Showing results by narrator "Ghizela Rowe" in All Categories

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the West Midlands who created such revered, enduring and respected verse.

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the East Midlands who created such revered, enduring and respected verse.

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the East of England who created such revered, enduring and respected verse.

Keats. A short life but a legacy of works that few, if any, can rival. And of course his end was to be tragically Romantic. Keats was returning one night to his home in Hampstead when he coughed. He coughed a single drop of blue blood upon his hand and said, ‘I know the colour of that blood, it is arterial blood, it is my death warrant, I must die’. And so it was that tuberculosis took its slow, devastating hold.

The Poetry of Kissing. In many ways the title says it all. Kissing is Poetry. The kiss is perhaps the most loving and intimate moment there is. It is amongst our most soothing and treasured memories. This volume is not about the kiss of a mother’s to her child’s scraped knee, or the father to his baby’s head as he settles down to sleep. No, when the poets here talk of the kiss, they describe the longing and desire, the want and hunger to be part of something that so connects them to another.

Whilst Europe endured the Dark Ages in the 6th & 7th Centuries, devotees of Shiva and Vishnu in Southern India were creating the Bhakti Movement. Some of these exponents, as in our volume, were bestowed with the title of saint but some had the additional title of sant, swami or goswami. Broadly speaking, Bhakti poetry, as in Hinduism itself, is divided into ‘Nirguna’, the idea that the divine is formless as exampled by Kabir and ‘Saguna’, which interprets the divine as having physical form as captured by Mirabai.

Katherine O'Flaherty was born on the 8th February 1850 in St Louis, Missouri to parents of French and Irish descent. Kate married Oscar Chopin in 1870 and the couple moved to New Orleans, and later to the rural setting of Cloutierville, Louisiana to raise their 6 children. By the early 1890’s her short stories were published nationally. Despite the criticism, which unnerved her, she continued to write though in the main her works, around 100 short stories and two novels, were not attributed with any literary worth.

The dreaming spires of Oxford may be one of the great educational establishments of the Centuries. But it is also a place where the Nation’s young learn much more. Within its walls, courtyards and cloisters these 10 Poets mused and illuminated on the beauty of poetry with eager yet tender words.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

The ninth month of the Gregorian calendar strides onto stage with the autumn equinox and the first glimpses of a new season. Nature may adorn the coming days with a blaze of Indian summer, or the early showers and storms of autumn may begin their symphony. Regardless of Nature’s elemental whims the landscape is a riot of colours, hues and swathes, the harvest of crops continues, the orchards heave with bounty.

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.

Richard Thomas Gallienne was born in Liverpool on 20th January, 1866. His first job was in an accountant's office, but this was quickly abandoned to pursue his first love as a professional writer. His first work, My Ladies’ Sonnets, was published in 1887. In 1889 he became, for a brief time, literary secretary to Wilson Barrett the manager, actor, and playwright. Barrett enjoyed immense success with the staging of melodramas, which would later reach a peak with the historical tragedy The Sign of the Cross (1895).

John William Polidori was born on 7th September 1795, in London, to Gaetano Polidori. In 1816 Dr Polidori was given the job of Byron’s personal physician and accompanied him on a trip through Europe. The publisher John Murray offered Polidori £500 to keep a diary of their travels. At the Villa Diodati, Byron’s rented villa at Lake Geneva in Switzerland, the pair met with Mary Wollstonecraft Godwin, Percy Bysshe Shelley, and Mary's stepsister, Claire Clairmont.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.

In 1890 W. B. Yeats and Ernest Rhys founded a poetry club. Based mainly at Fleet Street’s immortal ‘Ye Olde Cheshire Cheese’ pub, with occasional appearances at the Domino room in the Café Royal, poets gathered together to dine and drink. Whilst it was based on a core of poets, many others attended on an ad hoc basis including Oscar Wilde, Francis Thompson & Lord Alfred Douglas. The camaraderie, banter and poetry that played out in their dreams, ambitions and for many, their difficult lives led Yeats to call them ‘the tragic generation’.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author? Ambrose Bierce is an author whose words take us one way and then send us another. These miniature masterpieces all have a central truth and plausibility that seems to vanish in an ending that can be anything from wry, to shocking to hallucinatory.

Anton Chekhov, Guy de Maupassant, Kate Chopin. These three names thrill the literary world as well as our own. They have gravitas, they have knowledge, experience and they have the literary style and panache to seduce our imagined world. Each has written a short story on pleasured lips placed on another’s flesh. For Chekhov it was a kiss in a darkened room that happened by mistake. Who was she? For Chopin it was a kiss that almost derailed a hoped-for marriage proposal. Why did he do that? For de Maupassant it was a niece seeking advice from her Aunt on when to kiss and whom. And did she?

Katherine Tynan was born on January 23rd, 1859, into a large farming family in Clondalkin, County Dublin, and educated at a convent school in Drogheda. Her output was prolific; some sources have her as the author of almost a 100 novels. Here we concentrate on her poetry. Amongst the classics such as ‘The Wind That Shakes the Barley’ are numerous war poems. She is now sometimes grouped amongst the War Poets of the First World War.

Poetry has over the centuries grouped poets or poems into many different themes and movements. Amongst its most unusual movements are the English wordsmiths, The Silver Poets. This select band lived during the sixteenth century reign of Queen Elizabeth 1st. Amongst their storied ranks were Sir Thomas Wyatt, Sir Philip Sidney, Henry Howard, the Earl of Surrey, Sir Walter Raleigh, John Davies, Michael Drayton and Mary Sidney (Herbert), the Countess of Pembroke.

The ballad is one of the oldest poetic forms in English and are simply poems or songs that tell a story. Maybe it’s because of childhood associations or that we all enjoy a cracking good story told in rhyme but as this volume demonstrates, the ballad has endless appeal. We include favourites such as Coleridge’s The Rime of the Ancient Mariner, Edna St. Vincent Millay’s The Ballad of the Harp Weaver, Edgar Allan Poe’s Annabel Lee as well as classics such as Sir Patrick Spens, the Ballad of Reading Gaol by Wilde and La Belle Dame Sans Merci by Keats.