Showing results by narrator "Charlie Sanderson" in All Categories

Eighteen-year-old Beth Sutton is abducted and held prisoner in a basement. Dependent on her captor for everything, she slowly builds a relationship with the man responsible for her imprisonment. But her abductor is guilty of more than just kidnap, and she has the evidence to prove it. If she escapes from the basement, Beth's toughest challenge will be dealing with the memories. How will she ever overcome her trauma?

'Full of warmth' #1 Sunday Times Bestseller Katie Fforde Can a cake change your life? Clemmie Rose’s great-great-grandmother’s beloved clementine torte is her ticket to the prestigious Royal Baking Competition. A win could put Puffin Island’s charming Café on the Coast on the map, land...

Slave Girls, a new series by bestselling author Louise Allen, reveals a shocking modern-day scandal of County Lines–the single most dangerous form of systematic child abuse prevalent today.

Mill mistress Verity Hardcastle and her husband Oliver welcome their long-awaited twins: gentle, golden-hearted Briony and spirited, stormy Blaise. From the beginning, their children seem destined to pull in different directions—but the Hardcastles stand united, proud stewards of Lockwood Mill and its tight-knit community of hardworking girls. As the winds of change sweep through Yorkshire—from the rise of the suffragette movement to the shadow of war—the mill stands firm. But cracks begin to show, not just among the mill girls, but within the Hardcastle family itself.

Slave Girls, a new series by bestselling author Louise Allen, reveals a shocking modern-day scandal of County Lines–the single most dangerous form of systematic child abuse prevalent today.

Berlin, 1961. Anja and Monika are best friends–they even share a cat called Otto. When a huge barbed wire fence is built between their apartment blocks, everything changes; their city and family are divided by the Berlin Wall. In the West, Anja is sure it will be taken down, but Monika is afraid. Her world is changing: neighbours keep disappearing, others become spies and shadowy threats lurk around every corner.

Tinder, Hinge, Bumble – thirty-something journalist Saffie has tried them all but now she's wondering whether it's time to throw in the towel and give up on love for good – and she's not alone... Saffie's boss Tamara has been single since her divorce four years ago, but at forty-five, running her own magazine and with three kids at home, she doesn't feel she has the time, energy or confidence to go through the dating mill again. Meanwhile, Saffie's best friend Milo has just been dumped – again. A hopeless romantic with terrible taste in men, this is his fourth break-up in six months.

After losing everything in a devastating house fire, the cracks in Justin and Megan's marriage are starting to show. A move to the country should be the fresh start they desperately need, but the old lodge on the Treloar estate, with its crooked chimneys and dark foreboding walls, is more sinister than Megan ever imagined. She tries to make the best of it for her husband's sake, but the house is haunted by the secrets of Justin's past.

1875. With their father missing and their mother suddenly passing, Esme and Gabriel are forced to track down their estranged grandfather in Lincolnshire. Cold and unwelcoming, he is reluctant to take them in, but aware of his standing as the village vicar, he knows must protect his reputation, and allow the children to stay with him. Esme's relief at finding refuge soon turns to despair when Gabriel is sent to boarding school, leaving her alone in their grandfather's unhappy home. But the house isn't as empty as it first appeared.

Kate Hardy's world seems to be making some kind of sense at last. The Sardine's finally safe from her idiotic ex, things seem to be going well with Mike and she's looking forward to celebrating Christmas with the important people in her life. Mike's buying her beloved lighthouse and is due to get the keys any day now. Kate just wishes she could muster the courage to ask him what his plans are for the old place–instead of changing the subject every time he brings it up. And then there's Bernard–who's come all the way from Canada.

Gracie Thompson has a job, a loving family, a twin brother who drives her insane and a great friend. A chance meeting introduces her to the love of her life. But the storm clouds are gathering, Europe is teetering on the verge of war and threatening to destroy everything Gracie holds dear. When war arrives her family are split up, her younger siblings evacuated, her brothers join up to serve, her boyfriend, Charlie, is in daily danger and her life is threatened.

Birdie dreams of becoming a professional artist, but the constraints of society demand she marries well. In order to fulfil her dreams, she makes a deal with her parents: to let her spend a year at the St. Agnes School of Art in Cornwall, after which she will return home and marry the insufferable but influential and wealthy Charles Bonham, as per her parents' wishes. Birdie however, has no intention of ever going back. Free of responsibility for the first time, she finds herself surrounded by a crew of bohemian artists who show her just how dizzying independence can be.

Lily took a deep breath. She wasn’t going to pass out from her now-galloping heart. She was thirty-three years old and way beyond having issues seeing an ex. Even the ex. She was going to just ignore Matt and enjoy her best friend’s wedding. Lily is fine. Really, truly, she’s ok. She might have to attend her best friend’s wedding with the ex-boyfriend she never got over, on a gorgeous Greek island that’s so small it’s impossible to avoid him, but she is determined to be friendly. And Matt, too, is completely and utterly fine.

When Edie's dad, head of London Underground's Lost Property Office, is invited to Paris's Bureau of Found Things, Edie and her friends jump at the chance to join him. But to her horror, Edie discovers that the Flits who live in Paris are in danger. A collector is capturing them to create decorative scenes and putting them up for sale! Can Edie and her friends rescue the glasshouse flits before it's too late?

These are the chronicles of the Old and New Testament - from Genesis to the Crucifixion - recounted exclusively through the eyes of a teen in a way that is fresh and highly original.

Warwickshire, 1875 Emerald Pritchard has lived a privileged life with her parents and her younger sister, Abigail, in the stately Astley House on the outskirts of Nuneaton. But all that suddenly changes when her father disappears leaving the family in debt. They are forced to throw themselves on the mercy of Emerald's uncle who begrudgingly allows them to live in a small cottage within the grounds of his farm.

Brandon is a boaster - he says he is brilliant at lots of things. Then he is challenged to count up to 10 million. So Brandon starts - one, two, three...and before long, he is up to 1,000. Everyone around him is bewildered and annoyed - his friend Waris, his teachers and Miss Hexx, the head. But Brandon can’t stop counting. And then strange, impossible things start happening. The numbers are taking over everything....

Skipton House Community Centre may look ramshackle, but it is soon at the heart of Erin's life - especially the cooking club. When the building is suddenly threatened with closure, Erin and her new friends, Tanya, Frixos and Sam, form The Cooking Club Detectives. Can they, and their four-legged assistant, Sausage, uncover who the mystery culprit is and save Skipton?

Amelia is starring as Dorothy in her school production of The Wizard of Oz, and her friend Sam's puppy, Mac, is playing Toto; Amelia and Sam are helping out at Animal Ark when twin sisters come into the surgery with their pet hamster; a shy boy at Amelia and Sam's school is using his pet guinea pig to help him make friends - by taking his pet to school; and when Amelia and Sam start taking riding lessons, they meet a homeless rescue pony named Ginger and a big horse named Walnut who keeps throwing off his riders.

1850. When Opal Sharp finds herself and her younger siblings suddenly orphaned and destitute, she thinks things can get no worse. But soon three of them - including Opal - are struck down with the illness that took their father from them, and her brother Charlie is forced to make an impossible decision. Unable to afford a doctor, he knows the younger children will not survive. So, unbeknownst to Opal, Charlie takes their younger siblings to the workhouse, where he knows they will at least be fed and have a roof over their heads. Opal is heartbroken and struggles to forgive him.