Showing results by author "Ayn Rand" in All Categories

One of the 20th century's most challenging novels of ideas, The Fountainhead champions the cause of individualism through the story of a gifted young architect who defies the tyranny of conventional public opinion. The struggle for personal integrity in a world that values conformity above creativity is powerfully illustrated through three characters: Howard Roarke, a genius; Gail Wynand, a newspaper mogul and self-made millionaire; and Dominique Francon, a devastating beauty.

Who needs philosophy? Ayn Rand's answer: Everyone. This collection of essays was the last work planned by Ayn Rand before her death in 1982. In it, she summarizes her view of philosophy and deals with a broad spectrum of topics. According to Ayn Rand, the choice we make is not whether to have a philosophy, but which one to have: a rational, conscious, and therefore practical one, or a contradictory, unidentified, and ultimately lethal one.

They existed only to serve the state. They were conceived in controlled Palaces of Mating. They died in the Home of the Useless. From cradle to grave, the crowd was one - the great WE. In all that was left of humanity, there was only one man who dared to think, seek, and love. He lived in the dark ages of the future. In a loveless world, he dared to love the woman of his choice. In an age that had lost all trace of science and civilization, he had the courage to seek and find knowledge.

In a scrap heap within an abandoned factory, the greatest invention in history lies dormant and unused. By what fatal error of judgment has its value gone unrecognized, its brilliant inventor punished rather than rewarded for his efforts? In defense of those greatest of human qualities that have made civilization possible, one man sets out to show what would happen to the world if all the heroes of innovation and industry went on strike.

The Fountainhead studies the conflict between artistic genius and social convention, a theme Ayn Rand later developed into the idealistic philosophy knows as Objectivism. Rand's hero is Howard Roark, a brilliant young architect who won't compromise his integrity, especially in the unconventional buildings he designs.

We the Living portrays the impact of the Russian Revolution on three people who demand the right to live their own lives. At its center is a girl whose passionate love is her fortress against the cruelty and oppression of a totalitarian state. Rand said of this book: "It is as near to an autobiography as I will ever write."

In this beautifully written and brilliantly reasoned collection of essays, Ayn Rand throws new light on the nature of art and its purpose in human life. Once again, she demonstrates her bold originality and her refusal to let conventional ideas define her sense of the truth. Rand eloquently asserts that one cannot create art without infusing it with one's own value judgments and personal philosophy - even an attempt to withhold moral overtones only results in a deterministic or naturalistic message.

Rand takes listeners step by step through the writing process, providing insightful observations and invaluable techniques along the way. She discusses the psychological aspects of writing and the roles played by the conscious and subconscious mind. She talks about articles and books, explaining how to select a subject and theme, how to identify your audience, and how to write the first draft.

In the years between her first public lecture in 1961 and her last in 1981, Ayn Rand spoke and wrote about topics as different as education, medicine, Vietnam, and the death of Marilyn Monroe. In The Voice of Reason, these pieces are gathered together in book form for the first time. Written in the last decades of Rand's life, they reflect a life lived on principle, a probing mind, and a passionate intensity. With them are five essays by Leonard Peikoff, Rand's longtime associate and literary executor.

After the publication of Atlas Shrugged in 1957, Ayn Rand occasionally lectured in order to bring her philosophy of Objectivism to a wider audience and apply it to current cultural and political issues. These taped lectures and the question-and-answer sessions that followed added not only an eloquent new dimension to Ayn Rand's ideas and beliefs, but a fresh and spontaneous insight into Ayn Rand herself.

In the 1960s and early '70s, the most prominent, vocal cultural movement was the New Left: a movement that condemned America and everything it stood for: individualism, material wealth, science, technology, capitalism.

Published together for the first time are three of Ayn Rand's compelling stage plays. The courtroom drama Night of January 16th, a 1935 Broadway success famous for leaving the verdict to the audience, is presented here in its definitive, final revised text - a superb dramatization of Rand's vision of human strengths and weaknesses.

This remarkable, newly revised collection of Ayn Rand's early fiction ranges from beginner's exercises to excerpts from early versions of We the Living and The Fountainhead. Arranged chronologically, from 1926 through 1940, these works allow readers to follow the extraordinary trajectory of Rand's literary and intellectual growth, from a 21-year-old Russian immigrant struggling to master English to the brilliant prose stylist and sophisticated philosopher she was to become in her mature work.

Der Ursprung, Ayn Rands zeitloser Klassiker von 1943, beschreibt seinen Helden Howard Roark als einen Menschen, der die Motivation für seine Arbeit aus sich selbst schöpft und nicht um den Applaus anderer bemüht ist. Dieser junge Architekt kämpft nicht nur für die künstlerische Vision seiner Bauten, sondern gegen die Maßstäbe der "Autoritäten" und gegen die Herrschaft der Mittelmäßigkeit, der Gleichmacherei und der Beliebigkeit - und gegen eine atemberaubend schöne Frau, die ihn leidenschaftlich liebt, aber seinen schlimmsten Feind heiratet.

"Ideas are the greatest and most crucially practical power on earth," wrote Ayn Rand. In the title essay of this collection, Leonard Peikoff applies this principle to the world of business. He shows that certain philosophic ideas, such as reason, egoism, and individualism, are needed to defend and protect the freedom of businessmen, while the opposite ideas, such as mysticism, altruism, and collectivism (which dominate our universities), destroy that freedom.

Equality 7-2521 is a young man who yearns to understand “the Science of Things”, but he lives in a bleak, dystopian future where independent thought is a crime and where science and technology have regressed to primitive levels. All expressions of individualism have been suppressed in his world. Obedience to the collective is so deeply ingrained that the very word “I” has been erased. In pursuit of his quest for knowledge, Equality 7-2521 struggles to answer the questions that burn within him.

Ayn Rand discusses how a writer combines abstract ideas with concrete action and description to achieve a unity of theme, plot, characterization, and style, the four essential elements of fiction. Here, too, are Rand's illuminating analyses of passages from famous writers, rewrites of scenes from her own works, and fascinating rules for building dramatic plots and characters with depth.

La economía de Estados Unidos se encuentra en ruinas. Las empresas cierran, en las tiendas es imposible encontrar los productos básicos y la población empieza a perder la esperanza en recuperar la prosperidad y la autonomía. La respuesta del gobierno es aumentar cada vez más las regulaciones, el control de cualquier actividad y el colectivismo.

Ayn Rand's classic dystopian novel Anthem is about a dark future in which the concept of individuality has been banned in favor of collectivism. People can only refer to themselves as "we," and the concept of "I" is banned. The protagonist of the story is named "Equality 7-2521." Equality is deeply ashamed of having thoughts that are considered heretic in the context of this dystopian society.

Ayn Rand’s dystopic science fiction novella takes place at some unspecified future date. Mankind has entered another dark age as a result of what Rand saw as the weaknesses of socialistic thinking and economics. Technological advancement is now carefully planned -- when it is allowed to occur at all -- and the concept of individuality has been eliminated.