Showing results by author "Katherine Mansfield" in All Categories

The short story is considered to be one of the most challenging genres because of the need for compact plotlines and the ability to conjure up atmosphere and character in a few sentences and to engage the reader instantly. This collection presents 66 of the greatest examples of the genre - many of them well known, some hidden literary treasures, all of them exquisite examples of the short story at its finest.

A thoroughly engaging collection of classic short stories from some of the greatest writers who lived.

"Mariage à la mode" est une autre nouvelle de Katherine Mansfield (extraite du recueil "Garden party") qui aborde avec finesse la désunion, la brèche qui se creuse entre deux êtres, et ce dans un cadre idyllique par une belle journée d'été. Avec son stylo-scalpel, elle nous plonge dans les cœurs de William, époux délaissé et de sa jeune femme Isabelle, accaparée par ses nouveaux amis artistes.

Une nouvelle, extraite du recueil "Garden Party", qui décrit ou peint à petites touches la journée d'une famille en Nouvelle Zélande dans le bungalow familial, un jour d'été au début des années 1900. L'auteur récrée avec précision et amour la Nouvelle-Zélande de son enfance. Elle écrit son pays, comme si elle ne l'avait jamais quitté.

Laura, une jeune fille de bonne famille, jeune fille très sensible aide à la préparation de la fête qui va avoir lieu dans le jardin...

The Singing Lesson, written by Katherine Mansfield, is all about a surprising day of a music teacher's life. Taken from Katherine’s "The Garden Party and Other Stories"’ collection, it’s a short story written in third person from an unknown narrator’s perspective. Miss Meadows, a music teacher, receives a letter from her fiancé which states quite plainly that Basil, her fiancé, isn’t ready to marry her and feels that the marriage would fill him with disgust. The word "disgust" is scratched lightly and written above it is the word "regret".

"Life of Ma Parker” is a 1921 short story by Katherine Mansfield. It was first published in The Nation and Atheneum on 26 February 1921: The gentleman opens his door to his charwoman, who tells him that her grandson has died. Through an analepsis, the grandson asks his grandmother for money, which she says she does not have.

"The Daughters of the Late Colonel" is a 1920 short story by Katherine Mansfield. It was first published in the London Mercury in May 1921. In bed, Constantia suggests giving her late father's top hat to the porter, but her sister Josephine disagrees. After thinking about letters to be sent to Ceylon, they hear a noise coming from a mouse. Constantia thinks how sad it must be for the mouse with no crumbs around. The last time the sisters saw their father, Nurse Andrews was stationed by the bedside; the Colonel opened only one eye, glaring at his daughters before dying.

Mariage à la mode est une nouvelle de Katherine Mansfield publiée pour la première fois en 1921 dans The Sphere. Elle raconte l’histoire de William et de sa femme Isabel. Normalement, William achète des friandises pour ses enfants, sachant que sa femme ne veut pas qu’il les gâte avec d’autres cadeaux, mais cette fois-ci, il leur rapportera des fruits. La famille vient de quitter Londres pour la campagne, et quand le mari rejoint sa femme, il la trouve fort changée. Cette dernière s’est entichée d’amis bohèmes et elle trouve maintenant son mari ennuyeux et bourgeois. La tension monte.

« Au matin, très tôt. Le soleil n´était pas encore levé et la baie toute entière était cachée par un brouillard blanc venu de la mer. Les grandes collines recouvertes de brousse, au fond, étaient submergées. » Sur la baie est une nouvelle de Katherine Mansfield publiée pour la permière fois en 1922 dans le London Mercury. C'est l'une des œuvres les plus accomplies de l'auteure et un excellent exemple d´impressionnisme littéraire. On y retrouve Kezia et Lottie, deux caractères qui figurent aussi dans « Prélude ».

In a German Pension is a 1911 collection of short stories by the writer Katherine Mansfield; her first published collection. All but three of the stories were originally published in The New Age edited by A. R. Orage; the first to appear was "The Child-Who-Was-Tired". The last three were first published in this collection.

The Swing of the Pendulum is a short story by Katherine Mansfield: The landlady knocked at the door. - "Come in," - said Viola. - "There is a letter for you," said the landlady, "a special letter" - she held the green envelope in a corner of her dingy apron. - "Thanks." Viola, kneeling on the floor, poking at the little dusty stove, stretched out her hand. "Any answer?".

In Frau Brechenmacher Attends a Wedding by Katherine Mansfield we have the theme of gender roles, domination, submission, control, struggle, identity and tradition. Taken from her In a German Pension collection the story is narrated in the third person by an unnamed narrator and after reading the story the reader realises that Mansfield may be exploring the theme of control. Throughout the story Frau Brechenmacher is at the beck and call of her husband.

The Modern Soul is more about characters than action. The story begins with the stereotype of the pompous German music professor explaining to the young English narrator why he incessantly eats cherries: "There is nothing like cherries for producing free saliva after trombone playing, especially after Grieg's 'Ich Liebe Dich'" He's cherry eating is connected with a consuming desire for women.

In A Birthday by Katherine Mansfield we have the theme of responsibility, selfishness, gender roles, appearance, suffering and paralysis. Taken from her In a German Pension collection the story is narrated in the third person by an unnamed narrator and after reading the story the reader realises that Mansfield may be exploring the theme of responsibility. Andreas if anything thinks only of himself. True he goes to fetch Doctor Erb but apart from this Andreas takes no responsibility for the condition that Anna may be in.

The Child-Who-Was-Tired is a short story by Katherine Mansfield: She was just beginning to walk along a little white road with tall black trees on either side, a little road that led to nowhere, and where nobody walked at all, when a hand gripped her shoulder, shook her, slapped her ear. - "Oh, oh, don't stop me," cried the Child-Who-Was-Tired. "Let me go."

In "Frau Fischer" by Katherine Mansfield we have the theme of independence, letting go, acceptance change, trust, control, gender roles and conflict. Taken from her In a German Pension collection the story is narrated in the first person by an unnamed British woman and after reading the story the reader realises that Mansfield may be exploring the theme of independence.

"The Young Girl" is a 1920 short story written by Katherine Mansfield. Mrs. Raddick’s and her beautiful daughter waited on the steps of the casino. The daughter was incredibly beautiful with flushed cheeks, blue eyes, and golden curls. She "might have just dropped from this radiant heaven" (79), and Mrs. Raddick seemed to think so too - if her appreciative glances were any indication. The girl; however, appeared only bored as if heaven had been full of casinos and they no longer held any interest for her.

At the Bay is a 1922 short story by Katherine Mansfield. It was first published in the London Mercury in January 1922 in twelve sections, and later reprinted in The Garden Party and Other Stories (1922) with a short descriptive coda which is now the thirteenth section. The story represents Mansfield’s best mature work, a luminous example of her literary impressionism. While writing it at the Chalet des Sapins, she was coming to terms with her relationship with Murry and with her own origins and identity.

Marriage a La Mode is a 1921 short story by Katherine Mansfield. It was first published in The Sphere on 31 December 1921, and later reprinted in The Garden Party and Other Stories. - The title is a play on the phrase mariage à la mode in French, which means 'fashionable marriage'. William would usually buy his children sweets because he knows his wife won't let him buy them 'big donkeys and engines', as that would be unseemly. This time he buys fruit instead.