Showing results by narrator "Kenneth Michaels" in All Categories

Contents: Napoleon Hill. Think and Grow Rich (The text is reproduced from the original publications of 1937) George Samuel Clason. The Richest Man In Babylon (The text is reproduced from the original publications of 1920-1924) ; James Allen. As A Man Thinketh ; James Allen. Out from the Heart ; Kahlil Gibran. The Prophet ; Sun Tzu. The Art of War ; Lao Tzu. The Tao Te Ching ; Confucius. Analects ; Benjamin Franklin. The Way to Wealth

A collection of BBC Radio 3's iconic Shakespeare productions: six tragedies with all star casts including Michael Sheen, Juliet Stevenson, Kenneth Cranham, Corin Redgrave, Ken Stott, Geraldine James, Bill Wallis, Siân Phillips and Sophie Dahl.

BBC Radio has a unique heritage when it comes to Shakespeare. Since 1923, when the newly formed company broadcast its first full-length play, generations of actors and producers have honed and perfected the craft of making Shakespeare to be heard.

Contents: Napoleon Hill. Think and Grow Rich (The text is reproduced from the original publications of 1937), George Samuel Clason. The Richest Man In Babylon (The text is reproduced from the original publications of 1920-1924), James Allen. As A Man Thinketh, James Allen. Out from the Heart, Kahlil Gibran. The Prophet, Sun Tzu. The Art of War, Lao Tzu. The Tao Te Ching, Confucius. Analects, Benjamin Franklin. The Way to Wealth, Benjamin Franklin. The Autobiography, Marcus Aurelius Antoninus. The Meditations Of The Emperor, Russell H. Conwell Every Man His Own University, Ralph Waldo Emerson. Self-reliance.

One of the three great tragic playwrights of ancient Greece, Sophocles wrote over 120 plays during his 60-year career, though only seven survive today. The most famous of these are the Theban Plays, all three of which are included in this collection alongside adaptations of Electra and Philoctetes, brought to life by celebrated writers, poets, and playwrights.

Contents: Edgar Allan Poe - The Murders in the Rue Morgue - The Gold Bug - The Black Cat - The Pit and the Pendulum - The Tell-Tale Heart - The Fall of the House of Usher - The Masque of the Red Death - The Cask of Amontillado - The Facts in the Case of M. Valdemar - Hop-Frog - The RavenBram Stoker - DraculaMary Shelley - FrankensteinJoseph Sheridan Le Fanu - CarmillaRobert Louis Stevenson - The Strange Case of Dr. Jekyll and Mr. HydeH.P. Lovecraft - The Alchemist - At the Mountains of Madness - Azathoth - The Beast in the Cave.

Jason Slater is a very average twenty-first-century English teacher from Cheadle Hulme, but somehow wakes up after a few drinks in nineteenth-century Macclesfield. Apparently, he's now Tarquin, third son of Lord Belport, with a faithful valet, a suspicious brother, a spurned ex-girlfriend (who's now going out with his brother)—and no obvious way he'll ever get back home again. From toasted sandwich makers and the perfect beer, to root canals and royal visits, can Jason—Tarquin, that is—change the course of history and make 1834 his playground?

Written in 1593, King Richard III is one of Shakespeare's earliest plays. This play differs from its predecessors, being amore structured piece, examining the development and motivations of a single character, Richard Duke of Gloucester, who will stop at nothing to gain control of the throne occupied by his brother Edward IV.

Set mostly in the north of the UK, in a near future. Women march together in protest at a government reneging on climate promises. Two glorified paper pushers in Spain help British ex-pats escape a heatwave that will soon lay waste to most of southern Europe. A twitter storm erupts in the panic of a real tempest. In the northeast, a beloved allotment sinks below the waterline. Sea levels rise, toxic rain falls and the earth poisons the food that grows in it. The elite, and winners of the life lottery, are evacuated to giant towers.

The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. These facts few psychologists will dispute, and their admitted truth must establish for all time the genuineness and dignity of the weirdly horrible tale as a literary form... As may naturally be expected of a form so closely connected with primal emotion, the horror-tale is as old as human thought and speech themselves.