Showing titles in Audio Performances & Dramatisations

In this BBC full-cast production of Romeo And Juliet, the two star-crossed lovers fight for each other until their dying breath. Can their two feuding families reconcile? With the intimacy of radio, the full beauty and meaning of some of the most lyrical lines ever written can be truly heard...

A Cyber War rages throughout the galaxy. The Earth-aligned worlds are fighting for survival against the cold, emotionless might of the Cyber Bloc - an alliance of planets whose inhabitants have undergone cybernetic conversion in the name of racial superiority. Award-winning journalist Olivia is reporting from the front-line, when all her assumptions about the Cyber War are shattered, not only by a terrifying encounter with the enemy, but by the arrival of a wise and mysterious traveller. The result is a deadly Cyber-Hunt, in which human and machine creature is tested to the limit.

'You drank from me, vampire. Shurafa draws closer because of you.' Barnabas Collins is a desperate man. In Cairo's great cemetery, the City of the Dead, an ancient tyrant is plotting his return from the grave, and Barnabas has been chosen to assist in his rebirth. When the city begins to burn, Barnabas is coerced into assisting his escape by murdering a young girl. But the reluctant vampire faces resistance from his conscience: a brilliant scientist by the name of Julia Hoffman.

London, 1999. As New Year’s Eve approaches, some believe it will herald the end of the world, and when Dorian encounters renowned artist Natalie Isaacs in a bar, they embark on an intimate journey...but one with terrible consequences. Once the clock strikes midnight on New Year’s Eve, it isn’t long before the Mayfair Monster manifests. Note: The Confessions of Dorian Gray contains adult material and is not suitable for younger listeners.

For more than 80 years, the British Government has been keeping something hidden. Now it can no longer be kept secret. With a Weapons Crisis Committee standing in Geneva, Captain Alice Wells of UNIT is given the task of investigating the mysterious deaths of allied and UN troops. When her investigation leads her to an ultra secure safe house in England she discovers just what it was that the government thought too dangerous to be made public...a Sontaran!

Cyrano is a brash, strong-willed man of many talents whose whimsical aptitude for the spoken word is overshadowed by an attribute that is iconic, outrageous, and gigantic - his nose. How can the curiously snouted Cyrano ever hope to win the affections of the beautiful Roxane?

Pam Ayres' stage show has been a sell-out success throughout the world. With her natural warmth and wit she builds up a rapport with the audience that guarantees an evening of fun and laughter. Pam's reflections on daily life bring a chuckle of recognition from people of all ages. Whether she's...

The evil Iago pretends to be friend of Othello in order to manipulate him to serve his own ends. Cyril Cussack, Frank Silvera, and Celia Johnson star in this unabridged performance of Shakespeare's Othello.

How did Shakespeare sound to the audiences of his day? For the first time, this audio offers listeners the chance to hear England's greatest playwright performed by a company of actors using the pronunciation of his time. Under the guidance of Ben Crystal, actor, author of Shakespeare on Toast, and an expert in original Shakespearian pronunciation, the company performs some of Shakespeare's best-known poems, solo speeches, and scenes from the plays.

Sir Laurence Olivier and Elizabeth Bergner star in this full stage dramatization of Shakespeare's classic.

Original comedy material from some of the best comedy writers around! These audio programs feature highlights of the onling monthly reading series "Say the Word".

In this BBC full-cast production of The Tempest, a magical storm washes some sailors up on a peculiar island, changing the course of their lives forever... Raging storms and rich beautiful music combine to magical effect in this production of Shakespeare's allegorical last play, where mystical...

PRIMEra: Last thirteen million years. Technology: Military (blatant), limited time-awareness. It’s perhaps unwise to think of the Sontarans as a species, as such. A homunculus breed hatched by the million and engineered for full-engagement warfare, the Sontaran military machine is regarded by many time-active cultures as an “occupational hazard”: a force of nature rather than a race, compelled by duty and genetics to acquire new technologies for its endless war effort. It should be remembered, however, that with the backing of a higher power even the crudest of breeds can become something quite different.

Even before the outbreak of the 'War in Heaven', Faction Paradox was regarded as the most unpredictable (and opportunistic) of the time-active powers. Aware of the precarious nature of history - but under no obligation to protect it - while the other Great Houses were still attempting to uphold a “universal order”, the Faction was following its own, far more ambiguous, protocols.

Right from its creation, the secret intelligence service of Great Britain was touched by a streak of ritual: its initiations were usually occult, its codes based on astrological or alchemical ciphers. When Faction Paradox first entered Earth history in the 1700s, the Service took an immediate interest in the new arrivals’ own ritual practices, and in the inevitable feud between British and Faction agents no single figure was as important as Sabbath.

Era: Human historical (later period). Technology: Military (self-contained), non-time-active. By the end of the fifth millennium AD, the homunculi created by the human species - clones, cross-breeds, fighting-machines and artificial intelligences of all descriptions - outnumbered humanity by more than thirteen to one: But even so, there were no creations like those of Peking. Heading a 1,000-strong army of individually-crafted automata, the 12 commanders were self-aware embodiments of the oriental zodiac, forged to a strict astrological design, and said to incorporate history itself in their operating program.

The demise of Earth was followed by a period in which there was, effectively, no such thing as the human species; a period in which humanity suddenly found itself released from its heritage, with genetic manipulation and vast tracts of space separating the survivors from everything they’d once been.

It’s now acknowledged that the Great Houses were largely responsible for creating the current shape of history, not simply by interfering in major events (although they may have dabbled) but by engineering the entire framework of history as a single definite structure. What’s less well-known is just how easy it is to access that structure’s foundations. Before the War, it was usual for Great House installations to be linked to the Houses’ “records library”, buried in the framework beneath normal time.

Gargantua and Pantagruel by Francois Rabelais. Dramatised by Lavinia Murray. Episode 1: Gargantua. The bawdy, exuburant adventures of medieval giants. A dizzying blend of fantasy, comedy, philosophy and scatological humour. The world's a messy place. The first episode depicts the young life of...

For thirty years the fictional crime novelist and detective Paul Temple, together with his Fleet Street journalist wife Steve, solved case after case in one of BBC Radio's most popular series. They inhabited a sophisticated world of chilled cocktails and fast cars, where the women were chic and...