Showing titles in English, Irish, Scottish & Welsh

Celtic mythology, Arthurian romance, and an intriguing interpretation of British history - these are just some of the themes embraced by the anonymous authors of the eleven tales that make up the Welsh medieval masterpiece known as The Mabinogion. They tell of Gwydion the shape-shifter, who can create a woman out of flowers; of Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar.

You Never Can Tell was originally born out of a bet that Shaw couldn't write a "seaside comedy" (a popular theatrical genre at that time). The result is perhaps the most surprising of Shaw's plays, complete with marital mayhem, tangled romance, and even doubtful dentistry. Despite the play's lighthearted tone, it's really another of Shaw's brilliantly observed social treatises, this time in the guise of a light comedy.

A collection of full-cast dramatisations and readings from the best-selling author. Maeve Binchy was one of Britain's best-loved storytellers, and this compilation of her finest fiction, as heard on BBC Radio, demonstrates all the warmth, wit and compassion that made her so popular.

Wordsworth, Keats, Shelley, Blake, Coleridge, and Byron. The poets of the Romantic Period celebrated with readings by Sir Ralph Richardson, Christopher Hassall, Margaretta Scott, and Tyrone Power.

The humorous and moving tale of Miss Shepherd, an eccentric old lady who, by a bizarre series of twists and turns, lived in the author’s garden for many years. Alan Bennett reads his own acclaimed work, recently adapted as a West End smash hit starring Maggie Smith as the eccentric old lady...

Poems was published in 1920. The poems of that work are included here and are as follows: Strange Meeting; Greater Love; Apologia pro Poemate Meo; The Show; Mental Cases; Parable of the Old Man and the Young; Arms and the Boy;

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

Chaucer’s The Canterbury Tales, a collection of narratives written between 1387 and 1400, tells of a group of 30 people from all layers of society who pass the time along their pilgrimage to Canterbury by telling stories to one another, their interaction mediated (at times) by the affable host - Chaucer himself. Naxos AudioBooks’ third volume presents the tales of six people, here in an unabridged modern verse translation (by Frank Ernest Hill, 1935).

One of the best-known collections of W. B. Yeats' prose, The Celtic Twilight explores the old connection between the Irish people and the magical world of fairies. Yeats, by traveling the land in the early 20th century and talking to the common people about their experiences with the creatures, yielded a colorful overview of Celtic fairy folklore.

William Wordsworth (1770-1850) was born in Cockermouth, in the Lake District. His Lyrical Ballads, written in collaboration with Coleridge, was published in 1798, and shortly afterwards he settled in Dove Cottage, Grasmere, with his sister Dorothy. Inspired in his early manhood by the French Revolution, he grew disillusioned with revolutionary politics and in later life became decidedly conservative. He left a vast body of work, ranging from delicately simple lyrics to deeply meditative odes.

In the coming-of-age story, we follow a young Italian nobleman, Fabrizio Valserra, Marchesino del Dongo, on many adventures, including his experiences at the Battle of Waterloo, and romantic intrigues.

The Knight's Tale of medieval wars and chivalry is the first tale told to the pilgrims as they set out to Canterbury. It concerns Theseus, returning from fighting at Thebes, and two brother knights Palamon and Arcite, imprisoned but yearning for their loves. But the real hero of this recording is Richard Bebb who, with the help of Professor Derek Brewer, the leading expert on Chaucerian pronunciation, make the original Middle English not only comprehensible to the modern ear, but exciting.

A brand-new BBC Radio 4 full-cast dramatisation of the evergreen classic novel by Louisa May Alcott.

With their father away in the American Civil War, the March sisters are facing a lean Christmas with their mother. As the years go by, we follow the fortunes of Meg, Jo, Beth and Amy on their journey into womanhood.

Under the Greenwood Tree is an affectionate and youthful portrait of a world Hardy knew well - village life in 'Wessex' - in which a romantic tale is set against changing circumstances. The traditional feature of local music making performed by the village band and choir is challenged by the modern innovation of organ and organist providing music in the church.

Sparkling repartee and wicked witticisms pervade this play concerning a son born out of wedlock and an American girl's introduction into British society.

Pygmalion by George Bernard Shaw is the fascinating tale of Henry Higgins, a professor of speech and phonetics who takes on the task of teaching Eliza Doolittle, a lower-class flower seller, how to "act like a lady".

Alfred Lord Tennyson is one of Britain’s greatest and most popular poets. Even during his lifetime, he was considered a national institution: Queen Victoria appointed him Poet Laureate in 1850, a position he held for 42 years, and in 1884 he became the first writer to be granted a baronetcy. In a long and fruitful career, he penned numerous classic works, and this BBC Radio collection showcases some of the very best. We begin with two of his masterpieces, dramatised by award-winning poet Michael Symmons Roberts.

The story takes place in an imagined future, the year 1984 when much of the world has fallen victim to perpetual war, omnipresent government surveillance, historical negationism, and propaganda. Great Britain, known as Airstrip One, has become a province of a totalitarian superstate named Oceania that is ruled by the Party who employs the Thought Police to persecute individuality and independent thinking. Big Brother, the leader of the Party, enjoys an intense cult of personality despite the fact that he may not even exist.

Seamus Heaney had the idea to form a personal selection from across the entire arc of his poetry, small yet comprehensive enough to serve as an introduction for all comers. He never managed to do this in his lifetime, and no edition exists which has such a broad range, drawing from first collection to last.

Old Michael Snowdon returns to London with an inheritance that he determines should go towards helping the poor—but goodness and charity are not to play a part here. Everyone has an agenda, and scheming spreads through the story like a disease. Gissing’s own experience of London as an outsider in a vast city that both fascinated and appalled him gave him the tools and the drive to create a visceral sense of place. Life is unremittingly grim for just about everyone, from the weak and well-intentioned Jane to the coarse, cunning Clem Peckover and her feckless rival Pennyloaf Candy.