Showing titles in Drama

The Oresteia is a tragedy in three parts written by Aeschylus in the fifth century BCE. After a decade of warfare, Troy had fallen and Agamemnon, King of Mycenae, returned home. His wife, Queen Clytemnestra, had him killed to avenge the sacrifice of her daughter Iphigenia, to obtain the crown and to marry her lover Aegisthus. This murder leads to further bloodshed when their son Orestes in turn kills Clytemnestra and Aegisthus. The trilogy consists of Agamemnon, The Libation Bearers, and The Eumenides.

Christopher Marlowe wrote this spectacularly subversive play in 1589/1590. The setting is the island of Malta as a bone of contention between Spain and the Ottoman Empire in their struggle for supremacy in the Mediterranean. The ghost of Machiavelli appropriately introduces this tale of murder and mayhem which unfolds in flamboyant episodes of blackmail, betrayal, revenge, scheming, theft, and poisoning on a breathtaking scale.

Agamemnon is the first part of the Oresteia trilogy by the Greek playwright Aeschylus. Each of the plays that form part of The Oresteia can stand alone, but they perfectly complement one other in a longer narrative. Agamemnon provides the seed of all the themes that are explored in part two, The Libation Bearers, and three, The Eumenides.

King Claudius, when a young man, wrote a five-act tragedy which was damned, and all reference to it forbidden under penalty of death. The King has a son - Hamlet - whose tendency to soliloquize has so alarmed his mother, Queen Gertrude, that she has sent for Rosencrantz and Guildenstern to devise some Court revels for his entertainment. Rosencrantz is a former lover of Ophelia, to whom Hamlet is betrothed, and they lay their heads together to devise a plan by which Hamlet may be put out of the way. Some Court theatricals are in preparation.

Antigone, daughter of Jocasta and Oedipus, faces great challenges when she must arrange a formal burial for her brother, Polynices. This rendition of Antigone by Sophocles is of the highest-caliber audio. It's completely unabridged. Enjoy the classic story of Antigone narrated to perfection.

In this play, the past revisits Paual Tanqueray, resulting in dire consequences.

First published in 1711, An Essay on Criticism was one of Pope's earliest major poems. As the title suggests, it is an exploration of what Pope considered to be the essential aspects of good critical writing.

Professor Esolen who has served as your guide through both the Inferno and Purgatory will guide you through the profound and elevated poetry of Paradise. An expert who has taught Dante to college students for more than 20 years, Professor Esolen is also the preeminent modern translator of the entire Divine Comedy from the original Italian. Discover the ineffable majesty of Paradise with Professor Esolen, and complete the journey of all men who have conquered the self through the sufferings of Purgatory.

Molts crítics consideren Èdip rei l'obra mestra de Sòfocles. Èdip és l'heroi tràgic per antonomàsia: l'home just, intel·ligent, pietós envers els déus, que vol conèixer la veritat pel bé del seu poble, costi el que costi; i que no defalleix en l'intent de descobrir-la,malgrat que, a mesura que s'hi apropa, ja intueix que serà la causa de la seva ruïna. La solució diversa amb què Iocasta i Èdip afrontaran el coneixement de la veritat és també el reflex de dues maneres d'encarar les dificultats vitals.

Hi ha una manera de definir El misantrop: el món contra mi, i, si convé, jo contra el món. Si algú em porta un sonet que és més dolent que el pebre, en nom de què podria afalagar-lo? Si em jutgen perquè he dit allò que havia de dir, per què hauria de buscar algú que recomanés la meva innocència al tribunal? Que tinc raó és clar: que em jutgin, doncs, i demostrin si són al costat de la veritat o amb l'interès que sembla moure-ho tot en el món dels homes. O amb mi o contra mi, amb la raó o contra la raó.

The Peloponnesian War drags on and on with no end in sight, and the tough-minded Lysistrata has had enough. Men! - always making stupid decisions that affect everyone. Women's opinions are never listened to. Taking matters into her own hands, Lysistrata convenes a meeting of women from warring city-states across Greece and calls for a sex strike. It's a hard sell, but in the end, it is agreed: They will withhold sex until the war is brought to hasty a close.

Inferno follows Dante through hell, with only an roman poet named Virgil to guide him. Dante loses his way in a forest and stumbles across Hell; but Virgil tells him that if he ventures through hell he can reach Heaven where his beloved awaits....

Prosper Merime (1803 - 1870) - francuzskij pisatel' i perevodchik, odin iz pervyh vo Francii masterov novelly. P'esa "Zhenshhina-d'javol, ili Iskushenie Svjatogo Antonija" vhodit v sbornik "Teatr Klary Gazul'", prinesshego pervuju izvestnost' Prosperu Merime. Jeto proizvedenie molodogo pisatelja bylo svjazano s mistifikaciej, vyzvavshej nemalo tolkov. Merime vydal svoj sbornik za sochinenie nekoej - pridumannoj im - ispanskoj aktrisy i obshhestvennoj dejatel'nicy Klary Gazul'.

Spektakl' po romanu Dombi i synom velikogo anglijskogo pisatelja Charl'za Dikkensa, odin iz luchshih romanov mirovoj literatury, blistatel'nyj, ostroumnyj, veselyj i grustnyj odnovremenno. Beskonechnaja verenica figur i zhiznennyh polozhenij v jetom proizvedenii izumljaet. Ne mnogo romanov v mirovoj literature, kotorye po bogatstvu krasok i raznoobraziju tona mogut byt' postavleny v odin rjad s Dombi i Synom, ne schitaja nekotoryh pozdnejshih proizvedenij samogo Dikkensa.

Pavel Stepanovich Fjodorov (1803 - 1879) - rossijskij dramaturg, avtor vodevilja Az i Fert, ili Svad'ba s venzeljami. Az i fert - jeto bukvy starogo alfavita kirillicy. Az - sootvetstvuet nyneshnej bukve A. Fert - F. No delo v tom, chto zvuk, sootvetstvujushhij sovremennoj bukve F, proizvodili dva znaka - fert i fita. Vot na jetoj putanice i postroena osnovnaja intriga vodevilja.

Blistatel'naja komedija velikogo anglo-irlandskogo pisatelja Richarda Brinsli Sheridana (1751 - 1816) v ispolnenii zvezd teatra. Salon velikosvetskoj intriganki ledi Snirujel, kotoraja kotoraja obsuzhdaet so svoim napersnikom Snejkom poslednie dostizhenija na poprishhe aristokraticheskih koznej. Jeti dostizhenija izmerjajutsja chislom pogublennyh reputacij, rasstroennyh svadeb, zapushhennyh v obrashhenie neverojatnyh sluhov…

Radiospektakl' "Utro pomeshhika" po odnoimennomu rasskazu L'va Nikolaevicha Tolstogo. Molodoj knjaz' Nehljudov ostavljaet universitet i perebiraetsja zhit' v derevnju s namereniem oblegchit' zhizn' svoim krepostnym. Odnako vse ego iniciativy natalkivajutsja na neponimanie i molchalivoe protivodejstvie prostyh muzhikov.

Radiospektakl' "Burmistr" po motivam odnoimennogo rasskaza russkogo pisatelja Ivana Sergeevicha Turgeneva iz cikla "Zapiski ohotnika". Glavnyj geroj rasskaza, Arkadij Pavlovich Penochkin - obrazovannyj pomeshhik s evropejskim loskom, u nego mjagkij golos, izyskannye manery, no pod jetoj licemernoj maskoj skryvaetsja zhestokij krepostnik. On ne pozvolit udarit' lakeja, a tol'ko dast rasporjazhenie vysech' provinivshegosja.

Beshenye den'gi (rannie nazvanija "Kosa - na kamen'", "Ne vsjo to zoloto, chto blestit") - komedija v pjati dejstvijah Aleksandra Ostrovskogo. V jetoj p'ese, kak i v bol'shinstve svoih rabot, Ostrovskij razrabatyvaet temu krizisa dvorjanstva. Ostrovskij otmetil v dvorjanstve ego novoe otnoshenie k burzhuazii. Ono prisposablivaetsja k novomu porjadku veshhej, nekotorye ego predstaviteli stanovjatsja prizhival'shhikami burzhuazii, uchatsja u nejo novym metodam vorovstva i grabezha.

Talanty i poklonniki - komedija v chetyrjoh dejstvijah Aleksandra Nikolaevicha Ostrovskogo. Negina - populjarnaja, no bednaja molodaja aktrisa. Ejo zhenih Meluzov uchit ejo naukam i chestnoj zhizni. Knjaz' Dulebov, nadejas' ispol'zovat' ejo stesnjonnoe polozhenie, predlagaet ej stat' soderzhankoj. Aktrisa rezko otkazyvaet i vyzyvaet u Dulebova jarost' i zhelanie mesti.