Showing results by narrator "Siobhan Redmond" in All Categories

Based on the real-life memoirs of the 19th Century investigator who inspired Sherlock Holmes, Inspector James McLevy, this atmospheric mystery series features the fictional casebook of Edinburgh's finest thief-taker. Accompanied by his loyal partner, Constable Mulholland, McLevy prowls the murky streets of 1840s Leith bringing criminals to justice—assisted by the madam of Edinburgh's finest bawdy-house, the deliciously immoral Jean Brash.

New Year's Day - and through the misty streets of Victorian Edinburgh, an elegant female figure walks the cobblestones with a certain vengeful purpose. Jean Brash, the mistress of the Just Land, brings her cool intelligence to solving a murder, a murder that took place in her own bawdy house (the best in Edinburgh and her pride and joy). A prominent judge, strangled and left dangling, could bring her whole life to ruin, and she didn't haul herself off the streets, up through low, dirty houses of pleasure and violent vicious men, to let that come to pass.

Five full-cast dramas by the celebrated Scottish writer Liz Lochhead, plus a short story Liz Lochhead is a widely recognised poet, playwright and performer. She was the Makar, Scotland’s national poet, between 2011 and 2016, and was awarded the Queen's Gold Medal for Poetry in 2015. The six...

Inspired by the real-life memoirs of Edinburgh's first detective, James McLevy, here are more fantastic fictional adventures featuring the tenacious Victorian crime-solver. Once again, McLevy and his faithful sidekick Constable Mulholland patrol the dark wynds and back alleys of 1840s Leith tracking down evildoers—aided by a surprising ally: the beautiful and resourceful brothel-keeper Jean Brash.

When impoverished watchmaker Caron invents a pioneering device that could revolutionise timekeeping, his fortunes begin to change. Marrying a young, upper-class widow, he takes on a new noble name - de Beaumarchais - and sets out to conquer Louis XV's court. But his attempts to rise through the ranks of Versailles society are blocked by royal clockmaker Lepaute - as well as courtly crushes, rumours of war and illicit printing.

Jeremiah Bourne is a boy with a remarkable gift. He can travel in time. Not by using a time machine, or stepping through a dimensional portal. It just happens to him, as though by accident. One minute he’s in the present day, the next, he’s 100 years in the past, standing in the London of 1910. Jeremiah has two questions: how did he get there - and how can he get back? On his quest for the answers, he enlists the help of Phyllis Stokes of The Society for Theosophical Research and her equally eccentric brother, Roger Allcot Standish, magistrate, spiritualist and dedicated nudist.

When the body of a half-clothed woman is discovered in an Edinburgh park, a murder investigation is launched. The victim has not been reported missing and there are few clues to her identity. Soon after, the naked corpse of a prominent clergyman is found, also in a park. DS Alice Rice wonders if the same killer is at work, and if so, what is the connection between the apparently motiveless attacks? The Road to Hell, the fourth in the series, takes the policewoman to new personal depths.

Midwinter, and it’s a freezing night in Leith, near Edinburgh’s red-light district. A policewoman’s flashlight stabs the darkness in a snow-covered cemetery. The circle of light stops on a colourless, dead face.

So begins the hunt for a serial murderer of prostitutes in Gillian Galbraith’s third Alice Rice mystery, The Dying of the Light. Partly inspired by the real-life killings of prostitutes in Ipswich, this novel explores a hidden world where sex is bartered for money and drugs.

Award-winning 'Queen of Crime' Val McDermid has sold over 17 million books worldwide, and been translated into over 40 languages. Her Wire in the Blood series was adapted for TV, starring Robson Green and Hermione Norris, and ran for six seasons. Included here are full-cast adaptations of several of her acclaimed novels, as well as four tales specially written for BBC Radio.

At her execution Mary, Queen of Scots wore red. Widely known as the colour of strength and passion, it was in fact worn by Mary as the Catholic symbol of martyrdom. In 16th-century Europe, women's voices were suppressed and silenced. Even for a queen like Mary, her prime duty was to bear sons. In an age when textiles expressed power, Mary exploited them to emphasise her female agency.