Australian Thrillers

Sometimes work can be murder. Detective Sergeant Kiara Lui has just broken up a loud brawl between two blokes in front of the Warrigal Public Library. But just as she's about to leave the scene, a man plummets from the sky and slams into the bike rack right in front of her, dead. Head of Library Services, Neville Adams, was hated by staff, borrowers, and in fact anybody who had ever met him. What might have tipped that hatred into outright murder? The building is quickly sealed, trapping all the suspects inside.

Pauly Johnson is a successful surgeon at a Melbourne hospital with a beautiful wife, a loving family - and a memory he wishes he could erase. One night, he takes a drive on a lonely road above a steep drop, determined to end it all, but before he can put his plan into action, a woman steps out of the darkness and into the path of his car. In an instant, her life is ended and his is saved. Shattered by the experience, Pauly becomes obsessed with finding out who she was and why she wanted to kill herself. But he soon finds that the answers lie shockingly close to home.

Elise Glyk is a disgraced athlete. Her brother, Callum, is a well-liked teacher who has gone missing. In Elise’s search for her brother, they both become captured in a remote, abandoned farm. Their captor hates Callum, and refuses to explain why, but she has little interest in Elise. So she offers a gruesome bargain: she'll let Elise go - if Elise kills Callum. That way, Elise can't talk to the police, not without getting arrested for murder.

In an encounter straight out of fiction, Katie might have met Mr Right on the long-haul flight from Melbourne to New York. Richard Sinclair is charming, handsome, wealthy, cultured—and married. In an open marriage, according to him. When he invites her to join him in his lush lakeside villa in Italy as his son’s au pair, it might just be the opportunity for a reset that Katie has been longing for.

Photographer Isla Wilson is thrilled she's landed her dream job, but the clients who hired her are getting stranger by the day. It sounded so perfect—a month's assignment at the lush Scottish Highlands property of architect Alban McGregor, and his wife, Jessica. But in the woods, there's a playhouse with a chilling history. Two years ago, the McGregors' daughter Elodie was abducted and then died in that playhouse. The townspeople insist her abductor had to be a stranger in their town. Alban refuses to knock the playhouse down, even keeping a picture of it on his wall.

Adam Turner works the mid-dawn shift at his local radio station. From 12am to 6am, it’s his job to fill the airtime with old songs, inane chatter, and the occasional talkback caller. It’s a long way from his prime-time slot from over a decade ago, when he was a star in the making. Now there’s no producers, no billboards, no stakes, and not many listeners. His frequent callers are drunk students headed home from a night out, or long-range truck drivers. He is completely alone in the studio from midnight until dawn every night. And then one night at 12:45am, he gets a different kind of call.

As the third wave of the virus hits, all inhabitants of Melbourne are given until 8pm to get to their homes. Wherever they are when the curfew hits, they must live for four weeks and stay within a 5km radius. When Lou’s son Samuel doesn’t arrive home by nightfall she begins to panic. He doesn’t answer his phone. He doesn’t message. His social media channels are inactive. Lou is out of her mind with worry, but she can’t go to the police, because she has secrets of her own. Secrets that Samuel just can’t find out about. Lou must find her son herself and bring him home.

It's a blindingly hot summer. International visitors surge into Sydney's Darling Harbour. Two-year-old Tommy is sailing his toy boat in the park there with his mother Phoebe. Tommy vanishes into thin air. The following winter, taunting notes written as nursery rhymes begin arriving at his parents' home. Little Boy Blue, where did you go? Who led you away? Only I know.

To their followers, influencer couple Jess and Nick Brooks are beyond aspirational—they’re proof that you can have it all. They can dance and cook and surf, and somehow, they’re still madly in love despite juggling two young boys, Oliver and Archie. When a brand deal lands the family a free trip to an idyllic Balinese luxury resort, their dream holiday becomes a nightmare when Archie goes missing from the Kids Club. As the hunt for Archie begins, the loving and wholesome family that the Brooks present to their millions of followers starts to unravel.

On the eve of the global lockdown, Don Barlow opens the door of his old beachside cottage to find a pretty girl with pink-tipped hair, claiming to have nowhere to go. He allows her entry, and so begins a mystery set in unprecedented times: with the virus raging outside their home, the girl cannot be asked to leave, but what does he risk by having her stay?

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

When a simple mix-up leaves their father Joe’s estate to Eden, their long-absent mother, Clare and Aaron decide it’s finally time to track Eden down. But it’s been over thirty years since she left their remote outback mining town, and they’ve never heard from her again. Aaron is dealing with a new marriage that’s currently trapped in immigration limbo, and his teenage daughter Cady is clearly going through a personal crisis of her own.

With the same razor-sharp wit and self-aware charm that captivated readers in Everyone in My Family Has Killed Someone and Everyone on This Train Is a Suspect, Ernest Cunningham returns as your delightfully unreliable narrator in Everyone in This Bank Is a Thief. Bringing this story to life...

Lenny has always known that his wife, Claire, is the love of his life. But somehow his marriage is in shambles, he’s struggling with the kids, and a string of anonymous text messages are tormenting him, insisting that Claire is a liar. Claire knows Lenny is a good man, but there’s a lot she hasn’t told him about her past. Now she’s terrified that the horrors that haunt her are about to put her entire family in danger. Strange new neighbours, insidious clients and schoolyard scandal begin to fracture Claire and Lenny’s happy families façade.

In 1998, the American Jorgenson family had been on a year-long road trip in Australia. One humid, storming night, the mother - Elsa Jorgenson - vanished in an isolated stretch of Australian everglades. Elsa was never seen again. That night, twelve-year-old Lily Jorgenson was left alone and terrified in the family camper—even her teenage sister Iris is missing. When Iris comes racing back through the rain, she refuses to tell where she’s been. Lily is certain her sister is hiding a dark secret.

Stacey and Laney are twins—mirror images of each other—and yet they’re as different as the sun and the moon. Stacey works hard at school, determined to get out of their small town. Laney skips school and sneaks out of the house to meet her boyfriend. But when Laney disappears one night, Stacey can’t believe she’s just run off without telling her. As the days pass and Laney doesn’t return, Stacey starts dreaming of her twin. The dreams are dark and terrifying, difficult to understand and hard to shake, but at least they tell Stacey one key thing—Laney is alive.

Seven strangers are invited to compete to win a clifftop mansion. The rules are simple: each contestant must have at least one hand in contact with one part of the house at all times. The last one to take their hand off, wins the house.

Corinne Gray is a woman whose life is falling apart. When probationary detective Kyle Nazarian unexpectedly knocks on her door on a rainy morning, she knows why. He wants to talk about her son, Ben. This is her chance to finally explain how her sweet-natured child – who loved history and dreamed of swimming for Olympic Gold – grew up to do the unthinkable. What really happened to Ben? And could anyone have prevented it?

Stan Weir is mourning a tragic loss when he meets a mysterious nine-year-old girl, who claims to be the reincarnated spirit of his late wife. Marcy Keef is a single mother trying to make ends meet when her daughter Erin starts describing ‘past life memories’. Neither wants to believe Erin, but as violent secrets are revealed, the truth becomes harder to deny.

Knives Out and Clue meet Agatha Christie and The Thursday Murder Club in this “utterly original” (Jane Harper), “not to be missed” (Karin Slaughter), fiendishly clever blend of classic and modern murder mystery. “A witty twist on classic whodunits… Stevenson not only 'plays fair,' he...