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John Ferguson was born on the 18th August 1881 in Stirling in Scotland. His literary canon is exceedingly small, this being the only volume of his poems ever published. What is known is that he suffered from ill-health and these poems were written whilst in a sanitorium. The book itself was very successful after its publication in 1912, with at least 14 editions published during his lifetime. John Ferguson died on the 8th March 1928 and is buried in the cemetery at Stirling Castle. He was 46.

Joseph Conrad was born on 3rd December 1857 in Berdychiv in the Ukraine, then part of the Russian Empire. His birthplace had been part of Poland which its neighbours dismembered into their own Empires. Conrad brought to English Literature both narrative mastery, compelling prose and fully formed characters as well as a deeper examination of the human psyche in a wealth of work. He wrote many novels, short stories, nonfiction, and memoirs which are rightly regarded today as some of the finest in English literature. Jospeh Conrad died on the 3rd August 1924 at Bishopsbourne, Kent in England.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Sax Rohmer was born on February 15th, 1883 as Arthur Henry Sarsfield in Birmingham to working class parents. Rohmer started his career as a civil servant but soon had ambitions to change careers and write full time. Not content with just fiction he wrote poetry, songs as well as comedy sketches for music hall performers. From these varied beginnings he reinvented himself as Sax Rohmer.

Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London. By his early 20’s Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content. Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour. His unusual characters, plotting devices and other literary developments have identified his legacy as one of the best British writers of his time.

Franz Kafka was born on 3rd July 1883 in Prague, then in Bohemia, the eldest of 6, into a middle-class Jewish family. Life for the young Kafka and his passion for literature was often made an ordeal by his over-bearing and domineering entrepreneur of a father. His literary works are few in number but towering in influence. His masterpieces include ‘The Trial’, ‘The Metamorphosis’ as well as a number of short stories which reveal facets of humankind that truthfully could only be born from Kafka’s brain and pen.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of the Russian male author whose time has now come again.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. The Russian short story is, in many respects, in a genre of its own. It is at its captivating best whether it’s an exploration of real-life experiences, through fantasy and fables and on to total absurdity.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In the vast Empire of the Russians literature was a way to exchange ideas, values and cultures. Yet each author, each story, each character is an individual example of a journey that, story by story, has transformed the glimmering arc of its literature.

Fyodor Mikhailovich Dostoyevsky was born in Moscow on 11th November, 1821 to distinguished multi-ethnic parents from a Lithuanian background. His childhood years were at the family home in hospital grounds which also contained an orphanage, an insane asylum and a cemetery for criminals. The young Fyodor often disobeyed his father by talking to the ill in the hospital gardens. In 1846 he published his first novel ‘Poor Cow’ to great literary acclaim. As he began his next work he was arrested and incarcerated for treason and participation in the political and literary Petrashevsky Circle.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. Whilst Tolstoy, Gogol, Dostoevsky, Pushkin and Chekhov are a given in any Russian collection we also explore and include Andreyev, Korolenko, Turgenev, Blavatsky and many others to create a world rich and dense across a sprawling landscape of diverse people, riddled with the class and unfairness in perhaps some of the most turbulent times that Russia has ever experienced.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Sometimes we want to be a little scared when we hear a story. Our nerves to tingle, the hair on our necks to gradually stand up. We can suspend our own reality for a while as authors lay out their wares of anxiety, worry, tension, and then increase the levels one by one until we are gripped by forces that make us afraid. It’s a real feeling. In this volume story after story assault our senses with mere words, with thoughts and descriptions that twist and deceive, with outcomes that we dread and shudder at the thought of.

The Fab Four, the most beloved band of all time, join the ranks of this New York Times bestselling biography series about heroes, for ages 5 to 9. They began as Johnny and the Moondogs, and they weren't very good. But these teens who loved music more than anything kept working at their craft and...

Conversations happen everywhere. A few words to pass the time or a detailed examination of views. But on trains they seem to be different. Speaking whilst in motion gives the whole discussion a momentum that often takes us into uncharted territory.

Trains have always held a special place for most of us. We’re intrigued by the mere fact that we can sit down in one place and arrive in another and enjoy the adventure and time in between. In this volume we explore both the journeys and the workers who run and maintain the railway network.

Dexter's world changes forever when his Grandpa shares an astonishing secret, and whisks him away on an epic adventure filled with double lives and amazing inventions. Suddenly, Dexter finds himself at the heart of the Resistance, battling against the wicked Evan Kostroff – an evil man with a dastardly plan to wipe out humanity and create a new space world in which only the smartest people will live. Join Dexter on his thrilling, globe-trotting journey, during which he teams up with talking animals and a host of colourful friends.

Do you believe in ghosts? If you do you probably treat any rendezvous with them with more than a fair share of caution. If you don’t then you’re probably keen to disprove their existence and find a rational explanation for whatever is going on and immediately make plans to enter the haunted house. In this volume our authors are very keen to show why the latter is not the wisest of moves.

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the North-West who created such revered, enduring and respected verse.