Showing titles in Instruction & Technique

"'Boy, do I have a lot to learn!'" Anyone who's ever picked up a musical instrument of any kind - from the first caveman banging rocks to that little kid at the guitar shop - has thought that. I know I did. I'd been trying for years to break in to the music scene, to show everyone my chops, to make my mark. And I was good. But I wasn't great. I knew that there was something wrong. Then the teacher showed up...."

Every time we open our mouths, we have an effect on ourselves and the way others perceive us. The ability to speak clearly and confidently can make or break a presentation, an important meeting, or even a first date. Now, with the advent of Skype, YouTube, podcasting, Vine, and any number of reality talent competitions, your vocal presence has never been more necessary for success or more central to achieving your dreams.

Where does learning begin and how is it sustained and stored in the brain? For musicians, these questions are at the very core of their creative lives. Cognitive and neuroscience have flung wide the doors of our understanding, but bridging the gap between research data and music-making requires a unique immersion in both worlds. Lynn Helding presents a symphony of discoveries that illuminate how musicians can optimize their mental well-being and cognitive abilities. 

Just about every human being knows how to listen to music, but what does it take to make music? Is musicality something we are born with? Or a skill that anyone can develop at any time? If you don't start piano at the age of six, is there any hope? Is skill learning best left to children or can anyone reinvent him-or herself at any time?

Using musical examples from Bach to the Beatles, Levitin reveals the role of music in human evolution, shows how our musical preferences begin to form even before we are born and explains why music can offer such an emotional experience. Music is an obsession at the heart of human nature, even more fundamental to our species than language. In This Is Your Brain on Music Levitin offers nothing less than a new way to understand it and its role in human life. 

Oliver Sacks’ compassionate tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own minds. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians and everyday people - those struck by affliction, by unusual talent and even, in one case, by lightning - to show not only that music occupies more areas of our brain than language does but also that it can torment, calm, organise and heal.

There are few artistic acts more mysterious than writing a song. But what if a shift in perspective - and some practical guidance - could overcome that mystery? Anyone wanting to experience more creativity and mindfulness will be inspired to do just that after listening to How to Write One Song. Why one song? The difference between one song and many songs isn't a charming semantic trick - it's an important distinction that can simplify a notoriously confusing art form.

In Reshaping Art, T. M. Krishna examines what art is and how we can harness its power to make ourselves and our communities open and sensitive. Well known for his attempts to break Karnatik music out of its high-caste confines, the author takes us through a journey of understanding what art means to different groups of people and the ways in which we all create and enjoy it.

Have you ever been put off by music theory or thought that is too hard to learn? If the answer is yes, then this book is the answer for you. It covers everything that anyone who plays (or wants to play) music, and wishes to become better as a musician, should know. This is the most comprehensive book on music theory that you can find today. Not only that, but this book is written in a way that is really easy to follow, understand and internalize all the concepts explained.

Playing music should be as simple and natural as drawing a breath, yet most musicians are hindered by self-consciousness, apprehension, self-doubt, and stress. Before we can truly express our inner self, we must first learn to be at peace and overcome the distractions that can make performance difficult. Kenny's remarkable work deals directly with these hindrances, and presents ways to let our natural creative powers flow freely with minimal stress and effort. 

Your voice is your identity. It can tell people everything about who you are, how you feel about yourself, and what you believe in. Now you can gain perfect command of your voice with Vocal Awareness. Created by Arthur Joseph, an international voice specialist, Vocal Awareness is a complete system for mastering your voice and integrating it into your life. Your voice has the power to instantly reach out and connect with people.

You can now develop your vocal power, presence, and influence on others and all within the comfort and privacy of your own home.Presence, charisma, and star quality lead directly to your state of mind and the way you inhabit your body.

Despite being unable to play an instrument, Susan Rogers became an extraordinarily successful record producer—and certainly one of the most successful women record producers in history—because of her ability to listen. (She was an engineer on Prince's "When Doves Cry", which inspired the title of the book.) This Is What It Sounds Like distils a lifetime's expertise as a producer and an award-winning professor with a PhD in cognitive neuroscience, to present a new theory of listening for everyday music fans. 

In How to Listen to Jazz, award-winning music scholar Ted Gioia presents a lively introduction to one of America's premier art forms. He tells us what to listen for in a performance and includes a guide to today's leading jazz musicians. From Louis Armstrong's innovative sounds to the jazz-rock fusion of Miles Davis, Gioia covers the music's history and reveals the building blocks of improvisation. A true love letter to jazz by a foremost expert.

What do all those lines and squiggles and dots mean? Basic Music Theory takes you through the sometimes confusing world of written music with a clear, concise style that is at times funny and always friendly. The book is written by an experienced music teacher using methods refined over more than 30 years in schools and in his private teaching studio. Lessons are fun, well-paced, and enjoyable.

In clear and entertaining prose, Plotkin explores a thousand years of music, introduces listeners to more than 100 great works, and profiles in depth many significant composers, including Bach, Mozart, Beethoven, Berlioz, Tchaikovsky, Dvoxak, and Mahler. He describes all the musical instruments in the orchestra, defines major musical terms, and makes music theory comprehensible for the uninitiated. There are also conversations with important musicians who offer fascinating insights about their art.

Sound is alive in everything, and it is tuning humanity to a brighter future. Discover how plants create music and how space is a symphony of creation. Understand archeo-acoustics and how sound is used in sacred temples. Raise your vibration as you chant mantras composed of sacred names, thoughts, and expressions. Create harmony in your life as you embrace the world of musical experience and come in tune with your truest vibrational nature.

This Lauren Daigle hit makes a great late beginner piano solo and this one comes with backing tracks to play along with! This lesson starts with a full demonstration of the song with tracks and is followed by a detailed “by ear” lesson demonstrating and explaining every phrase and note of the song. At the end of the lessons, there are backing tracks to practice and perform with!

Now this Christmas standard is available as a beginner level arrangement that you can learn completely “by ear”! This lesson also includes backing tracks to play along with after you learn the song without any music, print, or video!

Ed Sheeran’s “Perfect” makes a wonderful fingerstyle guitar solo and you can learn how to play it completely “by ear”! This lesson starts with a full demonstration of the solo and is then followed by a detailed lesson teaching every note and phrase without music, tab, or video.