Australian Fiction Mysteries

Photographer Isla Wilson is thrilled she's landed her dream job, but the clients who hired her are getting stranger by the day. It sounded so perfect—a month's assignment at the lush Scottish Highlands property of architect Alban McGregor, and his wife, Jessica. But in the woods, there's a playhouse with a chilling history. Two years ago, the McGregors' daughter Elodie was abducted and then died in that playhouse. The townspeople insist her abductor had to be a stranger in their town. Alban refuses to knock the playhouse down, even keeping a picture of it on his wall.

Sometimes work can be murder. Detective Sergeant Kiara Lui has just broken up a loud brawl between two blokes in front of the Warrigal Public Library. But just as she's about to leave the scene, a man plummets from the sky and slams into the bike rack right in front of her, dead. Head of Library Services, Neville Adams, was hated by staff, borrowers, and in fact anybody who had ever met him. What might have tipped that hatred into outright murder? The building is quickly sealed, trapping all the suspects inside.

Elise Glyk is a disgraced athlete. Her brother, Callum, is a well-liked teacher who has gone missing. In Elise’s search for her brother, they both become captured in a remote, abandoned farm. Their captor hates Callum, and refuses to explain why, but she has little interest in Elise. So she offers a gruesome bargain: she'll let Elise go - if Elise kills Callum. That way, Elise can't talk to the police, not without getting arrested for murder.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

On the eve of the global lockdown, Don Barlow opens the door of his old beachside cottage to find a pretty girl with pink-tipped hair, claiming to have nowhere to go. He allows her entry, and so begins a mystery set in unprecedented times: with the virus raging outside their home, the girl cannot be asked to leave, but what does he risk by having her stay?

As the third wave of the virus hits, all inhabitants of Melbourne are given until 8pm to get to their homes. Wherever they are when the curfew hits, they must live for four weeks and stay within a 5km radius. When Lou’s son Samuel doesn’t arrive home by nightfall she begins to panic. He doesn’t answer his phone. He doesn’t message. His social media channels are inactive. Lou is out of her mind with worry, but she can’t go to the police, because she has secrets of her own. Secrets that Samuel just can’t find out about. Lou must find her son herself and bring him home.

Adam Turner works the mid-dawn shift at his local radio station. From 12am to 6am, it’s his job to fill the airtime with old songs, inane chatter, and the occasional talkback caller. It’s a long way from his prime-time slot from over a decade ago, when he was a star in the making. Now there’s no producers, no billboards, no stakes, and not many listeners. His frequent callers are drunk students headed home from a night out, or long-range truck drivers. He is completely alone in the studio from midnight until dawn every night. And then one night at 12:45am, he gets a different kind of call.

Corinne Gray is a woman whose life is falling apart. When probationary detective Kyle Nazarian unexpectedly knocks on her door on a rainy morning, she knows why. He wants to talk about her son, Ben. This is her chance to finally explain how her sweet-natured child – who loved history and dreamed of swimming for Olympic Gold – grew up to do the unthinkable. What really happened to Ben? And could anyone have prevented it?

When a simple mix-up leaves their father Joe’s estate to Eden, their long-absent mother, Clare and Aaron decide it’s finally time to track Eden down. But it’s been over thirty years since she left their remote outback mining town, and they’ve never heard from her again. Aaron is dealing with a new marriage that’s currently trapped in immigration limbo, and his teenage daughter Cady is clearly going through a personal crisis of her own.

Jackie and Pete King have lived in Dunmore for years, running one of the two local pubs in the sleepy little town. Money has been tight after the bushfires, and it’s about to get tighter if they can’t find a way to pay their suppliers to keep their business going and keep the bank from foreclosing on their property. So when Jackie receives a mysterious phone call offering them $100,000 to let someone bury a body on their land, the answer isn’t as simple as they thought it would be.

Situated in a beautiful setting abutting the Balarang waterways and located on an acre of natural bushland, this three-bedroom country home is full of promise, character and potential. Featuring private access to the many splendours of Balarang Creek, this idyllic property is perfect for anyone seeking fresh air and serenity. Nostalgic for childhood summers a world away from his manic Melbourne life, Dave Johnson purchases a secluded house in a postcard-perfect coastal town.

Stacey and Laney are twins—mirror images of each other—and yet they’re as different as the sun and the moon. Stacey works hard at school, determined to get out of their small town. Laney skips school and sneaks out of the house to meet her boyfriend. But when Laney disappears one night, Stacey can’t believe she’s just run off without telling her. As the days pass and Laney doesn’t return, Stacey starts dreaming of her twin. The dreams are dark and terrifying, difficult to understand and hard to shake, but at least they tell Stacey one key thing—Laney is alive.

Lenny has always known that his wife, Claire, is the love of his life. But somehow his marriage is in shambles, he’s struggling with the kids, and a string of anonymous text messages are tormenting him, insisting that Claire is a liar. Claire knows Lenny is a good man, but there’s a lot she hasn’t told him about her past. Now she’s terrified that the horrors that haunt her are about to put her entire family in danger. Strange new neighbours, insidious clients and schoolyard scandal begin to fracture Claire and Lenny’s happy families façade.

Emma and Ariella, neighbours in one of Sydney’s most exclusive suburbs, appear to have it all—perfect homes, perfect husbands, perfect lives. But they both know dark secrets lurk beneath the surface and shallow waters can’t hide Ariella’s. Now she has been found murdered. Her daughter filmed the killing. Not knowing what she’s filmed, Emma’s daughter Kiki innocently uploads footage of Ariella’s brutal death. Emma fears the worst—the killer will know what she and Kiki have seen. Their safe suburban lives no longer exist.

Australia has always been a land of mysteries. Some are ancient, some are historical and many continue to perplex us today—and will probably continue to do so tomorrow. More often than most of us would like to think, things simply vanish and people disappear without explanation, leaving a trail of heartbreak across generations. Australia also has its fair share of buried loot and fabulous riches gone missing—somewhere. Master storyteller Graham Seal has gathered mysteries from around Australia.

Combining the emotional power and dual narrative style of Before We Were Yours with the nuanced, layered, and atmospheric mystery of The Dry, a powerful debut novel revolving around a shocking disappearance, two neighbor families, and shameful secrets from the past that refuse to stay buried. It...

Constable Jenny Williams moved to an outback mining town to find her missing cousin. The cold case is finally warming up, but it appears the remote, desolate desert community is hiding more secrets. When a car crashes into the local motel reception, Jenny jumps in to help dig the owner from the debris—only to find tragedy. A woman’s corpse is discovered hidden in the carnage, turning the crash scene into a crime scene. Jenny starts digging, but quickly discovers the prime suspect is her friend, the woman who’s been her rock since she came to town.

Constable Jenny Williams took a job in a remote opal mining town for answers. When the case surrounding her missing cousin goes cold, she embraces an invitation to party with the locals. But the night is cut short when the live music event turns into a crowded crime scene. A high-pitched scream and the smell of burning flesh has left a woman burned to death. No one saw the perpetrator, not even Jenny. Now it’s her job to catch the psychopath before they kill again. With no ID, no witnesses and no one coming forward who knows the woman, her case has no leads—not even a motive.

Freya thought she could relax when Ryan's best mate Jamie got engaged to her best friend Hannah. Two couples, four friends – what could be better than that? But a day before the wedding, Freya is torn between keeping the peace or blowing it up. Hannah's perfect wedding is hours away and she's daydreaming of a honeymoon in Tahiti and starting the family she longs for when she hears the first-responder sirens. Is it a grass fire? Worse? And why aren't Ryan or Jamie answering their phones?

A woman has been found crushed and mutilated inside mining equipment. Jenny is sure the woman’s death was no accident. She investigates and uncovers a link to an extremist Sovereigntist cult who don’t take kindly to strangers. As if fanatics weren’t scary enough—the commune is full of armed men and what appears to be women held captive. Her gut instincts are telling her this cult is trouble, but she needs proof. Jenny’s boss tells her to do what she’s never been good at—be patient, don’t stir up trouble and keep her mouth shut.