgeon, a man torn between his love for her and his incorrigible womanizing. His mistress, a free-spirited artist, lives her life as a series of betrayals - while her other lover, earnest, faithful, and good, stands to lose everything because of his noble qualities.

Alice, a novelist, meets Felix, who works in a distribution warehouse and asks him if he'd like to travel to Rome with her. In Dublin, her best friend, Eileen, is getting over a break-up and slips back into flirting with Simon, a man she has known since childhood. Alice, Felix, Eileen and Simon are still young—but life is catching up with them.

When Tom Layward's wife had an affair he resolved to leave her as soon as his youngest daughter turned eighteen. Twelve years later, while taking her to Pittsburgh to start university, he remembers his pact, and keeps driving West. An unforgettable road trip novel, The Rest of Our Lives beautifully explores the nuance and complications of a long term marriage.

It is 1985, in an Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal and timber merchant, faces into his busiest season. As he does the rounds, he feels the past rising up to meet him—and encounters the complicit silences of a people controlled by the Church. The long-awaited new work from the author of Foster, Small Things Like These is an unforgettable story of hope, quiet heroism and tenderness.

Aside from the fact that they are brothers, Peter and Ivan Koubek seem to have little in common. Peter is a Dublin lawyer in his thirties - successful, competent and apparently unassailable. But in the wake of their father's death, he's medicating himself to sleep and struggling to manage his relationships with two very different women. Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother.

Connell and Marianne grow up in the same small town in the west of Ireland, but the similarities end there. In school, Connell is popular and well-liked, while Marianne is a loner. But when the two strike up a conversation—awkward but electrifying—something life-changing begins. Normal People is a story of mutual fascination, friendship and love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find they can't.

Frances is 21 years-old, cool-headed and observant. A student in Dublin and an aspiring writer, at night she performs spoken word with her best friend Bobbi, who used to be her girlfriend. When they are interviewed and then befriended by Melissa, a well-known journalist who is married to Nick, an actor, they enter a world of beautiful houses, raucous dinner parties and holidays in Provence. But when Frances and Nick get unexpectedly closer, the sharply witty and emotion-averse Frances is forced to honestly confront her own vulnerabilities for the first time.

A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys’ delicate sense of order fades, so their childish dreams are transformed into something more primitive and their behaviour starts to take on a murderous, savage significance.

From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change for ever, Klara is warned not to invest too much in the promises of humans.

Tara Selter has slipped out of time. Every morning, she wakes up to the 18th of November. She no longer expects to wake up to the 19th of November, and she no longer remembers the 17th of November as if it were yesterday. She comes to know the shape of the day like the back of her hand—the grey morning light in her Paris hotel; the moment a blackbird breaks into song; her husband's surprise at seeing her return home unannounced. But for everyone around her, this day is lived for the first and only time.

In one of the most acclaimed novels of recent years, Kazuo Ishiguro imagines the lives of a group of students growing up in a darkly skewed version of contemporary England. Narrated by Kathy, now thirty-one, Never Let Me Go dramatizes her attempts to come to terms with her childhood at the seemingly idyllic Hailsham School and with the fate that has always awaited her and her closest friends in the wider world.

Rich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analysed and experienced.

In a sprawling villa on the outskirts of Bremen, Tara Selter is starting to settle into a new kind of eighteenth of November. Her days with Henry, Ralf and Olga revolve around the daily routines of practical chores: gathering provisions, splitting firewood. But one morning, there are five new arrivals at their wrought-iron gate. As more people continue to arrive, their home fills with movement, voices fill the air; a flurry of people asking questions, sharing their eighteenths of November.

In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.