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Two of J M Synge’s remarkable plays and an exploration of the man, his work and his life on the Aran Islands J M Synge was one of the giants of Irish theatre, and a leading dramatist of the Irish Literary Renaissance. Together with W B Yeats and others, he co-founded Dublin’s famous Abbey...

Three of the ever-popular Sheridan’s finest plays Born in Dublin in 1751, Richard Brinsley Sheridan was a theatre impresario, statesman and the most celebrated playwright of his time. His brilliantly witty comedies of manners have become part of the literary canon, and are frequently performed...

More than forty million Americans claim Irish ancestry. This lively illustrated book, divided into parts exploring myths, legends, and folktales, explains for the U.S. audience the importance of storytelling in Irish culture in particular. In ancient Ireland, a good storyteller was so valued that he would be a member of the aos dána, the bards, and would be welcomed into every village because he came bearing tales.

Inspiré du mythe de Perséphone, il célèbre la voix des femmes, leur force créatrice, les liens qui les rattachent au vivant, à l'amour et à l'animalité, ce qui rayonne en elles et perce le monde des ombres pour renaître sans cesse à la vie. Cette version est une lecture du texte original, interprétée par l'autrice et mise en musique par François-Pierre Fol (violoncelle) et Troy Von Balthazar (guitare, clavier) qui a aussi composé des chansons inédites en bonus. La basse sur One Happy Song est d'Antoine Brunet. Ce projet a bénéficié du soutien du Centre National du Livre.

As he himself said, Drayton’s sonnets are the most “sportive” of the great Elizabethan love poems, “ever in motion,” by turns “wild, madding, jocund, and irregular,” yet maintaining a universality and sturdy good sense that have spoken to the hearts of hearers and readers for four centuries. This recording includes in full not only his famous final collection, Idea (1619), but also the earlier Idea’s Mirror (1594), as well as the various love sonnets that he wrote on other occasions.

Vivimos en cambio constante, con miedo a decir «te quiero» por las consecuencias que podría traer. Pero debemos arriesgarnos, tenemos que perdernos para poder encontrarnos, aprender del daño y seguir soñando. Quiere, quiere mucho. Pero nunca te olvides de quererte a ti. Cuando Manu Erena empezó a escribir poesía en sus cuadernos, no podía imaginar que se convertiría en un fenómeno de ventas gracias a la publicación de su primer libro, Consecuencias de decir te quiero, con el que ha llegado a lo más alto de las listas de best sellers.

In nur einer Nacht geschrieben, entfaltet die Novelle eine beklemmende Dynamik zwischen einem jungen Mann und seinem übermächtigen Vater. Kafka verbindet familiäre Konflikte mit tiefer psychologischer Symbolik und schafft ein düsteres Bild von Schuld, Ohnmacht und dem unergründlichen Zugriff einer Autorität, die sich jeder Logik entzieht. Das Urteil ist eine der bedeutendsten Erzählungen von Franz Kafka und gilt als Schlüsseltext seines Schaffens.

Award-winning British playwright, composer and screenwriter Leo Butler looks back over 25 of writing for the stage and his extensive experience teaching and mentoring emerging playwrights. With honesty and humour, Leo Butler shares his experiences from his working-class upbringing in Sheffield, including his disastrous state education, his years on the dole, to his breakthrough into the professional theatre industry.

Paulo Honório é um homem bruto e áspero, que usou mão de violências inúmeras para, a qualquer custo, enriquecer. Após tomar posse de S. Bernardo, fazenda na qual havia trabalhado, anos antes, ele se empenha em transformar suas terras em um lugar onde tudo e todos servem para a produção e para o acúmulo de capital. Assombrado por ruídos de uma casa onde já não mora mais ninguém, Paulo Honório procura escrever as memórias de sua vida e de seu casamento com Madalena, uma história de ciúmes e de ruína.

Most people do not even realize that a language imbues attributes in them which largely rules ones thoughts, actions and belief systems. This is our second book in our endeavour to explore international languages. We aim to expand our listener base.

Pur essendo ormai anziano, il pittore Louis Cuchas, quando qualcuno gli chiede qual è l’immagine che ha di sé stesso, risponde, senza esitazione alcuna, che lui si vede sempre come un ragazzino. Perché di fatto la sua arte è il frutto di quel modo particolare di vedere la realtà che solo l’anima pura di un ragazzino riesce a percepire.

Sotto le luci miserabili e iperboliche di Hollywood, Arturo Bandini sogna il successo di scrittore mentre con la mano sinistra scrive pessime sceneggiature che non vedranno mai la luce. Potrebbe essere la premessa di una tragedia, ma come sempre, in bocca a Bandini, tutte le tragedie finiscono in commedia. Anche in quest'ultimo capolavoro colpisce l'inconfondibile voce fantiana, quell'impasto di humour, candore e cattiveria che ne ha fatto uno degli scrittori piú amati dei nostri anni.

Middlemarch (Book 2: Old and Young), A Study of Provincial Life is a novel by English author George Eliot, the pen name of Mary Ann Evans. It appeared in eight installments (volumes) in 1871 and 1872. Set in Middlemarch, a fictional English Midlands town, from 1829 to 1832, it follows distinct, intersecting stories with many characters. Issues include the status of women, the nature of marriage, idealism, self-interest, religion, hypocrisy, political reform, and education.

Lesley Joseph stars as romantic novelist Angela Temple in these three sparkling series Angela Temple is a best-selling ‘bonk-buster’ writer beloved by her readers for her raunchy, bodice-ripping historical romances. To her adoring public, she’s demure, chaste and respectable – but in...

Feast your eyes on a treasury of words and illustrations from one of the most exciting young talents around, recently voted by The Times as one of the top ten literary talents of 2008. Enter the weird and wonderful world of Laura Dockrill … I draw like a left-handed baby, I can hardly spell my...

Berlin, 1922. Der Anhalter Bahnhof am Askanischen Platz ist eines der prächtigsten und verheißungsvollsten Gebäude der Stadt. Täglich verreisen von hier aus Tausende in alle Welt: Menschen auf der Suche nach einer neuen Heimat, Menschen auf der Suche nach dem großen Glück. So auch die Passagiere, die an diesem Abend den Nachtzug nach Paris besteigen: ein falscher Baron, ein Industrieller auf der Flucht, eine Haushälterin mit Fernweh, ein heldenhafter Kondukteur, ein heimliches Liebespaar und ein Dieb.

Giulia Corsani è la più bella della famiglia dei Morini, bionda, alta e sottile, dallo spirito ribelle e ambizioso. A Giulia non piace il lavoro, le piacciono i denari, la vita comoda; per questo motivo sposa Otello Manzi, che ha più del doppio dei suoi anni, ma che la condurrà a vivere a Bologna. E proprio Bologna sarà per la Morina il paese dei balocchi, dove riuscirà a fare la bella vita tra nobili decaduti e borghesi arricchiti, inimicandosi madri, mogli e fidanzate.

Parue en 1880, Boule de Suif a été depuis adaptée de nombreuses fois au théâtre, au cinéma, à la télévision. La mise en scène sonore de l’œuvre met en lumière toute l’ambiance si particulière du contexte historique de la guerre de 1870, et l’interprétation du narrateur et des dialogues amplifie la compréhension de l’extraordinaire analyse de l’auteur face à une société étriquée, dont l’hypocrisie est mise au grand jour. Le personnage principal, Boule de Suif, prostituée au grand cœur, n’en est que plus bouleversant.

The first detailed account of Austen's characters' reading experience to date, this book explores both what her characters read and what their literary choices would have meant to Austen's own readership, both during her life and today. Jane Austen was a voracious and extensive reader, so it's perhaps no surprise that many of her characters are also readers—from Mr. Collins in Pride and Prejudice to Fanny Price in Mansfield Park.

An A-Z of Jane Austen 's richly textured worlds have enchanted readers for centuries and this neatly organized, playful book provides Austen enthusiasts and students alike with a unique insight into the much-loved writer's way with words. Using a lively A-Z structure, Greaney provides fresh angles on familiar Austen themes (D is for dance ; M is for matchmaking ), casts light on under-examined corners of her imagination (R is for risk ; S is for servant ), and shows how current social and cultural concerns are re-shaping our understanding of her work ( Q is for queer; W is for West Indies).