Showing results by narrator "Mark Groves" in All Categories

Endymion is the largest work by John Keats and was composed between April and November 1817. It was published in April 1818, and the critical reception was almost universally hostile. The plot is built around the ancient Greek legend of Endymion, the young shepherd whose beauty was such that the goddess of the Moon entreated Zeus to cast him into a permanent sleep so that she could gaze on him without interruption. Keats expands this story into an epistle on beauty and love, and weaves into it elements from several other Greek legends.

Together with The Tempest, A Midsummer Night’s Dream is one of Shakespeare’s most magical plays. One night, two parties creep from Athens into the surrounding forest. One includes sweethearts Lysander and Hermia, fleeing from Athenian law and the disapproval of Hermia’s father to get married. In pursuit is Demetrius, the suitor of Hermia favored by her father, and the doleful Helena, formerly affianced to Demetrius.

Socrates, perhaps the most famous philosopher of the ancient world, left no writings. The method of philosophical investigation for which he is celebrated has come down to us in the form of dialogues, composed by his student, Plato. The four dialogues in this collection are known by the names of the chief characters in each: Lysis, Charmides, Laches, and Euthyphro. As they fall into a more or less natural group due to the fact that each one deals with a single ethical abstract—friendship, temperance, courage, and piety, respectively—they have been renamed based on their subjects.

Groves and McBeath’s work—through their Create the Love seminars, workbooks, and consultation programs—have educated a new generation of relationship seekers on the best ways to practice and cultivate love. In Liberated Love, you’ll explore your original relationship blueprint and learn how it informs your current relationships (spoiler alert: it’s often a pretty direct line), and discover how limitation can be the key to finding freedom and experiencing full, fully-realized love with another person.

Queen Marguerite de Navarre was one of the most powerful women of her age. Her masterpiece, The Heptameron, is a collection of some 72 stories told by five gentlemen and five ladies who find themselves stranded in an abbey. Proposed as an edifying way of passing the time while a bridge is being repaired, the tale-telling - as well as the conversations that follow each story - quickly becomes a battle of wits between the sexes, with tales concerning illicit lovers, romantic conquests, lecherous monks, manly honor, and women's virtue.

The Green Cockatoo is a short play set in a busy tavern on the night of the storming of the Bastille. Rich Parisian nobles come to watch some actors play at being rogues, thieves, and other criminals, but they quickly find reality and fantasy blending together in the most alarming of ways.

Written by 18-year-old Mary Shelley, the novel follows scientist Victor Frankenstein as he recounts his story to Captain Walton, who found a gravely ill Victor adrift at sea. Victor tells of his creation of a being so horrible that he abandoned the Creature, much to his own shame. Not to be forgotten, the Creature's quest for revenge and understanding from its master leaves a trail of devastation in its wake.

The classic horror story of dual personalities gone too far, this full-cast narration explores the attempts of Utterson, a London lawyer, to investigate the strange occurrences surrounding his friend, Dr. Henry Jekyll, and the shocking discoveries he makes along the way. The impact of this story has been so strong that "Jekyll and Hyde" has become part of our vernacular, referring to those who are outwardly good but inwardly evil.

In Jane Austen's unfinished novel, young Emma Watson returns to her father's house after being raised by her wealthy and refined uncle. As she gets to know her family, she finds that her father is reclusive and sickly, her sisters are crude and shallow, and her eldest brother has a petulance that is matched only by his wife's.

This classic farce was first performed in 1892. Since the record-breaking initial run in London, it has been revived many times around the world in a variety of languages, and has also been adapted for a number of presentations on film. The play incorporates many of the features which have become standard in romantic comedies: a cross dressing central character, identity confusion, young lovers kept apart by parental influence and older lovers unexpectedly reunited.

This extended moralistic fable, Oscar Wilde's longest work of fiction, was first published in 1890. It may be described as a tragedy of manners, in which a wealthy young man, endowed with great powers of physical and personal attractiveness, embarks on a hectic course of life which brings destruction to many around him, and ultimately to himself.

Hero and Leander is a Greek myth concerning the tragic story of two lovers. One was a priestess of Aphrodite who lived in a tower in Sestos, and the other a young man from Abydos on the opposite side of the strait. Leander fell in love with Hero and would swim every night across the Hellespont to spend time with her, with Hero's lamp at the top of her tower as his guiding light, and they shared a warm summer of love.

Anatol, one of Arthur Schnitzler's earliest works, concerns the life of a shallow and immature playboy, who has multiple dalliances with various women but suffers from a crippling fear of commitment underneath his womanising facade. The play offers sharp social commentary on the themes of toxic masculinity and fidelity, and has been adapted in English to two different musicals: The Game of Love and The Gay Life.

Benjamin Lease Crozer Griffith (1869-1900) was a American comic playwright. The pieces in this recording come from a collection entitled Plays and Monologues which was published in 1901.

King Claudius, when a young man, wrote a five-act tragedy which was damned, and all reference to it forbidden under penalty of death. The King has a son - Hamlet - whose tendency to soliloquize has so alarmed his mother, Queen Gertrude, that she has sent for Rosencrantz and Guildenstern to devise some Court revels for his entertainment. Rosencrantz is a former lover of Ophelia, to whom Hamlet is betrothed, and they lay their heads together to devise a plan by which Hamlet may be put out of the way. Some Court theatricals are in preparation.

Cutting Room is set in the "Town Welfare Department" of a town in the Midlands, Burtonwood, during public sector cuts. Four characters (David, Lucy, Ian, and an intern, Anne) have to take calls from members of the public complaining about the loss of public services, with the boss Harry coming in occasionally to offer cheerful but often useless encouragement. As the cuts continue, tensions run high, with Ian in particular taking his anger and frustration out on the secretary, Tilly. At the play's conclusion there is a surprising twist.

Hands Around, also known as La Ronde or Reigen, is possibly Schnitzler's most provocative and controversial work. In a series of 10 conversations occurring before or after a sexual encounter, between 10 pairs of characters from all walks of life, Hands Around offers a playful scrutiny of the sexual morals and class ideology of the era.

Mansfield Park is the third published and perhaps most subtle of Jane Austen's novels. It tells the story of Fanny Price, who, at the age of 10, is sent from her impoverished household to live with her wealthy aunt and uncle and be raised alongside her cousins. Fanny grows up as a misfit, not truly a member of the Bertram family, but too genteel to feel comfortable with her parents.

Lovers' Vows is Elizabeth Inchbald's controversial adaptation of the German play Das Kind der Liebe (The Love Child) by August von Kotzebue. Though it met with great success both on stage and in print, some were concerned discussion of premarital sex and the leveling of social rank. Today, it is best known as the play that the Mansfield Theatricals rehearse in Jane Austen's Mansfield Park.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In this play, the dominant female is Fräulein Elfriede von Malchus, an idealistic crusader who visits a brothel operated by the cynical impresario Casti-Piani in order to rescue a young woman who has fallen into his clutches.