Showing titles in Themes & Styles

In these poems, Kleber-Diggs names delight in the same breath as loss. Moments suffused with love—teaching his daughter how to drive; watching his grandmother bake a cake; waking beside his beloved to ponder trumpet mechanics—couple with moments of wrenching grief—a father’s life ended by a gun; mourning children draped around their mother’s waist; Freddie Gray’s death in police custody. Even in the refuge-space of dreams, a man calls the police on his Black neighbor.

In a working-class family that considers sensitivity a “fatal diagnosis,” how does a child grow up to be a poet? What happens when a body “meant to bend & breed” opts not to, then finds itself performing the labor of care regardless? Why do we think our “common griefs” so singular? Bad Hobby is a hard-earned meditation on questions like these—a dreamscape speckled with swans, ghosts, and weather updates.

“You were supposed to find God here / the signs said.” In these poems, hinterlands demand our close attention; overlooked places of industry become sites for pilgrimage; and history large and small—of a city, of a family, of a shirt—is unearthed.

The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness.

“We lived overlooking the walls overlooking the cemetery.” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.

If you think often about the past or battle with overthinking and self-esteem, girl made of glass is for you. This collection is about finding yourself, forgiving yourself, and loving yourself. It explores the many ways our past haunts us but will leave you feeling hopeful about your future. girl made of glass is a poetry collection about how our past-past mistakes, relationships, and regrets—can linger into our future. Broken into four parts, this book is about finding, forgiving, and loving ourselves.

The New York Times Book Review Editors' Choice In his centenary year, this volume of the Pulitzer Prize winner and former poet laureate’s poems celebrates the indispensable artistry of a writer who faced the history of his era with a “clear-eyed mercy toward human weakness” (The New...

In Trace Evidence, the urgent follow-up to his award-winning debut Into Each Room We Enter without Knowing, Charif Shanahan continues his piercing meditations on the intricacies of mixed-race identity, queer desire, time, mortality, and the legacies of anti-Blackness in the US and abroad. With rich lyricism, power, and tenderness, Trace Evidence centers the racial periphery and excavates the vestiges of our violent colonial past in the most intimate aspects of our lives.

Diese Liebesgeschichte in unvollkommenen Versen erzählt vom Straucheln, Verlieren, vom Lieben und von Selbstzweifeln. Für jeden Menschen sind das die Begleiter, die mal mehr, mal weniger ein Stück des Lebens mit ihm gehen. Dabei hinterlassen sie ihre Spuren, im Herzen und auf der Seele, die manches Mal nicht mehr verheilen. Wären unser Herz und unsere Seele für alle Menschen sichtbar, offenbarten sie sowohl Dunkelheit als auch Licht, könnten verstörend sein und auch ermutigend. »Mit jeder Tür, die sich schließt, öffnet sich sogleich eine neue Tür«.

In The Day-Breakers, poet Michael Fraser imagines the selflessness of Black soldiers who fought for the Union during the American Civil War, of whom hundreds were African Canadian, fighting for the freedom of their brethren and the dawning of a new day.

Cada poema es la expresión de una vivencia: una pérdida, una tristeza, un amor, una alegría o una perplejidad. Con Yo quiero saber de ti se pretende dar testimonio de que siempre estamos aprendiendo a vivir. Hay muchas formas de habérnoslas con el mundo, pero quizá la mejor manera es ir viéndolo desde distintas perspectivas. Así, la filosofía y la poesía se hermanan para hacer un mundo más ancho. Nos esforzamos para ser para el otro porque sabemos que con su mirada podremos llegar a ser lo que somos.

Songs for My Father is a raw and honest collection of free verse poetry about the author’s relationship with her father. It chronicles how his anger and abuse left her emotionally trapped for many years, and how she found her way back into herself through her art. Katherine Lazaruk takes the listener through her early childhood experiences, drawing connections between how family, music, and learning shaped the writer and artist within her. It is a poignant window into the things that so often go unspoken, the elephants in the rooms of our families.

Beautifully and gently read by the author, Airea D. Matthews. 'Formally ambidextrous, teethed with wit and uncompromising dignity.' – Ocean Vuong 'Airea D. Matthews, winner of the 2016 Yale Younger Poets Prize, is a fine poet with a command of poetic and speaking voices that serves her well in...

“The Iliad“ is an epic poem by the ancient Greek poet Homer, which recounts some of the significant events of the final weeks of the Trojan War and the Greek siege of the city of Troy (which was also known as Ilion, Ilios or Ilium in ancient times). Written in the mid-8th Century BCE, “The Iliad" is usually considered to be the earliest work in the whole Western literary tradition, and one of the best known and loved stories of all time.

Full Woman, Fleshly Apple, Hot Moon offers fresh interpretations of the most widely read and loved poet of the 20th century—translated and read by a master of poetic expressiveness. Out of the great profusion of Neruda's poetry, Stephen Mitchell has selected forty-nine poems and brought them to life for a new generation of listeners. These are poems of a happy man, deeply fulfilled in his sexuality, at home in the world, in love with life and its infinite particular forms, and overflowing with the joy of language.

Ugochukwu: Birds of Pray is a collection of poems that elucidate the journey of connecting with God through elements of nature, and the uncertainty that we experience when we are called to express faith in our path, even the parts of the path that we cannot see or prepare for. Moving prose written with the intent to stretch the English language and its punctuation for those who have grown weary of a language that limits expression. This book is a reminder that there are no rules in writing if you do not want them. Journey into this forbidden book.

O que a gente faz quando o amor acaba? Nesta colagem de poemas, pensamentos, bilhetes e desabafos, Bruno Fontes fala não apenas sobre a dor do fim, mas também sobre o aconchego adocicado que vem do abraço da saudade.

Sem poesia, a vida seria a morte. Imersa no cotidiano que escolheu, marcado por morte e sofrimento, a médica paliativista Ana Claudia Quintana Arantes fez da poesia a sua estratégia para não sucumbir.

Hiawatha: Das ist der sagenumwobene Häuptling der Chippewa-Indianer, der an den Ufern des Großen Sees in Michigan gelebt haben soll. In 22 Strophen erzählt Henry Wadsworth Longfellow (1807 – 1882) von des großen Mannes Geburt, seiner Liebe zur Dakota Minnehaha, seinem friedvollen Wirken für sein Volk – und von seinem Tod. Nie wurde poetischer von den amerikanischen Ureinwohnern erzählt als in diesem Epos – das übrigens Antonin Dvorak zum zweiten Satz seiner Symphonie Nr. 9 "Aus der neuen Welt" inspirierte.