Showing results by author "bell hooks" in All Categories

What is feminism? In this short, accessible primer, Bell Hooks explores the nature of feminism and its positive promise to eliminate sexism, sexist exploitation, and oppression. With her characteristic clarity and directness, Hooks encourages readers to see how feminism can touch and change their lives - to see that feminism is for everybody.

All About Love has descriptive copy which is not yet available from the Publisher...

In Teaching to Transgress, Bell Hooks - writer, teacher, and insurgent black intellectual - writes about a new kind of education, education as the practice of freedom. Teaching students to "transgress" against racial, sexual, and class boundaries in order to achieve the gift of freedom is, for Hooks, the teacher's most important goal. Bell Hooks speakes to the heart of education today: how can we rethink teaching practices in the age of multiculturalism? What do we do about teachers who do not want to teach, and students who do not want to learn? How should we deal with racism and sexism in the classroom? Full of passion and politics, Teaching to Transgress combines a practical knowledge of the classroom with a deeply felt connection to the world of emotions and feelings. This is the rare book about teachers and students that dares to raise questions about eros and rage, grief and reconciliation, and the future of teaching itself.

When Feminist Theory: From Margin to Center was first published in 1984, it was welcomed and praised by feminist thinkers who wanted a new vision. Even so, individual audiences frequently found the theory unsettling or provocative. Today, the blueprint for feminist movement presented in this audiobook remains as provocative and relevant as ever. Written in hooks's characteristic direct style, Feminist Theory embodies the hope that feminists can find a common language to spread the word and create a mass, global feminist movement.

A classic work of feminist scholarship, Ain't I a Woman has become a must for all those interested in the nature of Black womanhood. Examining the impact of sexism on Black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this work a critical place in every feminist scholar's library.

What does it mean to call a place home? Who is allowed to become a member of a community? When can we say that we truly belong? These are some of the questions of place and belonging that renowned cultural critic Bell Hooks examines in Belonging: A Culture of Place. Traversing past and present, Belonging charts a cyclical journey in which Hooks moves from place to place, only to end where she began—her old Kentucky home.

Communion has descriptive copy which is not yet available from the Publisher...

Wie wir lieben sollten - der feministische und antirassistische Klassiker erstmals in deutscher Übersetzung. "Für viele ist Liebe nichts als ein statisches Wort - dabei könnten wir alle besser lieben, wenn wir es aktiv als Verb gebrauchen." In ihrem provokativen und zutiefst persönlichen Werk entwirft die bekannte Wissenschaftlerin, Kulturkritikerin und Feministin eine neue Ethik für unsere Gesellschaft der Lieblosigkeit - eine polarisierte Gesellschaft, so Bell Hooks, der es nicht etwa an Romantik mangelt, sondern an Fürsorge, Anteilnahme und Gemeinschaft.

For bell hooks, the best cultural criticism sees no need to separate politics from the pleasure of reading. Yearning collects together some of hooks's classic and early pieces of cultural criticism from the '80s. Addressing topics like pedagogy, postmodernism, and politics, hooks examines a variety of cultural artifacts, from Spike Lee's film Do the Right Thing and Wim Wenders's film Wings of Desire to the writings of Zora Neale Hurston and Toni Morrison.

What's Love Got to Do with It? – Warum Liebe(n) eine gesellschaftliche Notwendigkeit ist. "Dieses Buch, das sich mit der aktuellen Bedeutung der Liebe im Leben der Schwarzen befasst und eine Vorlage für das Überleben und die Selbstbestimmung der Schwarzen bieten soll, führt uns kühn zum Kern der Sache. Uns selbst mit Liebe zu begegnen, unser Schwarzsein zu lieben, ermöglicht uns allen, zur wahren Bedeutung von Freiheit, Hoffnung und einem Leben voller Möglichkeiten zurückzufinden".

"Frauen, die sich für die Liebe entscheiden, müssen klug, waghalsig und mutig sein." Ein großartiges Plädoyer für die Macht der Liebe. Liebe(n) geht uns alle an. Unsere Sehnsucht und Suche nach Liebe hören nie auf. Egal wie alt wir sind. Warum fällt es uns dennoch so schwer, den wahren Stellenwert der Liebe gesellschaftlich anzuerkennen? Weshalb verharren so viele Menschen in Beziehungen, die schon lange nicht mehr liebevoll sind? Wieso stoßen vor allem ältere Frauen mit ihrem Liebesbedürfnis an Grenzen? Wo kollidieren Geschlechterrollen mit Erwartungen?

Íntima, reveladora y provocadora, Comunión es una obra que desafía a todas las mujeres a que asumamos el valor de reclamar la búsqueda del amor como el viaje heroico que todas debemos escoger para liberarnos de verdad.

According to the Washington Post, no one who cares about contemporary African-American cultures can ignore Bell Hooks's electrifying feminist explorations. Targeting cultural icons as diverse as Madonna and Spike Lee, Outlaw Culture presents a collection of essays that pulls no punches. As Hooks herself notes, interrogations of popular culture can be a "powerful site for intervention, challenge and change." And intervene, challenge, and change is what hooks does best.

In this provocative and captivating dialogue, bell hooks and Cornel West come together to discuss the dilemmas, contradictions, and joys of Black intellectual life. The two friends and comrades in struggle talk, argue, and disagree about everything from community to capitalism in a series of intimate conversations that range from playful to probing to revelatory. In evoking the act of breaking bread, the book calls upon the various traditions of sharing that take place in domestic, secular, and sacred life.

In childhood, Bell Hooks was taught that "talking back" meant speaking as an equal to an authority figure and daring to disagree and/or have an opinion. In this collection of personal and theoretical essays, Hooks reflects on her signature issues of racism and feminism, politics and pedagogy. Among her discoveries is that moving from silence into speech is for the oppressed, the colonized, the exploited, and those who stand and struggle side by side, a gesture of defiance that heals, making new life and new growth possible.

In Homegrown, cultural critics Bell Hooks and Amalia Mesa-Bains reflect on the innate solidarity between Black and Latino culture. Riffing on everything from home and family to multiculturalism and the mass media, Hooks and Mesa-Bains invite listeners to re-examine and confront the polarizing mainstream discourse about Black-Latino relationships that is too often negative in its emphasis on political splits between people of color. A work of activism through dialogue, Homegrown is a declaration of solidarity that rings true even ten years after its first publication.

bell hooks reflects on the ways in which the emotional health of black women has been and continues to be impacted by sexism and racism. Desiring to create a context where black females could both work on their individual efforts for self-actualization while remaining connected to a larger world of collective struggle, hooks articulates the link between self-recovery and political resistance. Both an expression of the joy of self-healing and the need to be ever vigilant in the struggle for equality, Sisters of the Yam continues to speak to the experience of black womanhood.

"Respondona" trata sobre el significado de la conciencia feminista en la vida diaria, la recuperación personal, la superación de la supremacía blanca y masculina, las relaciones íntimas y, todo ello, explorando el punto donde lo público y lo privado se encuentran. Cuando era niña, bell hooks aprendió que dirigirse de igual a igual a una figura de autoridad y atreverse a estar en desacuerdo o a dar una opinión significaba ser "respondona". En esta colección de ensayos tan personales como teóricos, hooks reflexiona sobre sus temas clásicos.

"Todo sobre el amor" ofrece nuevas formas radicales de pensar sobre el amor al mostrar su interconexión en nuestra vida privada y pública. En once capítulos concisos, hooks explica cómo nuestras nociones cotidianas de lo que significa dar y recibir amor a menudo nos fallan, y cómo estos ideales se establecen en la primera infancia. Ofrece un replanteamiento del amor propio (sin narcisismo) que aporta paz y compasión a nuestra vida personal y profesional, y defiende la importancia del amor para poner fin a las luchas entre individuos, comunidades y sociedades.

In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship—in particular, the way blackness and black people are experienced in literature, music, television, and especially film—and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert."