Showing results by narrator "Bruce Pascoe" in All Categories

Albert Cutts is a tree feller. A fella who cuts down trees. Fog is a fox cub raised by a dingo. He's called a dox because people are suspicious of foxes and Albert Cutts owns the dingo and now the dox. Albert is a bushman and lives a remote life surrounded by animals and birds. All goes well until Albert has an accident.

Jack cannot believe his luck when he comes across a sunken boat not far off the coast. When he shows his father, they discover it is in pristine condition and decide to take on the challenge of salvaging it. When the boat is finally raised, the adventure begins ...

Marnie Clark of Curdie Vale can ride but she doesn't have a horse. Before too long Marnie is gifted Mrs Margaret 'Maggie' Whitlam, a beautiful, big Clydesdale – bold, fearless and able to jump anything. Soon Marnie is learning to negotiate newfound friendships, pony club and how to stand up for what she believes in. Will her friendship with George Costa, another outsider, make being accepted harder? Or will being true to yourself be the hardest decision Marnie makes?

Bruce Pascoe has collected a swathe of literary awards for Dark Emu, and now he has brought together the research and compelling first-person accounts in a book for younger listeners. Using the accounts of early European explorers, colonists and farmers, Bruce Pascoe compellingly argues for a reconsideration of the hunter-gatherer label for pre-colonial Aboriginal Australians. He allows the listeners to see Australia as it was before Europeans arrived.

Marnie Clark of Curdie Vale can ride, but she doesn’t have a horse. She dreams of owning one and having the whole world to ride it in. Before too long Marnie is gifted Mrs Margaret ‘Maggie’ Whitlam, a beautiful, big Clydesdale - bold, fearless and able to jump anything. From the very first ride, Marnie and Maggie get more adventure than they bargained for. Soon Marnie is learning to negotiate newfound friendships, pony club and how to stand up for what she believes in.

Dark Emu argues for a reconsideration of the 'hunter-gatherer' tag for pre-colonial Aboriginal Australians and attempts to rebut the colonial myths that have worked to justify dispossession. Accomplished author Bruce Pascoe provides compelling evidence from the diaries of early explorers that suggests that systems of food production and land management have been understated in modern retellings of Aboriginal history, and that a new look at Australia's past is required.

In Loving Country, coauthors Bruce Pascoe and Vicky Shukurolgou show travellers how to see the country as herself, to know her whole and old story and to find the way to fall in love with her, our home. Listeners are encouraged to discover sacred Australia by reconsidering the accepted history and hearing diverse stories of her Indigenous people. The intention of this audiobook is to foster communication and understanding between all peoples and country, to encourage environmental and social change.

Bruce Pascoe has been described as a ‘living national treasure’ and his work as ‘revelatory’. This volume of his best and most celebrated stories and essays, collected here for the first time, ranges across his long career, and explores his enduring fascination with Australia’s landscape, culture, land management and history. Featuring new and previously unpublished fiction alongside his most revered and thought-provoking nonfiction - including extracts from his modern classic Dark Emu - this collection is perfect for Pascoe fans and new listeners alike.

When Dark Emu was adopted by Australia like a new anthem, Bruce found himself at the centre of a national debate that often focussed on the wrong part of the story. But through all the noise came Black Duck Foods, a blueprint for traditional food growing and land management processes based on very old practices. Bruce Pascoe and Lyn Harwood invite us to imagine a different future for Australia, one where we can honour our relationship with nature and improve agriculture and forestry

Yen Se has lost everything to the Khan's brutality. Left with one eye and one arm, he is forced out of his home village to work in the city as a horse handler. Witness to the Khan's violent crusade, their raids sweeping across Eurasia, he travels with the theatre of war, but exists outside of it; stunned every morning to find himself alive. Yen Se moves randomly across Europe with a loose band of survivors – men who think of survival, men who think of resistance, and women who dare to dream of peace.