Showing results by narrator "Elizabeth Klett" in All Categories

Join Blix Windway, an adventurous lady traveler, on a journey down the Nile in 1924. An eclectic mix of passengers boards the steamer, including a captain of industry, a former stunt-girl reporter turned lady of the manor, an archaeologist, an American teacher, a British doctor and his invalid wife, and a German photographer. When a passenger is found dead, the elegant cruise turns into a floating crime scene. With everyone confined on board, tensions rise and secrets surface.

Ideal for students of Shakespeare and Dance Studies, Choreographing Shakespeare explores how dance adaptations strive to design legible and intelligible stories, while ultimately celebrating the beauty of pure movement.

Wives and Daughters follows the daily life of a widowed county doctor, Mr. Gibson, and his daughter, Molly. During our time with the Gibsons, Mr. Gibson decides to marry a woman who has a daughter near Molly's age, Cynthia. Molly and Cynthia grow up together, fall in love, and spend their days with the many characters in Hollingford.

Still reeling from being a captive in an underground lair, Aella has more problems than solutions and they just keep getting worse. With the elven homeworld just a portal jump away and a powerful cult intent on opening one, can Aella face her fears once more and stand in their way? Will they finally get the better of her? Or is her limited training enough to hold them at bay? New discoveries are only going to make the problem worse, pushing the boundaries of everything she believed possible.

With Bailey Burke’s design and staging business booming—it turns out tangling with a serial killer is the best advertising ever—she has no time to lament her lack of love life, or wonder where her dead friend Ryan’s ghost has gone. She hasn’t seen him in months, but when she finds a body in a home she’s been hired to stage she’s hounded by the dead man’s ghost.

Bailey Burke has had a rough six months—it’s not easy thinking your romantic overtures toward your best friend caused him to kill himself. Except that’s exactly what happened. Ryan is very much dead, having shot himself with his own police-issued gun. Guilt and grief shouldn’t cause hallucinations though, but six months after Ryan went into the ground, Bailey is freaking out and swearing his ghost is standing in her kitchen. Which he is…

When a body is found near her historic neighborhood of Ohio City, mimicking the famous Torso Murders, and she starts hearing voices, Bailey thinks she’s really lost it now. Ryan’s ghost is one thing, but a whole gaggle of undead talking to her? No thanks. But Ryan informs Bailey she’s not nuts…she is a spiritual medium. And with him as middleman between the victims and the police, they can give the dead justice and he will finally get his one-way ticket to heaven.

All Bailey Burke wants for Christmas is to stop seeing dead people. A reluctant spiritual medium, she craves a stress-free holiday with no ghosts popping in and out of her house. But when Bailey does the décor for a huge fundraising party featuring a replica slide from A Christmas Story, no one expects to find Santa’s dead body. In the slide. From three years ago. With the current Santa-for-hire and the dead Santa’s ghost harassing her, there isn’t enough eggnog in Cleveland to save Bailey’s night.

The best-known pioneers are selling different visions of the future: while Elon Musk and SpaceX seek to establish a human presence on Mars, Jeff Bezos and Blue Origin work toward moving millions of earthlings into rotating near-Earth habitats. Despite these distinctions, these two billionaires share a core utopian project: the salvation of humanity through the exploitation of space. In Astrotopia, Mary-Jane Rubenstein pulls back the curtain on the not-so-new myths these space barons are peddling, like growth without limit, energy without guilt, and salvation in a brand-new world.

Once you eliminate your biggest enemy, your life should settle down, right? Jacobs is gone, and part-elf Aella and her mythical friends are taking a breather. But should Aella really relax? The current balance of power favors humans, and some of the elves are willing to do whatever it takes to make sure the mythicals came out on top. They go after Aella, but do they want her dead or only out of the way? Aella has to stand for justice once more, but will her new allies help or hinder her?

Is the law always right? Aella and Zephyr were set up and arrested for murders they didn't commit. With the whole world looking on, can they prove their innocence? Jacobs is determined to ruin Aella no matter what. Can she stand up to him without endangering more human lives? Also, why does Jacobs hate mythicals so much? Aella is determined to find out before she takes him down. One person can help Aella sort out this mess, but will he even care?

Orphaned as a child, Jane has felt an outcast her whole young life. Her courage is tested once again when she arrives at Thornfield Hall, where she has been hired by the brooding, proud Edward Rochester to care for his ward Adèle. Jane finds herself drawn to his troubled yet kind spirit. She falls in love. Hard.

The beautiful Pauline has been wronged and sets about getting a little her own back. Collateral damage ensues in this tale of revenge and it's consequences.

Originally published in 1866 under the pseudonym "A. M. Barnard." Louisa May Alcott's novel of romance and sexual intrigue is one of her lesser-known gems. Its tone and characterizations strike a markedly different chord from her best-known works, such as "Little Women" and "Little Men," and it remains a popular addition to her oeuvre.

Miriam Minger presents Book 5 in the Warriors of the Highlands series.

Adventuress Countess Alessandra Zorzi has a new vocation: reacquiring the occult artifacts she stole to put into the safer hands of Miskatonic University. With her new apprentice, Pepper Kelly, Zorzi tracks the infamous Zanthu Tablets to Paris. But the city is rife with spies and the countess has many enemies. When Pepper is kidnapped, it becomes clear that someone is out for revenge.

Mary Elizabeth Braddon's first novel, "Lady Audley's Secret", was one of the most popular English novels of its day. Published serially in 1862, it tells the story of the lovely Lucy Graham, who becomes Lady Audley at the beginning of the novel, and who conceals a scandalous secret from her new husband and his family. The plot, which includes madness, bigamy, attempted murder, and seduction, made this a shocking but highly successful story for Victorian audiences. It remains one of the best examples of 19th century sensational fiction, and is a wonderfully absorbing book.

The Return of Sherlock Holmes picks up where the previous collection of Holmes stories left off: with the great detective's return from the dead in "The Empty House." This and the twelve other stories in the anthology—including "The Dancing Men," "The Solitary Cyclist," "The Six Napoleons," and "The Second Stain"—are absolute classics of detective fiction centered on the genius Holmes and his loyal friend and companion Dr. Watson

Jane Eyre follows the emotions and experiences of its eponymous heroine, including her growth to adulthood and her love for Mr. Rochester, the Byronic master of fictitious Thornfield Hall. In its internalisation of the action–the focus is on the gradual unfolding of Jane’s moral and spiritual sensibility, and all the events are coloured by a heightened intensity that was previously the domain of poetry–Jane Eyre revolutionised the art of fiction.

With the Sanctuary under threat and the agency showing they'll stop at nothing to detain mythicals and disappear them, Aella finds herself on the front lines once more. But this time the whole world is watching. Up against an agency director who appears to have unlimited resources and no hesitation in doctoring film and lying to make Aella look bad, she must be above reproach. Can she save the mythicals in need of her help without harming a single agent or soldier? And will the Sanctuary stand with her finally?