Showing results by author "Virginia Woolf" in All Categories

Mr. og Mrs. Ramsay og deres åtte barn tilbringer sommerferiene i sommerhuset deres på øyen Skye, sammen med nære venner av familien. Første del beskriver det dagligdagse samværet med kjærlighet og konflikter, forholdet mellom kjønnene, ekteskap og barndom, gleder, lengsler og savn. Men tiden går og fører med seg krig, død og forfall. Mange år senere vender den gjenværende delen av familien og enkelte av vennene tilbake til sommerhuset.

Ante la enormidad de la vida, con sus largos años y su final que pareciera que nunca llegará, ¿qué nos motiva a vivirla? Cuando un viaje prometido de una madre a un hijo se ve aplazado en el tiempo, movida desde el futuro cercano a la perpetuidad, ¿Qué se siente saber que el viaje nunca llegará? La residencia Ramsay conocerá la muerte y la pérdida a medida que venga. Son aspectos inseparables de la vida, pero a la vez lo son el amor y la euforia de conocerse a sí mismo en el transcurso de los años.

Uno dei primi romanzi della scrittrice, in cui viene utilizzato definitivamente lo stile del "flusso di coscienza", monologhi interiori dei vari personaggi che si incontrano, casualmente o meno, percorrono le stesse strade, i parchi, i salotti, della Londra del 1925. Particolari apparentemente insignificanti come la forma delle nuvole assumono una importanza pari o superiore a quella delle vicende personali di donne e uomini; la vita scorre senza soluzione di continuità da una coscienza all'altra.

A Room of One's Own è un saggio della celebre autrice inglese Virginia Woolf. Fu pubblicato nel 1929 e si è basato su due conferenze tenute a ai due college femminili di Newnham e Girton, dell'Università di Cambridge, nel 1928. Il saggio, scorrevole e brillante, ripercorre la storia della scrittura nelle donne, e la storia delle donne, e la storia della scrittura. Pertanto è rivolto, oltre che alle donne, anche a tutti coloro che vogliono scrivere.

Als Orlando nach einer ausschweifenden Feierlichkeit am Hofe des türkischen Sultans aus einem langen und erholsamen Schlaf erwacht, lässt es sich nicht leugnen: Die Tage seiner Männlichkeit sind gezählt, in der Nacht ist er zur Frau geworden. Orlando nimmt es, wie es kommt, und reist fortan ewig jugendlich durch die Weltgeschichte. Dabei trifft er auf die großen Dichter und Denker verschiedener Epochen. Was Virginia Woolf mit "Orlando" vorlegte, ist ein spielerischer Ritt durch die literarischen Genres, ein satirisches, sprachgewaltiges, feministisch angehauchtes Vergnügen.

Within our minds, time flows eternal in parallel streams, carrying a host of memories and conflicting emotions and we are connected by webs of intermittent visibility to the lives of many whom we have never even met. This is what we come to realise as we join Clarissa Dalloway on a fine June day in 1923, as she prepares a party she is giving that night for London's social and political elite. Virginia Woolf's often teasing portrait of British characters at every level of society remains remarkably accurate to this day.

To the Lighthouse is one of Virginia Woolf's most autobiographical works, and since she was an active member of the Bloomsbury Set, it inevitably echoes the once revolutionary thoughts that were to shape our world. Set in the pivotal years spanning World War I, it describes a gathering of artists, intellectuals and children at the Ramsays' holiday home in the Scottish Isles. Guided through their parallel streams of consciousness, we are given a poignant sense of the isolation coexisting with togetherness, and of a permanence that can survive the seeming transience of life.

At some point in our lives we believe that creak, that low moan, that whisper is something unnatural, beyond our comprehension. And in these stories our instincts are right. We are afraid. And we should be. Perhaps even terrified. In this volume our classic authors take different approaches, but the result is inevitably the same. We are hooked by these unknowable forces, our emotions heightened and rattled by the expectation - or shock - of the next few words.

We are captivated by colour. It seeps into our emotions, our vistas. It’s part of everyday life. Sometimes its part of something much darker. Our eminent authors in this volume bring you colours of every shade. From the terror of HP Lovecraft and the shadowed world of Edith Nesbit to the wordplay of Virginia Woolf - as well as many others. Color in all its light and shades, hues and tints is brought to the fore by these exceptional writers.

Unabridged readings of four fictional masterpieces Contained in this collection are four more enduring classics, read in full by some of the very best audiobook narrators. With over 32 hours of irresistible storytelling, tracked by chapter for ease of navigation, this is the perfect way to...

Here are short stories by the incomparable Virginia Woolf, including the story that was the original basis for the novel Mrs. Dalloway...

This century unfolds with a fast-changing world riven by immense wars and glutton hungry Empires. Women strive to win the most basic of rights, the right to vote. Their literary testament is now a vital part of our cultural world. They write on all manner of subjects with truth, with imagination and with undeniable talent. We are all the richer for their words.

Told almost exclusively through other characters' perceptions, conversations and memories, Woolf's groundbreaking novel centres around Jacob Flanders, a young man whose identity is difficult to grasp. Rather than presenting a conventional biography, Woolf assembles Jacob's presence from absence, evoking an air of emptiness and mystery, set against the haunting shadow of the First World War.

Often considered her most experimental work, Virginia Woolf's The Waves is a masterclass in modernist fiction, and a profound exploration of time, consciousness and the conflicting rhythms of individual lives. Published in 1931, The Waves unfolds through the soliloquies of six characters whose voices come and go – much like the sea tides they are surrounded by – in a blend of consciousness, tracing their journeys from childhood to old age. Around them drifts the unseen presence of a seventh figure, Percival, whose absence becomes a powerful refrain throughout the book.

A beautifully curated collection of profoundly intimate and boundary-pushing writing, The Selected Short Stories of Virginia Woolf showcase some of the literary icon's work at its very best. Both lyrical and impressionistic in style, Woolf's short stories offer a candid insight into her characters' inner lives – their memories, thoughts and desires – cultivating a rich emotional framework from which her different protagonists evolve.

Virginia Woolf’s third novel lacks a conventional narrative style and some say even a plot. It follows Jacob from his childhood, through his education at Cambridge and finally to his death in World War I. The prose repeatedly shifts its point of view and the reader is challenged to find connections between the narrative fragments. Largely from the comments of others we come to know the sequence and some moments of Jacob’s life but we never fully learn who Jacob is. The literary experimentation in Jacob’s Room is used even more successfully in Woolf’s later novels. (Summary by DaveC)

Em 1922, Virginia Woolf publicava seu terceiro romance, considerado pela crítica um ponto de inflexão na sua carreira. Em O quarto de Jacob, o personagem-título é a presença de uma ausência. Da infância na praia à juventude em Cambridge, sua personalidade é entrevista por mulheres que...

Official film tie-in edition, brilliantly narrated by comedy favourite Sally Phillips, Night & Day is a sparkling romantic comedy about love, independence, and refusing to play by the rules. Katharine Hilbery has a problem: she’s engaged to the perfectly suitable man… and absolutely not in...

The novel centres, in a very ambiguous way, around the life story of the protagonist Jacob Flanders, and is presented entirely by the impressions other characters have of Jacob [except for those times when we do indeed get Jacob's perspective]. Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed as a void in place of the central character, if indeed the novel can be said to have a 'protagonist' in conventional terms. Motifs of emptiness and absence haunt the novel and establish its elegiac ...

Virginia Woolf's most successful novel recounts the extraordinary biography of Orlando from his youth in the reign of Elizabeth I to her life as a successful author and mother in 1928, the year of the book's publication. Over the 350 years of his/her life, Orlando loves and is betrayed by a Russian princess, serves as British ambassador to Constantinople, changes sex, lives among gypsies, narrowly escapes marriage to the Archduchess Harriet/Archduke Harry, enjoys the society of Addison, Dryden and Pope, and finally marries Marmaduke Bonthrop Shelmardine with whom she has a child. Over the same...