Showing titles in Gender Issues

Shehnaz was a beautiful, erudite woman from the royal family of Bhopal, who was almost cast to play Anarkali in K. Asif's Mughal-e-Azam. Her daughter Sophia Naz tells her story as she heard it from her-about her childhood as part of the royal household in Bhopal, where she led a revolt among the...

In Zeiten eines globalen antifeministischen Backlash erzählt die Journalistin Andrea Böhm die vergessenen Geschichten jener Frauen, die sich gegen Unterdrückung und Geschlechtergrenzen physisch auflehnen. Ob im Ring, zu Hause oder auf dem Schlachtfeld: Frauen haben zu allen Zeiten das Dogma ihrer physischen Unterlegenheit gegenüber Männern infrage gestellt. Andrea Böhm fragt, ob der weibliche Körper tatsächlich so wehrlos ist, wie es uns von Kindesbeinen an gelehrt wird.

America’s most sought-after voice in the fight to save female sports shares her unbelievable story and inspires readers to embrace common sense and truth in discussions about women's rights. Riley Gaines has been called many things: Collegiate athlete. All-American. Champion. But in 2022...

Dans ce recueil d’aphorismes et de fragments, Natalie Clifford Barney—Américaine expatriée à Paris et grande animatrice de salon—distille l’art de la conversation en pensées ciselées. Nées de rencontres et d’échanges, ces notes mordantes et lumineuses sondent la vie et les lettres, les mœurs et les arts, avec une liberté d’esprit que suggère l’amazone du titre. Entre ironie légère et gravité, une voix singulière pose des questions plus qu’elle n’assène des réponses, invitant à réfléchir, sourire et contredire.

Mary Ellen Pleasant: From Slavery to Fortune–America's First Self-Made Female Multimillionaire by Andy Lammers tells the extraordinary true story of a woman who defied the limitations of her time to become one of the wealthiest and most influential figures in 19th-century America.

Who do you think of when you imagine a hedge fund manager? A greedy fraudster, a visionary entrepreneur, a wolf of Wall Street? These tropes capture the public imagination of a successful hedge fund manager. But behind the designer suits, helicopter commutes, and illicit pursuits are the everyday stories of people who work in the hedge fund industry—many of whom don't realize they fall within the 1 percent that drives the divide between the richest and the rest.

يتأمل العقاد برؤيته الفلسفية العملية دور المرأة بوصفها "الإنسان الثاني" الذي يكمل الرجل، في علاقة أزلية تمزج بين العقل والعاطفة. ويناقش طبيعة المرأة وجوهرها، متناولًا أدوارها الاجتماعية والنفسية، وعلاقتها بالرجل عبر التاريخ والفكر.

Els casos de maltractament no acostumen a començar amb una bufetada o una empenta; abans d'arribar a aquest extrem es va teixint una xarxa d'accions petites que d'entrada poden semblar poc violentes però que poden anar pujant d'intensitat fins a convertir-se en un veritable infern. De vegades tenim la sensació que aquest tipus de coses no ens poden passar a nosaltres, però la violència de gènere és transversal i afecta tothom. Red flags és un llibre imprescindible que ajuda a detectar els senyals d'una relació abusiva i a agafar la força necessària per sortir-ne al més aviat possible.

Publicado em 1910, A Luta é uma coletânea de crônicas e ensaios da escritora e jornalista Carmen Dolores, uma das vozes mais marcantes do feminismo e da crítica social no Brasil do início do século XX. Em seus textos, Dolores denuncia as desigualdades de gênero, a opressão feminina, o conservadorismo da sociedade patriarcal e o papel limitado da mulher na estrutura familiar e social da época.

Giulia Zollino ha vissuto questa educazione - o, sarebbe meglio dire, diseducazione - sulla propria pelle. Poi, però, ha incontrato il femminismo. È successo a Bologna, durante gli anni burrascosi dell'università, tra gruppi di discussione, letture e orgasmi. Ed è stato amore a prima vista. Questo incontro ha segnato uno spartiacque tra un prima e un dopo, da qui è partito il suo percorso di ribellione e riscoperta di sé. Il femminismo le ha insegnato a distruggere i miti nocivi, come quello della bellezza, permettendole di accettare e riappropriarsi del suo corpo.

Gli episodi di violenza di genere che occupano le cronache non sono fatti isolati, ma l'espressione estrema di un sistema radicato. Ilaria Ramoni e Fabio Roia mettono in luce un parallelismo scomodo ma necessario: quello tra la subcultura patriarcale e quella mafiosa. Entrambe si reggono sul silenzio, sulla complicità, sull'idea che le donne non siano soggetti, ma oggetti da possedere o scambiare.

معظمُكُم قد سمعَ عن أخبار الهاربات من ذويهم، ولكنّكم لم تقرؤوا عن كواليسهم التي مرُّوا بها !مِنَ السهل أن ترفضَ فكرةَ هروبِهم.. وهذا طبيعي .. ولكن من الجُنونِ أن تعيشَ هذه الفكرةَ أو تُقدِمَ عليها!في هذه الرواية .. أحداثٌ وقعَت فيها الفتاة السعودية سارة .. التي قرّرت أن تهربَ من واقع أُسرَتِها السيِّئ جدّاً .. فوجَدَت نفسَها قد هَرَبَت باتّجاه الهَاوية !استمع لها قَبل أن تَحكُمَ على فَعلتِها الجريئة .. فللحقيقةِ في هذا الزمنِ ..وجهانِ .. وجهٌ يبثُّه الإعلامُ .. ووجهٌ آخرُ يقبعُ من ورائه الكواليسُ المرعبة

For straight couples, starting a family tends to be straightforward. For queer couples, not so much. But queer families have always existed—even Sappho, the OG lesbian, had a daughter. She named her Cleis, in honor of vaginas everywhere!

Sofia Coppola’s Lost in Translation (2003) brings two Americans together in Tokyo, each experiencing a personal crisis. Both are distant — emotionally and spatially — from their spouses. They are lost until they develop an intimate connection. In the film’s poignant, famously ambiguous closing scene, they find each other, only to separate. In this close look at the multi-award-winning film, Suzanne Ferriss mirrors Lost in Translation’s structuring device of travel: her analysis takes the form of a trip, from planning to departure...

In The Secrets of Silence, Shannon Malone Gonzalez investigates how the policing of black women is tied to the policing of their stories. Over a period of four years, Malone Gonzalez conducted intimate life-history interviews with black women about their encounters, listening to those who had never shared their stories before, had never even been asked to, or had tried repeatedly to speak to those around them to no avail. They all described the unspoken or whispered connections in the ways officers and communities socially control black women to put them "in their place."

A Room of One's Own is an extended essay, originally delivered in 1928 as two lectures at two of Cambridge University's women's colleges—Newnham College and Girton College. Through the use of several metaphors, lauded author Virginia Woolf explores the social injustices and structures that prevent women from engaging in free expression and contributing to literature.

Description des raisons pour lesquelles les escortes sont les femmes les plus heureuses.

Dopo una inchiesta durata circa 23 mesi, si sono chiuse, con la notifica dell’atto relativo a quanto previsto dall’articolo 415bis del Codice di Procedura Penale, le indagini a carico di tre attiviste, Carlotta Vagnoli, Valeria Fonte e Benedetta Sabene, definite dalla testata on line “Open” “influencer e attiviste impegnate su temi come il femminismo e i diritti della persona”.

Descripción de por qué las acompañantes son las mujeres más felices.

في إطار من المصالحة مع المرأة، يعرض الكاتب لمجموعة من الكتابات والأقوال التي جعلت من المرأة موضوعًا رئيسيًّا سواء منها ما مر عبر التراث أو من أقوال المحدثين، مسقطًا من خلال نماذج متنوعة للمرأة على الأوضاع الاجتماعية والاقتصادية والسياسية في بعض الأحيان.