Showing results by narrator "Christine Mackie" in All Categories

When Tessa’s best friend organises a surprise TV makeover, Tessa is horrified. It’s the last thing she needs – her business is on the brink of collapse, her marriage is under strain and her daughter is more interested in beauty pageants than student politics. What’s more, the ‘Greenham Common angle’ the TV producers have devised reopens some personal history Tessa has tried to hide away. Then Tessa’s least favourite member of the Greenham gang makes contact ...

London, 1934. Doreen Bates is working in the same office as E, an older married man. They strike up a passionate affair and Doreen records it all in her diary - secret midnight walks, countryside escapades and stolen moments of intimacy. But Doreen longs for a child with E. Despite all the taboos at the time and against the wishes of E, Doreen gets pregnant and is amazed when twins are born during the war. However, Doreen faces an uncertain future - will E ever leave his wife and join his new family?

Juno is feeling ready – at last – to start dating again, after losing her husband some years ago. She is sure she can make time from being a Village Detective, indeed it might help distract her from her crush on hunky (but far-too-young!) pub landlord – Mil. So she’s signed up to an exclusive new dating app and cannot wait. But when one of the founding investors in that same dating app drops dead in front of fellow Village Detective Phoebe in a nearby hotel, Juno knows she’ll have to put her love life on hold.

Former stand-up comic Juno Mulligan has been suffering a serious sense-of-humour failure. Not only has she lost the love of her life, but she’s having to relocate to the (admittedly idyllic) village of Inkbury to watch out for her elderly mother, who she’s genuinely worried might be marrying a wife-killer. She hopes that her old friend, disgraced-journalist-turned-novelist Phoebe Fredericks can help her crack the case of whether her mother’s perma-tanned, iceberg-smiled, three-times-a-widower fiancé is hiding a murderous past.

When crime novelist Phoebe opens the post and receives an invitation to her own funeral, she’s horrified. Not least because the date of her death is marked as tomorrow. Deciding it’s nothing more than a prank from an enemy from her past, she determines to put it to the back of her mind. But the next morning, when her completely infuriating postman (who likes to think himself her no.1 literary critic) rings her doorbell, a parcel of poisoned pen-nibs explodes in his face. Forced to confront the fact her correspondence is more RIP than RSVP, Phoebe realises someone must want her dead.