Showing titles in History & Criticism

A smart, engaging investigation of the show that brought real teens to TV My So-Called Life lasted only 19 episodes from 1994 to 1995, but in that time it earned many devoted viewers, including the showrunners who would usher in the teen TV boom of the late ’90s and the new millennium. With its focus on 15-year-old Angela Chase’s search for her identity, MSCL’s realistic representation of adolescence on TV was groundbreaking; without her there would be no Buffy or Felicity, Rory Gilmore or Veronica Mars.

Apocalypse Television features a dramatic insider's account of the making of and backlash against The Day After. No other book has told this story in similar fashion, venturing behind-the-scenes of the programming and news divisions at ABC, the backlash from the conservative movement and Religious Right, the challenges encountered by the film's production team, and the experiences of the citizens of Lawrence, Kansas, where the film was set and shot.

Upon its release in 2008, Matt Reeves's Cloverfield revitalized the giant creature, a cinematic trope that had languished for over a decade. The film addressed the attacks of September 11, 2001, trading the jingoistic rhetoric of retributive military aggression for serious engagement with personal and collective trauma. It applied the horror genre's fascination with personal stories captured by found footage to the grand violence of history. Innovative and intense, Cloverfield represented blockbuster filmmaking at its best.

Damn good coffee, cherry pie, and the “big bang of auteur television”―why Twin Peaks deserves to be a pop culture classic In 1990, avant garde filmmaker David Lynch (Eraserhead, The Elephant Man, Dune, Blue Velvet) and acclaimed television writer Mark Frost (Hill Street Blues) teamed up to create a television show that would redefine what the medium could achieve in a one-hour drama.

Baseball has always been a symbol as much as a sport. With a blend of individual confrontation and team play, a luxurious pace, and an immaculate urban parkland setting, it offers a sunny rendering of the American Dream, both the hard work that underpins it and the rewards it promises. Film...

Bloomsbury presents Cocktails with George and Martha by Philip Gefter, read by Alexa Morden. "Smart and entertaining . . . Gefter shows why Who’s Afraid of Virginia Woolf? hit the ‘60s like a torpedo." —NPR, Fresh Air "Delicious." —New York Times Book Review The behind-the-scenes story...

Considered by many to be unadaptable due to its length and complexity, Frank Herbert’s science fiction epic Dune has made it to the screen about every two decades.

Der große Erzähler Werner Herzog fragt nach der seltsamsten aller Erzählungen: der von der Wahrheit. Was ist wahr? In einer Welt, die durch Fake News, politische Manipulation und künstliche Intelligenz verunsichert ist, die auf kalte Fakten setzt und doch die Poesie und den Film erfunden hat, muss Wahrheit mehr als bloß stumpfe Empirie bedeuten. Von einem erfundenen Schlachtensieg des Pharao Ramses bis zum modernen Mythos der Entführung durch Außerirdische, von ekstatischen Momenten am Filmset bis zu seinen Begegnungen mit der Wirklichkeit durch tagelanges Gehen reiht Werner Herzog auf einmalige Weise faszinierende Überlegungen und Erinnerungen aneinander. Ein Hörbuch für alle, die sich wundern können.

Ride Lonesome, the fifth film in the "Ranown cycle," is both the best and most representative of the whole series, which has been called "the most remarkable convergence of artistic achievement in the history of low-budget moviemaking." Director Bud Boetticher captures the alienation and loneliness of an America faced with the Cold War and the daily threat of nuclear annihilation. Shot in seventeen days for under a half-million dollars, Ride Lonesome is a masterpiece of cinematic minimalism.

Everyone’s a critic, especially in the digital age—but no one takes on the movies like multiple award-winning author Harlan Ellison. Renowned both for fiction (A Boy and His Dog) and pop-culture commentary (The Glass Teat), Ellison offers in this collection twenty-five years’ worth of essays and film criticism.

Only one performance style has dominated the lexicon of the casual moviegoer: "Method acting." The first reception-based analysis of film acting, Imagining the Method investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries.

Fruto de três anos de profundas pesquisas, História do cinema mundial traz um viés inédito para o estudo do tema: o enfoque geográfico e cultural da sétima arte.

David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige.

Brimming with previously untold stories and insights, How Coppola Became Cage both revels in and demystifies Cage's onscreen eccentricities. No other modern actor has explored such profound creative extremes while bending the boundaries of good taste. Here is the origin story of an actor who truly is wild at heart and weird on top.

Still Laughing features never-before-told stories from the creation of one of the most groundbreaking shows in television history.

With the success of the Wonder Woman movies and the results following the outcry of the #MeToo movement, now is the time to highlight the female influences in film history previously left unheard!

Award-winning author Simon Winder takes us through the legacy of one of Britain's most influential and enduring cultural figures, James Bond. 'A fantastic book' - Lee Child 'An entertaining romp through the literary and cinematic heartland of James Bond country' – Sunday Times 'A hilarious...

Even by the standards of the 1970s, even compared to Jar-Jar Binks, the legendary 1978 Star Wars Holiday Special is a peerlessly cringeworthy pop-culture artifact.

Based on very real and practical commentary, life experience, and occasionally, tongue-in-cheek-misfortunes of horror legends, Necessary Death explores how the horror genre offers individuals a unique opportunity for insight and understanding of their own lives.

When former government staffer Alisha Aitken-Radburn was given a 'villain edit' on her first season of The Bachelor, she wasn't entirely surprised – there are only a handful of character tropes producers can manipulate into storylines. But the backlash on social media was unexpectedly intense, and Alisha found her sense of identity completely rocked by a single comment: 'You are a bad person'. Determined to shake the 'villain' label, she returned to reality TV screens, and this time, she got a different edit.