Showing titles in Instruction & Technique

Where does learning begin and how is it sustained and stored in the brain? For musicians, these questions are at the very core of their creative lives. Cognitive and neuroscience have flung wide the doors of our understanding, but bridging the gap between research data and music-making requires a unique immersion in both worlds. Lynn Helding presents a symphony of discoveries that illuminate how musicians can optimize their mental well-being and cognitive abilities. 

In this piano by ear lesson, you will learn an early intermediate-level piano solo arrangement of this contemporary worship song completely “by ear”. The lesson begins with a full demonstration of the arrangement followed by a detailed note-by-note description of the song in two to four measure sections.

The Art of Is contains breath-of-fresh-air thinking about how to cultivate the kind of game-changing creativity everyone seeks. Stephen Nachmanovitch shows exactly how the passion and immediacy of improvisation can be cultivated and how, in fact, we all improvise all the time - whether we are driving or deep in conversation.

Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you.

Jazz 101 is a fascinating entry into the world of jazz, for the beginner, novice, or jazz enthusiast. Szwed takes listeners on a tour of the varied and nonlinear history of jazz, exploring how it developed from an ethnic music to become America's most popular music and then part of the avant-garde in less than 50 years.

Created exclusively with and for teen musicians, this hands-on, step-by-step program uses insight, enthusiasm, and humor to teach teens how to brainstorm ideas, craft effective lyrics, and put those lyrics to music. An award-winning and Billboard-charting songwriter and teacher, Alex Forbes has taught dozens of teens via her Manhattan workshops and coaching sessions how to turn their thoughts and feelings into incisive, evocative songs.

Music, Lyrics, and Life is the songwriting class you always wish you'd taken, taught by the professor you always wish you'd had. It's a deep dive into the heart of questions asked by songwriters of all levels, from how to begin journaling to when you know that a song is finished. With humor and empathy, acclaimed singer-songwriter Mike Errico unravels both the mystery of songwriting and the logistics of life as a songwriter. 

Darker with the Dawn uncovers the history and deeper meanings behind Nick Cave and The Bad Seeds' most well-known songs from "Tupelo", "The Mercy Seat", "Red Right Hand", "Stagger Lee", "Into My Arms", to "Higgs Boson Blues" and beyond. The book explores Nick Cave's life in music drawing upon his inspirations of the Bible, Greek myth, and literature, as well as his enduring passion for gospel, blues, and progressive rock.

A neuroscience-based approach to learning how to play music at any age You can learn to play music, no matter what you've been told about your musical talent or aptitude. Each and every one of us has been gifted with a fully customizable brain, one we can mold to learn anything, at any age. With...

Resulta que la música no es sólo entretenimiento: es un medio de comunicación profundamente arraigado y sutilmente poderoso. Las canciones resuenan con tus patrones de ondas cerebrales e impulsan cambios en tu cerebro: creando tus estados de ánimo, consolidando tus recuerdos, fortaleciendo tus hábitos (tanto los buenos como los malos) ... incluso haciendo que te enamores o desenamores. Tu música te está moldeando, a nivel subconsciente, durante todo el día. Y ahora, por primera vez, puedes hacerte cargo.

In this Piano by Ear lesson you will learn a late beginner level solo of this famous standard completely “by ear.” At the beginning of the lesson you are given a demonstration recording to listen to and practice along with followed by a detailed lesson of the arrangement in two- to four-measure sections. At the end of the lesson you are given the backing tracks without any piano on them to perform the song with.

This Eric Clapton hit makes a beautiful piano solo and in this lesson you can learn it completely “by ear.” The lesson starts with a complete demonstration of the song, with backing tracks, and is then taught completely by ear in two- to four-measure sections. Backing tracks are included with the lesson to perform with once you have learned this arrangement.

This box set is loaded with movie themes, Yiruma, and some advanced Jazz! This set includes pieces at both intermediate and advanced levels so you can use it for a few years as you advance in skills on the piano. This set contains eleven hours of high quality piano instruction, by a world-class teacher, taught entirely “By Ear!”

C’è qualcosa nello studio dello strumento voce che è indicibile, ineffabile. È invisibile, eppure è proprio l’aspetto più importante, quello che davvero fa la differenza. Ma se è indicibile e ineffabile come raccontarlo? L’autrice suggerisce un percorso di consapevolezza e ascolto fine senza il quale lo studio della tecnica vocale diventa solo ginnastica. Quello che non si vede e non potrà mai essere scritto su una partitura diventa la strada che ci riporta a casa, a riscoprire, attraverso uno scavo archeologico interiore, quello che abbiamo perduto, la nostra voce più vera.

In my forty-plus years as a private music instructor, the question I'm asked the most by parents is: "How can I get my child to practice?" And, in this crazy-busy time, it gets asked even more! In this discussion, I will give you answers to this question, as well as a heap of advice on helping your young musician/singer/dancer become the very best s/he can be! Put these strategies to use and you will be helping your child maintain an endeavor that will last a lifetime and provide joy, satisfaction, and a sense of accomplishment along the way!

Over the years, Stan Munslow has worked with hundreds of professional singers, students and colleagues alike. He has seen it all, from "wow" to "oh dear." If there is one thing (well, six, actually) Munslow would tell all of them, it would be the six high-level pro tips you'll learn on this audio program. May each and every tip help you become the kind of singer you really want to be!

The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition.

Following publication of Let's Go (So We Can Get Back) and How To Write One Song, both New York Times bestsellers that cemented and expanded his legacy as one of America's best-loved performers and songwriters, Jeff Tweedy is back with another disarming, beautiful, and inspiring book about why we listen to music, why we love songs, and how music can connect us to each other and to ourselves.

Bill Withers entered the music fray as hardly an afterthought, rewrote the rules for a decade, earned a fortune, then, unable to square himself with the requisites of the music business, took his leave. When he died in 2019 at eighty-one, he was every bit the mystery he was when he started. In this remarkable biography by acclaimed author Mark Ribowsky, the most accidental music supernova is brought to life in vivid detail, told with insights from those who knew him throughout his short but incredibly impactful career.

Rocking in the Free World explains how Americans came to believe they had learned the truth about rock 'n' roll, a truth shaped by the Cold War anxieties of the fifties, the countercultural revolutions (and counter-revolutions) of the sixties and seventies, and the end-of-history triumphalism of the eighties.